#1 on the Campus Native Tree Trail
Known as: Pinus sylvestris (Latin), from Middle English pyne, from Old English *pīne, from Proto-West Germanic *pīnā, from Latin pīnus. Also called "Baltic pine" and "European red pine". The Scottish Gaelic for pine is giuthas (pronounced GYOO-uss). This word is found in several Scottish place names. Among them are Allt na Ghuithas (‘pine Stream’) in Wester Ross and Glac a Ghuitas (‘Pine Hollow’) by Ardgower. There are also Anglicised derivations such as Dalguise and Kingussie
Do you have another language to add? contact joanne.morris@york.ac.uk
Find it on campus: In the courtyard enclosed by Derwent College Blocks M and K, the Scots Pine stands across from the Wild Cherry
Find it globally: This pine is found across all of Europe and through eastern Siberia, and in the mountains of the Middle East. Although found throughout the UK, it is particularly abundant in the Caledonian Forest of Scotland.
Height: Scots Pine grow up to 40m tall or more.
Lifespan: While they live to 700 years old, more typically Scots Pine live to around 250-300 years old, if not harvested sooner for timber.
Wild friend: Evidence indicates that Scots pine can support around 1,600 species, of which 215 are only found on Scots pine. These include iconic species such as the red squirrel, capercaille, and pine marten.
Uses: Voted Scotland's National Tree in 2014, it is a primary source of timber: historically highly prized for shipbuilding, nowadays used for making pulp, plywood, crates, pallets, fences, furniture and telegraph poles. The needles of the pine are used to make turpentine. In the past it was used for resin for violins, turpentine, rope, tar, dye, kindling. 56% of all wood used by Swedish furniture giant IKEA derives from pines, and IKEA remains one of the world’s largest users of wood, with nearly 15 million cubic metres of wood used in 2025.
Colour: Evergreen.
(Sources: Trees for Life, Woodland Trust, TDAG, Scottish Land and Forestry)
Scots Pine has entries in the Explore, Learn and Connect categories:
Explore: accessible, playful and creative task suggestions
Learn: academic and technical information about the tree
Connect: celebrating local activity with or for the tree
by Freya Sierhuis/ The InTREEgue Literature Sub-Group
W. S. Merwin was a prolific poet, playwright and translator, who spent his early career living in London, Boston and New York. In 1976, Merwin moved to Hawaii to study Zen Buddhism, eventually settling in Peʻahi Valley on the north shore of Maui. Here, he built, together with his wife Paula Dunaway, an ecologically conscious home, and reforested the land surrounding it which had been ravaged by plantation agriculture. Over forty years, Merwin and his wife planted more than 3,000 trees from 480 species of palms, including endemic and endangered varieties. ‘He transformed a place once considered wasteland into a lush 18-acre tropical garden that is now considered one of the most important collections of palms in the world’ (Merwin Conservancy). These poems by Merwin because they reflect on the presence, real and symbolical of trees in our lives, and on the defiance embodied in the planting of a tree.
‘Place’ From: The Rain in the Trees (1988)
On the last day of the world
I would want to plant a tree
what for
not for the fruit
the tree that bears the fruit
is not the one that was planted
I want the tree that stands
in the earth for the first time
with the sun already
going down
and the water
touching its roots
in the earth full of the dead
and the clouds passing
one by one
over its leaves
by Ruby Smith, Green OPPAtunities
The Scots pine is the most widely distributed species of conifer in the world. It inhabits an impressive swath of the planet, with natural distribution across the entirety of Europe and Northern Asia. As such, these pines on campus have likely been a familiar sight to many of the 186,700 students who have attended the University of York from 195 countries. Its resilient constitution, originally adapted to the windswept highlands of Scotland, allows it to thrive in both shallow, sandy soils and inhospitable peat. With their skinny needles, these trees are able to photosynthesise throughout winter whilst in more arid climates their thick bark can withstand the destructive force of wildfires. With this mighty capacity for endurance, it comes as no surprise that Scots pines can even be found in regions beyond the Arctic Circle!
Quite appropriately, the Scots pine has a strong legacy of aiding human travel. As pines were typically more sparsely-distributed in England than they were in Scotland, they were used as waymarkers along trails in southern regions, conspicuous amongst leafier coniferous trees. Able to grow up to 30m in less than a decade, their tall, straight, and study trunks were fashioned into sleepers to run alongside railway tracks, or else served as imposing masts for ships.
Beyond enabling travel across land and sea, Scottish legend claims that certain trees of this species can facilitate transport into the fairy world. Such is demonstrated by the disappearance of Reverend Robert Kirk in Aberfoyle, 1691. After writing a book exposing the ‘secret commonwealth’ of fairies living on nearby Doon Hill, Kirk was abducted by the enraged fae and imprisoned beneath a Scots pine that still stands today, aptly called the ‘Fairy Tree’. With centuries-old ‘granny’ pines boasting sprawling, gnarled limbs and girths greater than 6 metres, it perhaps comes as no surprise that these trees in particular have inspired tales of otherworldly happenings.
Nowadays, the Scots pine still helps us to travel in more discrete, inventive manners. While no longer circumnavigating stretches of open ocean, their trunks can be turned into telegraph poles that assist us in sustaining connections with one another across large distances. What’s more, the timber of Scots pines continues to play a part in transporting us to immaterial lands – not by hosting portals for meddling creatures, but rather by being pulped, meshed, screened, and dried to make the paper that forms newspapers, sketchpads, and books.
Resilient, practical, intrepid, and mystical, the Scots pine has earned the reverence expressed in the Gaelic proverb ‘cruaidh mar am fraoch, buan mar an giuthas’: ‘hard as the heather, lasting as the pine’.
Painting: Viewing the Moon under a Pine Tree, after Ma Yuan (ca. 1190–1225). Source the Metropolitan Museum of Art
by Freya Sierhuis, Department of English and Related Literature
Its nature as an evergreen, its hardiness, and its ability to thrive in poor soil have made the pine a symbol of strength, longevity and vitality across languages and cultures. In ancient Celtic religion, Druids lighted large bonfires of Scots pine at the winter solstice to mark the turning of the seasons and to celebrate the returning of the light. Glades of pines were also decorated with lights and shiny objects.
In Chinese literature and art, the pine tree stands for strength, longevity and moral integrity, as well as the ability to stay one’s own course. In traditional Chinese painting, a scholar resting beneath a pine tree—often depicted with a zither, tea set, or scroll—symbolizes nobility, resilience in hardship, and a pure mind untouched by worldly corruption, as for instance in the poems. Du Fu, the legendary poet of the Tang dynasty, was said to live ‘near the river, under the Nanmu’ – a stately conifer.
by Freya Sierhuis, Department of English and Related Literature
For the Greeks and Romans, the pine also symbolised fertility. Both Dionysus (in Latin: Bacchus), the god of wine, freedom and excess and his followers, the Maenads or Bacchantes, were represented carrying a thyrsus, a staff wound with vines and crowned with a pinecone. The tip of the thyrsus was said to induce madness.
In Roman times, the pine was also worshipped during the spring equinox festival of Cybele, the Mother Goddess and her young lover, Attis.
Treemendous have planted nearly 100,000 trees in greater York. They have now merged with St Nick’s and are directing their resources towards St Nick’s Green Corridors Project, that seeks to create bigger, better and more joined up green spaces that conserve nature whilst supporting our communities.
The St Nick’s website offers a great range of poems by local poets who have taken inspiration from the reserve, read aloud for you to listen to: https://www.stnicks.org.uk/visit-us/visit-us-virtually/poems/
The tablet V of the Epic of Gilgamesh By Osama Shukir Muhammed Amin FRCP(Glasg) - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=39285850
In the earliest known work of literature, the Summerian Epic of Gilgamesh, dating from the 18th century BCE, the hero and his friend Enkidu travel through a vast and forbidding cedar forest guarded by the monster Humbaba. Ignoring his pleas for mercy, Gilgamesh slays Humbaba, destroys the forest, and takes the tallest cedars back to build the gate of the city of Uruk. The Gods, however, are angered by Gilgamesh’s display of wanton violence, and will punish him by killing Enkidu.
Drax Power Station in Selby, North Yorkshire, is the UK’s largest powerplant. Originally built to as a coal plant, it was gradually converted to run on biomass, and it now burns millions of tonnes of imported wood pellets every year.
Drax currently receives about £2 million in subsidies per day, and by 2027 when its current subsidies expire it will have received a massive £11 billion in green subsidies. A large part of these subsidies come from our energy bills, forcing the public to foot the bill for Drax’s tree burning. (source: Greenpeace, ‘Ten reasons to stop subsidising Drax Power Station’)
The demand for biomass energy in the UK is causing significant harm to forests globally, impacting regions such as the US, Canada, Estonia, Latvia, Lithuania and Portugal. Biomass energy production relies on the harvesting of wood from biodiverse forests, threatening vulnerable wildlife and ecosystems.
Multiple investigations, and Drax’s own emails, have shown that Drax has repeatedly sourced from Primary and Old-Growth forests in British Columbia. These forests are known for their rich biodiversity and complex ecosystems. Logging for biomass is putting additional strain on imperilled species like the Woodland Caribou, Canada Lynx and American marten. (source: Greenpeace, Ten Reasons to stop subsidising Drax Power Station
Drax is currently being sued by communities in the southern U.S for poisoning residents, as well as by its own workers in the UK for failing to protect employees from wood dust pollution. The corporation is also under investigation by the Financial Conduct Authority, and has violated environmental regulations 11,378 times since 2014 in the US alone. (source: Stop Burning Trees Coalition)
A new partnership between Drax and the University of York?
After the government minister Michael Shanks announced that in 2027 Drax would come to play a reduced role in the UK’s energy generation, Drax seems to be branching out its activities to make up for lost subsidies. It is bidding with partners York and North Yorkshire Combined Authority and York University to become one of the UK’s five AI growth zones (AIGZ). Mayor David Skaith claims it could make the Vale of York "Silicon Vale in the long term”.
But new analysis by US-based Natural Resources Defense Council (NRDC) has found that the data centre could burn almost 2.5 million tonnes of wood per year by 2030 and almost 5 million tonnes per year after that. Another estimate, using Drax figures, gives lower but still huge numbers – 1.7m tonnes of wood per year by 2030 and 3.4m tonnes per year after that.
Matt Williams, Senior Advocate for NRDC, said: “Some search engines promise to plant a tree every time you use them – this data centre could end up burning a tree every time it’s used.“Drax is facing an Ofgem audit of its whole supply chain and an investigation by the Financial Conduct Authority. "Now it is running out of places to peddle its dirty energy and looking in desperation to data centres. "Earlier this year the Government promised to limit the amount of electricity Drax is allowed to produce after 2027. This deal would let Drax bypass this limit by the back door. Also, power supplied to data centres wouldn’t be subject to the same regulations, making this a Wild West bioenergy market”.
Source: Fears Drax-powered AI centre may 'burn a tree every time it is used’, Alexandra Wood, The Yorkshire Post, 24 September 2025
If you were seeking to make deforestation visible, how would you do it? How would you respond to the issues raised by Drax’s environmental record?
Could you create a slogan, or a meme?
How about a poem? You could try a limerick, or a Clerihew.*
* A clerihew (/ˈklɛrɪhjuː/ KLERR-ih-hyoo) is a whimsical, four-line biographical poem of a type invented by Edmund Clerihew Bentley. The first line is the name of the poem's subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject. The rhyme scheme is A A BB