Evolution of Senegalese Music
1960s
Modern Senegalese music took off in the 1960s after becoming a newly independent country. Traditional drums like the sabar were introduced by leading orchestras and Cuban influence created a Latin style of music in Senegal.
1970s
In the 1970s, the president of Senegal, Leopold Sédar Senghor, opted to create a band, Le Baobab, to reflect the local culture of Senegal and also act as entertainment for the country’s official guests. Growing trends towards traditional percussion instruments and talking-drums emerged alongside with a new style called Mbalax started to emerge.
1980s
The 1980s saw a disappearance of Cuban style music in Senegal and Mbalax came to be the most popular musical genre in Senegal.
Contemporary Senegalese music includes classic West African drumming styles, the kora and the native sabar drum and dance tradition. Music is an essential part of life in Senegal and is used in daily life for all sorts of purposes. Specifically, drumming and music is most notably found in weddings, baby naming ceremonies, or ladies’ afternoon teas. As aforementioned, mbalax is currently Senegal's national popular music. Mbalax came about when the griots began experimenting with traditional Senegalese music, Cuban music and American R&B and soul.
Popular Instruments
Sabar: the most common instrument in Senegal and an essential part of every Senegalese music group
Tama: played by a larger number of ethnic groups than the Sabar; also known as a "talking drum," or a drum whose pitch can be regulated
Kora: a 21-stringed harp lute that originated in the Gambia River valley with the Mandinko
Djembe: A large goblet shaped drum; the most well-known West African instrument throughout the world