All students deserve quality educators and quality curriculums. For this reason, I believe that being well-planned and well-prepared are crucial for students to succeed. Because I understand that people do not respond well to random tasks that seem to be mindless, I make sure that every assignment and task is driven by a sense of purpose. When I create lessons and activities, I think about what my students need to learn to succeed in our summative and make sure that they will build up to this task. When I am planning units, I think about what larger skills and standards I want to focus most heavily on, and make sure that I am selecting tasks that will develop these skills and also be measurable. I have also learned the value of reflection, both from a teacher’s standpoint and that of a student. I reflect on the lessons I planned and how students responded to them in creating further assignments, and I also encourage students to reflect on their own experiences in order for them to set their own goals for themselves.
In general, my goal in this unit is to have students explore existing power dynamics and the ways in which they influence character motivations, character development, and thematic development. As I was planning, however, I kept thinking about how The Great Gatsby is often hated because readers perceive the characters as one-dimensional and the plot as disconnected from our reality. In thinking about my classroom, I wanted students to dig deeper and make meaning of this book for themselves so that they would neither take this book for its surface plot nor internalize the harmful narratives that this book reminds us exist in our world. In order “to help shift [students’] mindset” from fixed regarding their relationships to English classrooms and the world around them, “dependent learners have to develop their own individual counternarratives” to the things they have been told are true (Hammond, 223). By promoting deep thinking and active engagement with the text, I am not just hoping students will notice and create connection between themselves and the text, but I want them to question messages (such as negative self-talk or negative mindsets about the way the world is) and who passed these down to them, as well as what empowered individuals gain from maintaining supremacy over people who look like my students. In addition to empowering students to develop agency both in their learning and their society, I am largely focusing on “building intellective capacity” by using various “instructional strategies that help move students through each stage” of intellectual development and processing (Hammond, 246). We will be using call-and-response strategies, for example, to help them prioritize listening during instructions so that they can fully utilize independent work time rather than have to wait for the instructions to be repeated. If they can use their work time better, then they will be able to build up endurance for schoolwork that they seem to have lost across virtual education.
In my toolkit, I discuss many tools and methods that we are using in order to prepare students throughout the unit for their summative assessment. In this final project, students are asked to create a presentation in which they explore the idea of the American Dream, how particular characters relate to this idea, and what the dream means to people today. They will be using technology to keep track of the notes that they take throughout the semester, such as Padlet, in which they can track the notes they take by color-coding and sorting them. This will help them once the summative approaches and they want to look through and make sense of the quotes that have stood out to them. In addition, because the use of evidence is highly important, we will be using Glose Education for enhancing close reading skills and annotations. In addition to keeping a digital record of notes, students will be using 3-2-1 note catchers, so that they know exactly what we are reading for on a particular day. Seeing as how “graphic organizers show how information can be visually arranged, helping students to see the big picture of what they’re learning—and the relationships between important chunks of content,” we will be using them as students come to understand the relationships between character identity and the power that they may or may not have (McTighe, 84). We will be “having learners venture a prediction or generate a hypothesis before a lesson” as this has been shown generates “intrigue, [help] students tease out their prior knowledge, and [get] their minds “primed” for new learning” (McTighe, 70). This is part of the 3-2-1 notes, in which students ask themselves a question about the text, but also part of our entry routines in which students will be asked provocative questions that will be their entrance ticket for class and addressed throughout the day’s lesson, and are also a form of pre-assessment to show what students knew before a lesson began. In asking provocative questions to begin class, students will also be ready to answer harder questions, such as what the American Dream means to them, We will also have students practice finding main ideas and creating summaries through 4-2-1 activities, which encourage collaborative learning and processing and have students practice speaking with others, as their summative assessment is a presentation. Finally, we will also use methods to develop argument writing with evidence, like murder mystery activities that engage students in the “process of generating and testing hypotheses … and challenging them to develop and test possible explanations” while showing what clues they believe led them to their conclusions (McTighe, 77-8). Overall, the activities and methods chosen are designed to encourage student growth and engagement as they prepare for a summative that requires them to create text-to-self connections and defend text-to-world claims.
These texts each address the essential questions of our Great Gatsby unit in different ways and offer different kinds of entry points to get students invested in the reading. All of these texts could be used in pre-reading activities or early reading activities and revisited after finishing the target text, and they each encourage students to grow in different capacities. The inclusion of multimedial supplementary texts, as well as texts of different genres and lexical difficulties, promotes opportunities for students to learn various skills. These include historical knowledge for understanding the context of the novel and thematically connected texts that encourage deeper thinking and personal connections, which are both incredibly important in the ELA classroom.
In my classroom, differentiated instruction was very important, given that each student deserves equal access and opportunity in a class to be able to succeed. For a two-cent discussion, students had to engage with one another in small groups and this would require them to be prepared. For this lesson, I grouped two students together who required teacher proximity to help them stay on track. In doing so, I made a cleare choice about what area of the classroom I would gravitate to so that my students who were best suited to independent work could have that while my students with higher needs could have me more easily available. Additionally, one of my students at times cannot speak to a large group, so I actively made accommodations for students to be able to share their thoughts by having a partner share what they had written. This would allow her to contribute to discussions and have her opinions heard without feeling too anxious to participate.
In this lesson, students were having two-cent discussions about a song that was thematically connected to our target text, The Great Gatsby. As students would be required to talk with one another and share out loud, I wanted to make sure that all of my students would be able to do so in a way that seemed lower-stakes. To do so, I wanted to support language output for students by providing sentence stems and a guided quickwrite. As students were preparing to discuss, they had sentence stems available to them so that they could write down responses in the way they might say them out loud, preparing them with at least one to two ideas that they could use to find the words they needed to discuss the ideas they had. All of my MLLs are at levels three or higher, so this was an appropriate scaffold that they benefited from.
In this lesson, students were asked to create new social media profiles to reflect the characters in our unit, Romeo & Juliet. This incorporation of technology into our unit made this activity culturally relevant for their interests, required them to develop their skills with the Google Suite, and promoted application of character knowledge in its translation to modern English. The creation aspect of this assessment was based on the highest level of Bloom’s Taxonomy, which also encouraged students to creatively construct their own interpretations of the characters we had been studying and how they would each connect with one another in a modern society with a platform that my students were deeply familiar with.