An exhibition of 31 artists whose works entrance, transfix and challenge us, Mixing It Up celebrates paintings that bring together diverse images and ideas.
Mixing It Up brings together 31 contemporary painters who exploit the unique characteristics of their medium to create fresh, compelling works of art that speak to this moment.
Approaching painting as a platform for speculative thinking and unexpected conversations, the artists in this exhibition make works that oscillate between observation and invention, depiction and allegory, illusion and materiality.
Born 1968, Cape Town, South Africa Lives and works between London, UK, and Port of Spain, Trinidad
In her depictions of female artists and models in studio settings, Lisa Brice reimagines paintings of women from the nineteenth and twentieth centuries, liberating them from a restrictive and male-dominated art history. 'Sometimes the simple act of repainting an image of a woman previously painted by a man can be a potent shift', she observes.
Brice presents her subjects in a moment of intermission, perhaps a break between sittings. Adopting poses of ease and self-possession, they are 'performing only for themselves and one another', evoking the 'infinite possibilities embodied in these transitional states of being.
2020
Ink, gesso, synthetic tempera, chalk and oil pastel and oil on canvas mounted on board
Courtesy the artist; Stephen Friedman Gallery, London; Salon 94, New York; and Goodman Gallery, South Africa
2020
Ink, synthetic tempera, pencil crayon on linen mounted on wooden panel
Courtesy the artist; Stephen Friedman Gallery, London; Salon 94, New York; and Goodman Gallery, South Africa
2017
Acrylic on canvas
Valeria and Gregorio Napoleone collection, London
2020
Acrylic on canvas
Cranford Collection, London
2019
Acrylic on canvas
Courtesy the artist, Sies + Hōke,
Düsseldorf and Greene Naftali, New York
2020
Acrylic on canvas
Courtesy the artist, Sies+ Hōke, Düsseldorf and Greene Naftali, New York
2019
Acrylic on canvas
Courtesy of the artist and Modern Art, London
2020
Mixed media on canvas
Courtesy of the artist and Modern Art, London
2021
Mixed media on linen
Courtesy of the artist and Modern Art, London
2020
Mixed media on canvas
Courtesy of the artist and Modern Art, London
Born 1984, Baghdad, Iraq
Lives and works in London, UK
Mohammed Sami grew up in Baghdad and his paintings draw on memories of the chaos that engulfed Iraq following the US-led invasion in 2003. The artist does not represent conflict directly, but aims instead to convey the psychological charge and trauma that lingers in its wake. Family Issues II shows a chair jammed against a door, as if barring entry against an unknown intruder. In Electric Chair I, Sami depicts a throne used by Saddam Hussein against an opaque backdrop. The ornate moulding and velvet seat create a striking contrast with the painting's sinister title - a reference to the fate met by many opponents of the dictator's regime.
2020
Acrylic on canvas
Courtesy of the artist and Modern Art, London
2021
Acrylic on canvas
Courtesy the artist, Pilar Corrias, London, Wentrup
Gallery, Berlin, and Greene Naftali, New York