[Martin says]

All the arpeggios you need, right here. There's a whole genre (I think) of post-Bach solo violin pieces (or post-solo-Bach pieces for violin) where the sorts of patternings and single-texture-focus of Bach are explored via a 20th/21st century harmonic sensibility, and I find Mark's take on this particularly engaging. As with lots of Mark's music the deceptively simple diatonic surface and shifting not-quite-loops create an elusive sort of near-melancholy that never falls into self-indulgence. Beautiful.

Fun fact: Mark and I used to spend hours playing the NBA Jam arcade machine in the basement of the building in which I lived, and neither of us had any idea how it worked, which somehow made it hugely hilarious. We solved a lot of compositional problems by that method.

[from dancigers.com]

Mark Dancigers is a composer of music for chamber ensembles, orchestra, ballet and contemporary dance, and is the electric guitarist for the chamber music group NOW Ensemble. Significant works for dance have included “Bright” for the New York City Ballet with choreographer Justin Peck, “The Last Time This Ended” for BalletCollective with choreographer Troy Schumacher, and “Jehanne” and “Dreamfall” with choreographers Leymis Bolaños Wilmott, Xiao-Xuan Yang Dancigers, and Sarasota Contemporary Dance. Dancigers’s scores have been heard at the Sundance Film Festival, the Guggenheim Museum Bilbao; in Greece, Switzerland, the Netherlands, and Australia; at New York City Center and Carnegie Hall. Orchestral performances have included the Alabama Symphony, the Thunder Bay Philharmonic, and the Cabrillo Festival. His music is recorded on seven albums released on the New Amsterdam label by artists including yMusic and Michi Wiancko. As an album producer, his credits include pianist Michael Mizrahi's "Currents" and "The Bright Motion". He is currently at work on a third album project with Mizrahi as well as an album of compositions for electric guitar and piano with Aaron Wunsch. 

Dancigers has helped bring the electric guitar into new contexts in chamber music through his work with NOW Ensemble in which he performs and records music by many new voices in the field. He has premiered over 100 works and championed music of peers such as Judd Greenstein, Missy Mazzoli, Sean Friar, and Nico Muhly. With NOW Ensemble he has performed at the LA Opera, Peak Performances, the Carnegie Hall Neighborhood Concerts, and the Bang on a Can Marathon, among others. He has taught in residencies and workshops at universities including Princeton, the University of Southern California, UCLA, and the University of Texas at Austin. Collaborative performances have been with the Grammy Award winning Roomful of Teeth, clarinetist David Krakauer, the electronic musician Dan Deacon, and indie rock band San Fermin. 

Dancigers trained as a composer at Yale, the Yale School of Music, and Princeton University under Kathryn Alexander, Matthew Suttor, Martin Bresnick, Ezra Laderman, Paul Lansky, and Steven Mackey. He has taught as faculty at Yale, the University of Redlands School of Music, and is currently Visiting Assistant Professor at New College of Florida. At New College, he directed New Music New College from 2020-2022, presenting concerts by MacArthur Fellows, collaborative performances between New College students and members of the Sarasota Orchestra, jazz and improvised music, and performers such as the Jack Quartet and Vicky Chow.