Abolitionist Art-Based Organizations (Ahtziry)
Abolitionist Art-Based Organizations (Ahtziry)
Ahtziry Tinajero
I started thinking about abolition during the Black Lives Matter protests following the murder of George Floyd. I would hear activists say things like “defund the police,” and that is when I got curious about what it means to live in a world without police å to reinvest those funds into BIPOC [Black, Indigenous, and People of Color] communities.
Abolition as a framework for social justice was implied when I took a Spanish class called “Capitalism and the Commons” during my junior year of college. We learned about different collectives across Spain working to create their ways of living communally outside a capitalist system. It was my first time hearing that the solution to the problems caused by this oppressive system is to abolish it altogether because you cannot reform a system designed to enforce white supremacy, patriarchy, and colonialism. Instead, the approach is to develop local, community-based solutions that prioritize marginalized peoples’ well-being without relying on the institutions that harm them.
I had heard about “abolitionist education” from Professor Chikkatur, but I never fully understood what an abolitionist education looked like in practice until I took my Senior Seminar class this year. Our first in-class conversations revolved around the school-to-prison pipeline and how we can use this concept to understand how carcerality is enforced through technology implementation. Through our discussions of discipline and surveillance, I realized how my own educational experiences were shaped by carceral logic. I had normalized equating school safety with constant police presence, passing through metal detectors, and backpack checks.
Now, alongside my class, I am working on challenging this internalized view in ways that help me envision a future where school safety means no suspensions, students can trust adults and express themselves without fear of punishment, and the community is involved in educating their children. Additionally, learning about ethnic studies has helped me see the value of creating a curriculum that empowers BIPOC and LGBTQIA+ youth to fight systemic inequality by teaching them their history and culture across different disciplines.
Having been involved in public scholarship and community-led work, I am always interested in learning about the efforts of grassroots organizations that make knowledge accessible to the public. Listening to the One Million Experiments podcast episode on Queenie’s Crew for our Senior Seminar class made me want to explore more ways we can talk about abolition with elementary school students. Likewise, reading about organizations like Black Girl Free that use art instead of state-provided social services for healing inspired me to pursue the intersections of art and abolition for my final project. Furthermore, this project allowed me to approach what I know about abolition—understood as dismantling oppressive systems using our community’s resources and imaginations to support each other—through an artistic lens in ways that honor and recognize the community work that is being done to make abolition education accessible.
I created the Art Through Abolition graphic to show my findings about art-based abolition in a creative way. It is meant as a tool for understanding community organizations' different responses to mass incarceration, punishment, and policing in schools. The graphic highlights the various ways in which we can provide safety and healing to BIPOC [Black, Indigenous, and other People of Color] and LGBTQIA+ [Lesbian, Gay, Bisexual, Transgender, Queer/Questioning, Intersex, Asexual, and all other sexual orientations and gender identities] youth without reinforcing carceral logic or systemic oppression. It is also designed to inspire YOU to create your own art-based abolitionist approaches and for individuals and groups to introduce this concept to others in a digestible (and colorful) way!
Guide to reading this graphic
It might be helpful to reference this graphic after reading through each organization to understand where the words come from. However, this graphic is intended for people to familiarize themselves with the idea and range of art-based abolition work, so feel free to look at this graphic first and then return to it after reading through the information to see if the words take on new meanings!
Start by looking at the title of the graphic located in bold black letters at the center of the page. Think about what the words mean and then reflect on how they are arranged. What things come to mind when you think about art and abolition?
Next, identify the different art practices that are distinguished by a drawing. What does the drawing suggest about the particular art practice? What might you add or change to the design?
Using the legend, match the ideas and phrases that are associated with each organization. What do the organizations have in common? What distinguishes one organization or art practice from the other?