09:30-11:00 Session 1: Creative Authorship
Chair: Jan Butler
Hitchcock's Silence - Lara Ehrenfried
Guiseppe Becce, The Ennio Morricone of Germany's Heimatfilm genre - Maria Fuchs
Reading Music in Screenplays: The case of Walter Reisch - Claus Tieber
11:00-12:30 Session 2: Film 1
Chair: James Cateridge
Thump: the Politics of Acousmatic Listening in Lucrecia Martel's La Mujer Sin Cabeza (The Headless Woman, 2008) - Andrea Avidad
The Sound of the Monstrous: Music and Sound Design in Crimson Peak - Steve Halfyard, prerecorded presentation
Sonic Showdowns: An Anatomy of a Fight Sequence: The Red Circle Nightclub fight in John Wicke (2014) - Lindsay Steenberg and Lisa Coulthard
12:30-13:30 Lunch
13:30-15:00 Session 3: Television 1
Chair: Matt Lawson
Tick Tock: Engaging with Narratively complex television through Music and Sound - David Brown
Music as Narrative Tool for Shifting Meanings in Television Format Adaptations - Edward Larkey
How Much Library Music? A Content Analysis of British Television Channels - Toby Huelin
15:00-16:30 Session 4: Sound Design
Chair: Jan Butler
Contemporary Sound Design - Tarun Madupu
Kolkata Chronicles: An Analysis of the Urban Soundscape in Alternative Bengali Films - Amrita Biswas
'Listen to the Sounds': The Role of Sound and Music in Twin Peaks: The Return (2017) - Michael N. Goddard
09:00-10:30 Session 5: Documentary
Chair: James Cateridge
Sonic Elongation: Stretched Sounds in Experimental Documentary Film - Holly Rogers and Heather Britton
Lies, Damn Lies and Acoustics: Examining aural modality in animated documentary cinema - Joe Sudlow
Imperially Unheard: African Music and Visual Geography in the work of the Colonial Film Unit (CFU) - Anushrut Ramakrishnan Agrwaal
10:30-12:00 Session 6: Early Cinema and the Golden Age of Hollywood
Chair: Lindsay Steenberg
Phantacusis: Visually Implied Sound in Silent film - Jacob Browne
Exploring Music as Resistance in Meet Me in St Louis's Patriarchal Utopia - Katy Jayasuriya
Considering Hanns Eisler's score to Nuit et Brouillard (1955) - Matt Lawson
12:00-12:45 Lunch
12:45-13:30 Keynote Speaker: Emilio Audissino
Biblical References and Ominous Anticipations in John Williams's Score for The Raiders of the Lost Ark.
Chair: Matt Lawson
13:30-15:00 Session 7: Nature, Sound, and Film Music
Chair: James Cateridge & Jan Butler
A Wave of Madness: Scoring Mental Illness in Asylum Film through the Visual and Musical Symbol of Water - Eleanor Smith
Musical call: An Animal Oriented Approach to Film Music - Emilia Czatkowska
'noise, air and wind': Direct, Ambient Sound in the Soundscapes of Danièle Huillet and Jean-Marie Straub - Laura Lux
15:00-16:00 Session 8: Spaces and Architecture
Chair: Lindsay Steenberg
Audiovisual Space: Recontextualising Sound-Image Media - Andrew Knight-Hill
Soundscapes in fragmented local archive film - Angela English
09:30-11:00 Session 9: Film 2
Chair: Kirsten Etheridge
Birdman, Musical Materiality and Embodied Cognition - Jonathan Godsall
Sounds of Futuristic Nostalgia: The Cultural Legacy of Blade Runner and the Yamaha C5-80 Synthesiser - Julin Lee
Patriarchal domination, violence and gender in Alberto Iglesias' film music for The Skin I Live In - Diego Alonso
11:00-12:45 Session 10: Pre-existing Music in Film
Chair: Jan Butler
'Bands who Are Indie? Like, Ok, you got the TV on the Radio. But the rest of them are white": Indie Music, American independent Film and Blackness - Jamie Sexton
Eyes Re-Opened - Elucidation and Enlightenment Through Music in Eyes Wide Shut (1999) - Marie Bennett
Distinguishing Characters: The Symbolic use of WAM and Pop in Fernando Meirelles' The Two Popes (2019) - Anika Babel
'Galaxy Wars' and 'Carribean Pirates': the Practice of 'Soundalikes' in Library Music - Julia Durand
12:45-13:30 Lunch
13:30-15:00 Session 11: Television 2
Chair: Lindsay Steenberg
50 Percent: Sound and Narrative in Telefantasy Franchise - Leslie McMurtry
'A natural kind of partnership': The Crafts of Music, Sound and Graphic Design in Television Idents - Melissa Morton
The Neo-silent Aesthetic of Narrative Television - Peter Adams
15:00-16:30 Session 12: Spaces of Reception
Chair: Matt Lawson
Manchester by the Sea (2016): Amazon and the Prime Age of Indie Film Scoring - James Moffatt
Absences in Sound and Image: The Transmedia Project of Soundtrack (2017) - Camila A.P. de Figueiredo
16:00 Closing Remarks
The Conference Committee