2019
acrylic on corrugated cardboard
22" x 28"
$200 donation to fiftysandwiches.com
Leroy is a portrait of what appears to be a middle-aged or older black man, torso up. He is centered in the composition and the cardboard panel has an off-white background. He is wearing a lavender V-neck shirt and a lime green ball cap with a bill. He is facing the viewer, but his eyes look toward his left. His black hair is slightly visible coming out from his cap. He has gray and black facial hair, trimmed close to his face.
Andre is a portrait of what appears to be a middle-aged or older black man, only his face visible. His face takes up the majority of the canvas. The background is divided in half - the left half is painted red and right half is painted blue. Andre is facing and looking directly at the viewer, mouth slightly open with bottom teeth visible. Andre has black hair, cut short, with a visible black mustache.
Beth Blacher Mastick painted Jonathan in 2019. It is a 30 inches tall by 24 inches wide acrylic on canvas portrait of an older African American man. Seen in this head-and-shoulders portrait, the man looks straight out at us from slightly yellowed eyes, his lips closed but sagging slightly on his left, and not expressing any particular emotion. His moderately short yet shaggy grey beard extends from his sideburns down his cheeks and around his chin. A thin line of whiskers appears immediately below his lower lip, leaving a gap of skin on his chin before meeting up with the rest of the beard. Light reflects off his chin and full lower lip. His thinning eyebrows also have a touch of gray.
His left eye is clearly visible to us, while the right eye remains in shadow. He appears to be wearing a hearing aid in his left ear. A bright yellow cap trimmed in red, but with no lettering or imagery on it, rests slightly askew on his head, the bill extending over his face, casting a shadow on his forehead. The man wears a dark brown shirt that extends all the way to his neck. A cream-colored jacket covers most of the shirt. Halfway up the painting on the right side, the name JONATHAN is written sideways in reddish-brown outlined block letters, parallel to the edge of the painting.
Written by Fred Brack, Arts Access Audio Describer
My work is about honoring the voices around me. I collaborate with the voices of the materials I use and the people I paint. I look forward to the moment creativity strikes before I can overthink my actions. I am currently exploring portraiture as a vehicle for social awareness and change as regards our nation’s homeless. The act of portraiture is an invitation into the story of another. It is a humbling and gratifying experience. I am always honored by this engagement. My work with The Homeless Citizens Portrait Project feels like penance for not having the courage to interact more directly with the people I see everyday. When I work, I enjoy focusing on the physicality of pulling brush through paint, scraping palette knives over canvas, and feeling the paint between my fingers. I hope you enjoy this work.
All images and text belong to Beth Mastick, except where noted.