Bibliography

Image credit: Ludovico Ariosto, Orlando furioso (Philaldelphia: Henry Hudson, 1816), title page. Courtesy of the George  J. Mitchell Department of Special Collections & Archives, Bowdoin College Library.

Bibliography (Created from Group Zotero Library)

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———. Orlando Furioso: A Romantic Epic: Part 1. Translated by Barbara Reynolds, 1975.

Ascoli, Albert Russell. “Ariosto and the ‘Fier Pastor’: Form and History in Orlando Furioso.” Renaissance Quarterly 54, no. 2 (ed 2001): 487–522. https://doi.org/10.2307/3176785.

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Burgers, Johannes. “Familial Places in Jim Crow Spaces: Kinship, Demography, and the Color Line in William Faulkner’s Yoknapatawpha County.” Journal of Cultural Analytics 5, no. 2 (July 22, 2020). https://doi.org/10.22148/001c.14112.

Cavallo, Jo Ann. The World beyond Europe in the Romance Epics of Boiardo and Ariosto. Toronto Italian Studies. Toronto: University of Toronto Press, 2013.

Chiampi, James Thomas. “Between Voice and Writing: Ariosto’s Irony According to Saint John.” Italica 60, no. 4 (1983): 340–50. https://doi.org/10.2307/478855.

Coscia, Michele. "The Social Network of Dante's Inferno." michelecoscia.com, December 12, 2013. https://www.michelecoscia.com/?p=688  

D. S. Carne-Ross, “The One and the Many: A Reading of Orlando Furioso,” Arion, n.s., 3 (1976): pp. 146-219. https://www.jstor.org/stable/20163414 

Fiormonte, Domenico. "Per una critica culturale delle Digital Humanities." In Dall'informatica umanistica alle culture digitali. Quaderni DigiLab, Vol. 2, 220-242. Rome: Casa Editrice Universita' La Sapienza, 2012.

Gardner, Edmund Garratt. Dukes & Poets in Ferrara; a Study in the Poetry, Religion and Politics of the Fifteenth and Early Sixteenth Centuries. London: Constable, 1904. https://catalog.hathitrust.org/Record/008644718.

———. The King of Court Poets: A Study of the Work Life and Times of Ludovico Ariosto. New York: E.P. Dutton and Company, 1906. https://catalog.hathitrust.org/Record/001804627.

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Gulizia, Stefano. “L’Arcadia Sulla Luna: Un’inversione Pastorale Nell’ ‘Orlando Furioso.’” MLN 123, no. 1 (2008): 160–78.

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Jacobs, Arthur M. “Sentiment Analysis for Words and Fiction Characters From the Perspective of Computational (Neuro-)Poetics.” Frontiers in Robotics and AI 6 (2019). https://www.frontiersin.org/articles/10.3389/frobt.2019.00053.

James, Heather. “An Aethiopian Sodomite, Aesop, and Ovid: The Undoing of Dynastic Epic in Ariosto’s Orlando Furioso.” Modern Philology 117, no. 2 (November 2019): 163–93. https://doi.org/10.1086/705721.

Javitch, Daniel. “Cantus Interruptus in the Orlando Furioso.” MLN 95, no. 1 (1980): 66–80. https://doi.org/10.2307/2906415.

———. Proclaiming a Classic: The Canonization of Orlando Furioso. Princeton University Press, 2014.

———. “Reconsidering the Last Part of Orlando Furioso: Romance to the Bitter End.” Modern Language Quarterly 71, no. 4 (December 1, 2010): 385–405. https://doi.org/10.1215/00267929-2010-020.

———. “The Imitation of Imitations in Orlando Furioso.” Renaissance Quarterly 38, no. 2 (1985): 215–39. https://doi.org/10.2307/2861663.

———. “The Orlando Furioso and Ovid’s Revision of the Aeneid.” MLN 99, no. 5 (December 1984): 1023. https://doi.org/10.2307/2905398.

Jockers, Matthew L. Text Analysis with R for Students of Literature. Quantitative Methods in the Humanities and Social Sciences. Cham: Springer International Publishing, 2014. https://doi.org/10.1007/978-3-319-03164-4.

———. “The Ancient World in Nineteenth-Century Fiction; or, Correlating Theme, Geography, and Sentiment in the Nineteenth Century Literary Imagination.” Digital Humanities Quarterly 010, no. 2 (June 7, 2016).

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Kennedy, William J. “Ariosto’s Ironic Allegory.” MLN 88, no. 1 (1973): 44–67. https://doi.org/10.2307/2907847.

Leisawitz, Daniel. Orlando Furioso Atlas, Sept. 2016, www.furiosoatlas.com/.  

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Sims, James H. “Orlando Furioso in Milton: Heroic Flights and True Heroines.” Comparative Literature 49, no. 2 (1997): 128–50. https://doi.org/10.2307/1771342.

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Casari, Mario, Monica Preti, and Michael Wyatt, editors. «Ariosto and the Arabs»: Contexts of the Orlando Furioso. I Tatti Research Series. Cambridge, MA: Harvard University Press, 2022.

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Ugolini, Paola. “Self-Portraits of a Truthful Liar: Satire, Truth-Telling, and Courtliness in Ludovico Ariosto’s Satire and Orlando Furioso.” Renaissance and Reformation 40, no. 1 (July 21, 2017): 141–60. https://doi.org/10.33137/rr.v40i1.28451.

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