Day 1 Schedule

09:30-11:00 Session 1: Creative Authorship

Chair: Jan Butler

Hitchcock's Silence - Lara Ehrenfried

Guiseppe Becce, The Ennio Morricone of Germany's Heimatfilm genre - Maria Fuchs

Reading Music in Screenplays: The case of Walter Reisch - Claus Tieber

11:00-12:30 Session 2: Film 1

Chair: James Cateridge

Thump: the Politics of Acousmatic Listening in Lucrecia Martel's La Mujer Sin Cabeza (The Headless Woman, 2008) - Andrea Avidad

The Sound of the Monstrous: Music and Sound Design in Crimson Peak - Steve Halfyard, prerecorded presentation

Sonic Showdowns: An Anatomy of a Fight Sequence: The Red Circle Nightclub fight in John Wicke (2014)  - Lindsay Steenberg and Lisa Coulthard

12:30-13:30 Lunch

13:30-15:00 Session 3: Television 1

Chair: Matt Lawson

Tick Tock: Engaging with Narratively complex television through Music and Sound - David Brown

Music as Narrative Tool for Shifting Meanings in Television Format Adaptations - Edward Larkey

How Much Library Music? A Content Analysis of British Television Channels  - Toby Huelin

15:00-16:30 Session 4: Sound Design

Chair: Jan Butler

Contemporary Sound Design - Tarun Madupu

Kolkata Chronicles: An Analysis of the Urban Soundscape in Alternative Bengali Films - Amrita Biswas

'Listen to the Sounds': The Role of Sound and Music in Twin Peaks: The Return (2017) - Michael N. Goddard

Day 2 Schedule

09:00-10:30 Session 5: Documentary

Chair: James Cateridge

Sonic Elongation: Stretched Sounds in Experimental Documentary Film - Holly Rogers and Heather Britton

Lies, Damn Lies and Acoustics: Examining aural modality in animated documentary cinema - Joe Sudlow

Imperially Unheard: African Music and Visual Geography in the work of the Colonial Film Unit (CFU) - Anushrut Ramakrishnan Agrwaal

10:30-12:00 Session 6: Early Cinema and the Golden Age of Hollywood

Chair: Lindsay Steenberg

Phantacusis: Visually Implied Sound in Silent film - Jacob Browne

Exploring Music as Resistance in Meet Me in St Louis's Patriarchal Utopia - Katy Jayasuriya

Considering Hanns Eisler's score to Nuit et Brouillard (1955) - Matt Lawson

12:00-12:45 Lunch

12:45-13:30 Keynote Speaker: Emilio Audissino

Biblical References and Ominous Anticipations in John Williams's Score for The Raiders of the Lost Ark.

Chair: Matt Lawson

13:30-15:00 Session 7: Nature, Sound, and Film Music

Chair: James Cateridge & Jan Butler

A Wave of Madness: Scoring Mental Illness in Asylum Film through the Visual and Musical Symbol of Water - Eleanor Smith

Musical call: An Animal Oriented Approach to Film Music - Emilia Czatkowska

'noise, air and wind': Direct, Ambient Sound in the Soundscapes of Danièle Huillet and Jean-Marie Straub  - Laura Lux

15:00-16:00 Session 8: Spaces and Architecture

Chair: Lindsay Steenberg

Audiovisual Space: Recontextualising Sound-Image Media - Andrew Knight-Hill

Soundscapes in fragmented local archive film - Angela English

Day 3 Schedule

09:30-11:00 Session 9: Film 2

Chair: Kirsten Etheridge

Birdman, Musical Materiality and Embodied Cognition - Jonathan Godsall

Sounds of Futuristic Nostalgia: The Cultural Legacy of Blade Runner and the Yamaha C5-80 Synthesiser - Julin Lee

Patriarchal domination, violence and gender in Alberto Iglesias' film music for The Skin I Live In - Diego Alonso

11:00-12:45 Session 10: Pre-existing Music in Film

Chair: Jan Butler

'Bands who Are Indie? Like, Ok, you got the TV on the Radio.  But the rest of them are white": Indie Music, American independent Film and Blackness - Jamie Sexton

Eyes Re-Opened - Elucidation and Enlightenment Through Music in Eyes Wide Shut (1999) - Marie Bennett

Distinguishing Characters: The Symbolic use of WAM and Pop in Fernando Meirelles' The Two Popes (2019) - Anika Babel

'Galaxy Wars' and 'Carribean Pirates': the Practice of 'Soundalikes' in Library Music - Julia Durand

12:45-13:30 Lunch

13:30-15:00 Session 11: Television 2

Chair: Lindsay Steenberg

50 Percent: Sound and Narrative in Telefantasy Franchise - Leslie McMurtry

'A natural kind of partnership': The Crafts of Music, Sound and Graphic Design in Television Idents - Melissa Morton

The Neo-silent Aesthetic of Narrative Television - Peter Adams

15:00-16:30 Session 12: Spaces of Reception

Chair: Matt Lawson

Manchester by the Sea (2016): Amazon and the Prime Age of Indie Film Scoring - James Moffatt

Absences in Sound and Image: The Transmedia Project of Soundtrack (2017) - Camila A.P. de Figueiredo

16:00  Closing Remarks

The Conference Committee