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Short films from 11/10 to 15/10 (v.o SPA - Subs ENG) Book a place
Q&A with the Collective Nosotras Audiovisuales: 12/10 h. 18 (UK time zone) Book a place
SYNOPSIS
"Urgent Stories" is a series of social connotation created by audiovisual producers to make visible the needs and experiences of women and dissidents, which are relevant in our territory. This audiovisual series was born to keep alive the flame that started the social revolt in October 2019, and is a collective creation with pandemic origin and contributions from different women in different territories of the country. In the fourth chapter "Resistance, Voice and Vote" we raise as a theme the political incidence of women through the vote. From the first women's vote for president in Chile to the vote for a new parity constitution, different women relate their experiences, struggles and desires about a country that they consider has a lot to change.
ABOUT NOSOTRAS AUDIOVISUALES
Nosotras Audiovisuales (NOA) is an informal grouping of women and gender diversities, workers in the Chilean audiovisual industry composed of more than 3000 members. Since 2016, we encourage networking among audiovisual women, opening spaces for collaboration and information on the various projects in which we participate. Our main purpose is to encourage, promote and make our audiovisual work visible. This initiative arises from the need to connect audiovisual women with each other due to the lack of existing instances that cross the barriers of each particular medium, such as film, television and advertising. NOA is currently a national network with branches and alliances in Arica, Iquique, Antofagasta, Coquimbo, Valparaíso, Concepción, Temuco, Valdivia and Santiago.
Original Title: Historias urgentes: resistencia, voz y voto
English Title:Urgent Stories: Resistance, Voice and Vote
Duration: 15 min / color /
Country: Chile
Year: 2020-21
Sitio Web:
https://nosotrasaudiovisuales.cl/home/
Instagram @nosotrasaudiovisuales
Filming grounds: La Serena, Valparaíso, Santiago, Linares, Ñuble, Hualqui, Concepción, Puyuhuapi, Chile; Barcelona, Madrid, España; Brasil; Alemania.
CREW
Editing: Flavia Furtado
Sound Design: Antonia Valladares
Production: Agitation and Revolt Commission
Animation: Fanny Leiva
Colorist: Nicole Amaya
Poster: Verónica Abarca (Cianotipia) and Jenifer Orellana
Filmmakers: Viola Banda, Silvia Lorena Guerrero, Macarena López Robles, Lía Pira Jiménez Infante, Keka De Luca, Constanza Fabiola Silva Núñez, Elisa Torres Olave, Xani Garcés, Isidora Melo Ramírez, Anahi Melo Ramírez, Anahi Mou, Ximena Araya Munizaga, Geraldine Mancilla Aranda, Silla del Sol Producciones,
Daniela Suárez Díaz, Fernanda Aburto Espinosa, Alison Ninoska, Darlyn Martínez Peña, Cristina Vega, Ninoska Córdova, Liss Fernández, Silvana Meza, Ángela Jarpa Jerez / Karen Baher, Carolina Meneses Vergara, Daniela Prado Sarasúa, Valeria Fuentes Briones, Camila Rodó, Flavia Furtado, Antonia Valladares.
MEMBER OF NOSOTRAS AUDIOVISUALES IN Q&A
ARANTZA CARRIZO-ORTIZ
ARANTZA CARRIZO-ORTIZ
Arantza Carrizo-Ortiz: Filmmaker graduated from the University of Chile and Executive Production at UCLA. Dedicated to independent film production, she has participated in numerous national and international festivals, in addition to winning first place in the short film category at the 2013 FEMCINE Women's Film Festival as a producer and editor. She works at her company Estudio 19, where she produces "elevated" genre projects, especially fantasy, suspense, science fiction, and thriller, packed with powerful social, psychological, and political views. Currently in charge of NOA's treasury department.
Muriel Riquelme Andalaft
Muriel Riquelme Andalaft
Muriel Riquelme Andalaft: Filmmaker graduated on 2010 from Cinema school at Universidad del Desarrollo in Santiago. Followed the path of Cinematography and camera operating participating in the camera department in two feature films (Anónimo 2010 and Gloria 2012) Entered the stopmotion animation world in 2011 after studying at VanArts in Vancouver. Joined NOA and has been contribuiting on different projects of the collective in photography, editing, translation and subtitles. Currently working as a freelance editor and just founded Muna Traducciones, a translations company focused on audiovisual and environmental projects.
DISCUSSANT INTRODUCING THE Q&A SESSION
DEBORAH SHAW
DEBORAH SHAW
Deborah Shaw is Professor of Film and Screen Studies at the University of Portsmouth. Her research interests include transnational film, Latin American cinema, and film and migration, and she has published widely in these areas. She is the founding co-editor of the Routledge journal Transnational Screens, and her books include Contemporary Latin American Cinema: Ten Key Films (2003), The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón, Manchester University Press (2013), The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan, co-edited with Ann Davies and Dolores Tierney (2014), and Latin American Women Filmmakers: Production, Politics, Poetics, co-edited with Deborah Martin for the World Cinema Series with I.B.Tauris (2017). Her latest book is Sense8: Transcending Television, co-edited with Rob Stone with Bloomsbury Publishers (2021).
CONTACT US: dmissero@brookes.ac.uk
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