Roundtable Discussion on Translating Contemporary North African Francophone Literature, with Lia Brozgal and Matt Reeck
Moderated by Sara Kippur and Rachid Aadnani and co-sponsored by the Middle Eastern Studies’ Jay R. Schochet Cultural Event Series, Jewish Studies, Comparative Literature, and the Mellon TSSL Grant’s Translation Lab
at the French House, 33 Dover Road, 5pm
in English
Lia Brozgal is Professor of French and Francophone Studies in the Department of European Languages and Transcultural Studies at UCLA. Her research--which deals broadly with the literature, history, and culture of Francophone North Africa and contemporary France--is animated by questions that revolve around the representation of history and political violence; archives; autobiography; space; and the visual. Works include: A Jewish Childhood in the Muslim Mediterranean (2023); Absent the Archive: Cultural Traces of a Massacre in Paris (17 October 1961) (2020); and Against Autobiography: Albert Memmi and the Production of Theory (2013).
Matt Reeck is a translator, poet, and scholar. A Guggenheim Fellow in Translation, he translates from French, Hindi, Urdu, and Korean. This year, his translation from the French of Abdelkébir Khatibi's The Wound of the Name (2022 winner of the Global Humanities Translation Prize) was published by Northwestern UP. His translations of Paul Guillibert’s Anthropocene Communism and Milan Kundera’s 89 Words, followed by Prague: A Disappearing Poem were published this fall by Verso and Harper Perennial. What of the Earth Was Saved, his translation of the Hindi poetry of Leeladhar Jagoori, is a finalist for the Derek Walcott Prize.
Rachel Mesch
Trans Orientalisms: Gender Departure in Nineteenth-Century France
at the French House, 33 Dover Road, 5pm
in English
Rachel Mesch is Professor of French and Chair of the Department of Romance Studies at Boston University. She is the author of three interdisciplinary works on gender in nineteenth-century France, The Hysteric’s Revenge: French Women Writers at the Fin de Siècle (2006); Having it All in the Belle Epoque: How French Women’s Magazines Invented the Modern Woman (2013); and Before Trans: Three Gender Stories from Nineteenth-Century France (2020), which was a finalist for the American Library in Paris annual book prize. Her new project asks what a trans studies approach can teach us about the relationship between gender, empire, and mass culture in nineteenth-century France. She has been co-hosting the “NCFS Unbound” book series since 2020, featuring conversations around new books in Nineteenth-Century French Studies.
Lloyd Kramer
Travel and Changing Identities in 19th-Century France and America
at the French House, 33 Dover Road, 5pm
in English
Lloyd Kramer is a Professor Emeritus of History and the former Director of Carolina Public Humanities (CPH) at the University of North Carolina, Chapel Hill. His historical work emphasizes the importance of cross-cultural experiences and transnational exchanges. His most recent book, Traveling to Unknown Places: Nineteenth-Century Journeys Toward French and American Selfhood, was published in 2024 by the University of North Carolina Press. Kramer’s earlier historical publications include Threshold of a New World: Intellectuals and the Exile Experience in Paris, 1830-1848 (Cornell University Press, 1988); and Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions (UNC Press, 1996). He believes that historical knowledge and the humanities are essential for a flourishing democratic society.
Fred Csibi-Levin
From Lab Coat to Chef's Jacket: The Science of Baking with a Focus on Macarons
at the French House, 33 Dover Road, 5pm
in English
Fred Csibi-Levin is a scientist turned pastry chef. After a decade in the pharmaceutical industry, he worked as an executive pastry chef at different culinary establishments in Boston. Csibi-Levin recently published his first book, Mastering Macarons, and is currently a chef instructor at the Cambridge School of Culinary Arts. He aims to make baking accessible to everyone by cultivating an understanding of the science involved. His work has been featured in the Pastry Arts Magazine, Tastemade, and Buzzfeed. He has also competed on the Food Network.
Elaine Sciolino
A lecture on Sciolino's latest book Adventures in the Louvre: How to Fall in Love with the World's Greatest Museum
in Collins Cinema, 5pm
in English
Preceded by a Student-Alumnae Panel
in Collins Cinema, 4pm
Elaine Sciolino, former New York Times Paris bureau chief and bestselling author, will discuss her latest book, Adventures in the Louvre: How to Fall in Love with the World’s Greatest Museum (W. W. Norton, 2025).
In Adventures in the Louvre, Sciolino shows how anyone can forge an intimate connection with the museum and be transformed by its seductive power. Blending journalism, travelogue, history, and memoir, Sciolino demystifies the Louvre, the largest and most famous museum in the world. She shares stories and secrets about her favorite artworks, both legendary and overlooked, and takes readers into the museum’s gardens, basements, corridors, and onto its rooftops.
Elaine Sciolino is the author of five books, including the bestsellers The Only Street in Paris (2015) and The Seine (2019). In 2010, she received the Legion of Honor, the highest distinction of the French state. Sciolino has taught as a Ferris Professor of Journalism at Princeton University’s Council of the Humanities and, in 2019, she joined the Executive Committee of Reporters Without Borders, the Paris-based international advocacy organization promoting freedom of information and freedom of the press.
Starting at 4pm in Collins Cinema, Prof. Sara Kippur will moderate a student-alumnae panel featuring current and former Wellesley students who have interned with Sciolino in recent years. Panelists will discuss working with Sciolino and share insights into how their research and fact-checking experiences deepened their understanding of literary journalism.
Weren't able to attend in-person? We invite you to watch the recording of the student-alumnae panel and Sciolino's lecture here!
Régine Jean-Charles
Diasporic Worldmaking: Feminist Activism and Art in Boston’s Haitian Community
at the French House, 33 Dover Road, 5pm
in English
Régine Michelle Jean-Charles is the Dean’s Professor of Culture and Social Justice as well as Director of Africana Studies at Northeastern University. A Black feminist literary scholar, she works at the intersections of race, gender and justice from a global perspective. She is the author of three books: Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (2014), The Trumpet of Conscience Today (2021), and Looking for Other Worlds: Black Feminism and Haitian Fiction (2022). Dr. Jean-Charles is currently at work on two book projects—The Rape Culture Syllabus, under contract with Columbia University Press, and Tifi at the Center: Holding Haitian Girlhood.
Sarah Fishman
Back to the Future: Women, Gender, and Family in France from Vichy to the Postwar
at the French House, 33 Dover Road, 5pm
in English
Sarah Fishman, Moores Professor of History at the University of Houston, specializes in twentieth-century French history with an emphasis on gender and society. She has published two books exploring the social impact of World War II in France, We Will Wait about POW wives, and The Battle for Children about delinquent youth and juvenile justice during the war. Following women, families and children into the postwar, she published From Vichy to the Sexual Revolution in 2017. Currently she is completing a new book, Bridges to Feminism: Marcelle Auclair, Marcelle Ségal, and Women’s Magazines in Twentieth-Century France. Her talk will explore changing ideas about women, men, and family after World War II in France, not looking back from the present but starting with the wartime Vichy years and moving forward.
Franco-Italian Roundtable Discussion on Borders, Memory, and Migration with Debarati Sanyal and Rhiannon Welch
Moderated by Hélène Bilis and Sergio Parussa
at the French House, 33 Dover Road, 5pm
in English
Debarati Sanyal is Professor of French, Zaffaroni Family Chair in Undergraduate Education, and Director of the Center for Interdisciplinary Critical Inquiry at UC Berkeley, as well as co-Principal Investigator of “A Counter-Imaginary in Authoritarian Times” (Mellon, 2024-2027). Her books include The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006), Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), and Arts of the Border: Fugitive Bodies at Europe's Edges (forthcoming with Fordham), which was supported by a Guggenheim Fellowship.
Rhiannon Welch is Giovanni and Ruth Elizabeth Cecchetti Chair of Italian Literature and Associate Professor of Italian Studies at UC Berkeley. Her first book, Vital Subjects: Race and Biopolitics (Liverpool UP, 2016) demonstrated how race and colonialism have long been central to Italian modernity and national culture, rather than a fascist aberration or a contemporary phenomenon resulting from immigration. Her second book manuscript, Reverberation and the Anticolonial Imagination is currently under review by Stanford University Press.
Nicolas Danila
Le Mode d’Emploi des Parfums Artistiques
à la Maison Française, 33 Dover Road, 17h
en français
Nicolas Danila (MSc, MBA, PhD) a une formation multidisciplinaire en sciences (mathématiques, sciences physiques et chimie) management (économie et stratégie) et arts (peinture, poterie, poésie et histoire de l’art). Il travaille dans l’industrie de la parfumerie de luxe et il est l’auteur de plusieurs innovations stratégiques, dont la création d’une nouvelle famille de parfums, les Fragranceuticals.
Sa conférence présente une vue d’ensemble de la parfumerie française, son histoire, différentes familles de parfums, les principales étapes (l’idée, la formulation, les ingrédients, les allergènes, l’évaluation, le conditionnement, …) suivie par le secret de la création des Fragranceuticals. Après la conférence les membres de l’auditoire peuvent participer à un petit concours pour gagner des exemplaires de ces uniques parfums.
Laure Katsaros
Mummies and Daguerrotypes: A Reading of Théophile Gautier's Le Roman de la momie
at the French House, 33 Dover Road, 5pm
in English
Laure Katsaros is G. Armour Craig Professor in Language and Literature in the department of French at Amherst College. She is the author of two books, Un nouveau monde amoureux : Célibataires et prostituées au dix-neuvième siècle (2010) and New York-Paris: Whitman, Baudelaire and the Hybrid City (2011). She is currently at work on a book manuscript on the fascination with ancient Egyptian civilization and history in nineteenth-century French literature and material culture.
“There are three things that delight me: gold, marble and purple.” These words, spoken by a character in the gender-bending historical novel Mademoiselle de Maupin, are a thinly disguised self-portrait of the author, the Romantic aesthete Théophile Gautier (1811-1872). Obsessed with the material culture of pre-modern societies, Gautier indulged in his passion for “gold, marble and purple” in his serialized novel Le Roman de la momie (1857), which takes place in ancient Thebes (Waset for the ancient Egyptians). Professor Laure Katsaros's presentation connects the richly detailed descriptions of Egypt in Le Roman de la momie with the emergence of photography as a new medium of artistic expression in the mid-nineteenth century.
Hannah Freed-Thall
"On Being a Sketch," a talk on Claude Cahun
at the French House, 33 Dover Road, 5pm
in English
Hannah Freed-Thall is Professor of French Literature, Thought, and Culture at NYU. She is the author of Spoiled Distinctions: Aesthetics and the Ordinary in French Modernism (Oxford University Press, 2015; Scaglione Prize for French & Francophone Literature; MSA Prize for a First Book) and Modernism at the Beach: Queer Ecologies and the Coastal Commons (Columbia University Press, 2023).
Franco-Italian Roundtable Discussion on Translation with
Roberta Antognini and Rebecca Wilkin
Moderated by Hélène Bilis and Sergio Parussa
at the French House, 33 Dover Road, 5pm In English
Roberta Antognini is originally from Canton Ticino in Switzerland. She is Associate Professor Emerita of Italian Studies at Vassar College. She is the author of a monograph on Petrarch’s letters, Il progetto autobiografico delle Familiares di Petrarca (2008), and co-editor of the collection of essays Poscritto a Giorgio Bassani (2012). With Deborah Woodard, she has translated into English Amelia Rosselli’s collections, Hospital Series (2015), Obtuse Diary (2018), The Dragonfly (2023), Notes Scattered and Lost (forthcoming 2024), and Document (forthcoming 2025).
Rebecca Wilkin is Professor of French at Pacific Lutheran University (Tacoma, WA), where she also teaches in the First Year Experience Program, in the International Honors Program, and in Global Studies. She is a specialist of Descartes and Cartesianism, as well as of women philosophers of seventeenth- and eighteenth-century France. She translated Gabrielle Suchon with Wellesley alumna Domna Stanton and reconstructed and translated Louise Dupin’s Work on Women for Oxford University Press (2023) with Angela Hunter.
12:45-2:00pm on Zoom
La Maison Française, in collaboration with the Franco-American Chamber of Commerce, will host a Women in Business Roundtable event. A recording of the event can be found here.
Louise Roussel joined KeyBank’s Boston Middle Market Banking team in 2021. KeyBank, headquartered in Cleveland, OH, is one of the nation’s largest regional banks, with over $188BN in assets. Louise is focused on generating new and deepening existing client relationships with middle market businesses throughout the New England area. Louise has over 18 years of experience in Banking and Capital Markets, working in the end-to-end loan origination cycle, including structuring, underwriting, syndication and execution of loan transactions. Previously, she was a Director of Capital Markets at G2 Capital Advisors (“G2”), a Boston-based boutique investment bank and a Director in the Loan Capital Markets - Syndications Group at Sumitomo Mitsui Banking Corporation (“SMBC”) in NYC. Before SMBC, Louise spent 10 years at BNP Paribas in NYC where she held various roles in the Loan Capital Markets, Corporate Investment Banking and Restructuring groups. Louise is a Board member of FACCNE and Chair of FACC’Fin, the Finance forum of the Chamber.
Karen Pevenstein is a strategic communications leader with more than 20 years of experience in public relations, brand marketing and broadcast journalism. She is also the founder of Louis Sel, the exclusive US distributor of specialty sea salt imported from Brittany, France. Her consulting practice specializes in building communications/brand strategies and thought leadership platforms for B2B and B2C clients working across organizations and closely supporting C-suite leadership. A master storyteller spanning multiple industries including financial services, tech and lifestyle, she has a proven track record of elevating brands and reputations in Fortune 100 and startup settings. Karen translated her passion for food and French culture to create her business, Louis Sel, which has been featured in the Boston Globe and Forbes. She is the 2019 winner of FACCNE’s FAB Awards for Women in Business. A Boston resident and member of FACCNE since 2018, Karen is currently co-chair of FACCNE’s Women in Business Network.
Nicole Ferry-Lacchia is a strategic and financial advisor at Winterberry Capital Advisors and a senior Capital Markets instructor at Wall Street Prep. She previously spent 10 years at Goldman Sachs in NY in Corporate Lending & Debt Capital Markets, Fixed Income Sales and Risk Management leading global cross-functional and cross-divisional teams in complex debt financing transactions for Fortune 100 and financial sponsor clients. Nicole began her career at Deloitte in NY, Paris, Geneva and Boston as an auditor and financial consultant specializing in restructuring and financial advisory services. Passionate about supporting women’s advancement in finance, Nicole served on the leadership committee for Goldman Sachs’ Women’s Network, as a board member of the Chicago Booth Women’s Network and is a member of 100 Women in Finance.
Masha Belenky
« Mobilité en mouvement : l'omnibus et la culture urbaine à Paris aux XIXe siècle »
à la Maison Française 33 Dover Road, 5pm
en français
Masha Belenky est professeure de littérature française à l'Université George Washington. Ses thèmes de recherche et d'enseignement comprennent la culture populaire française du XIXe siècle, l'histoire culturelle et les études urbaines. Parmi ses publications principales, on compte deux livres, The Anxiety of Dispossession: Jealousy in Nineteenth-Century French Culture (Bucknell, 2008) et Engine of Modernity: The Omnibus and Urban Culture in Nineteenth-Century Paris (Manchester UP, 2019), ce dernier examinant la relation entre les premiers transports en commun et la culture populaire et la manière dont ils ont contribué au concept de modernité en France. Elle a également co-édité et co-traduit une anthologie de la littérature populaire française du XIXe siècle (publiée dans la série MLA Text and Translation) et plusieurs numéros de revues.
Christina Carroll
« Redefining Republic and Empire in France and Algeria after 1870-71 »
à la Maison Française 33 Dover Road, 5pm
en anglais
Christina Carroll is Associate Professor in the Department of History at Kalamazoo College. Her work focuses on the history of nineteenth-century France and its colonial empire, especially in Algeria; she also has interests in memory, intellectual history, and political culture. Her first book, The Politics of Imperial Memory in France, 1850-1900, was published by Cornell University Press in 2022. Her current project, "Transportation, Exile, and Colonial Politics in France and Algeria, 1848-1880," looks at the intersection between transportation aimed at removing political dissidents from metropolitan France and transportation intended to control political dissent among indigenous communities in French colonial Algeria.
Anne Duprat
« Lire à contre-temps: retour sur l'anachronisme »
à la Maison Française 33 Dover Road, 5pm
en français
Anne Duprat est professeure de littérature comparée à l'Université de Picardie-Jules Verne, spécialiste de théorie de la fiction contemporaine et des littératures européennes des XVIe et XVIIe siècles. Essayiste et traductrice, elle est l'auteur de Vraisemblances. Poétiques de la fiction en France et en Italie (Champion, 2009), de Fiction et cultures (avec F. Lavocat, 2010), Histoires et savoirs. Anecdotes scientifiques aux XVIe et XVIIe siècles (avec F. Aït-Touati, Peter Land, 2012), et Romanesques Noirs 1750-1850 (avec M. Hersant et L. Ruiz, Garnier, 2019). Elle a récemment publié Histoire du captif. Un paradigme littéraire, de l'Antiquité au XVIIe siècle (Droz, 2023) ainsi qu'une traduction de Cervantès (Cervantès, Théâtre barbaresque, avec A. Teulade et F. Madelpuech, Garnier Classiques, "Littératures étrangères," 2022).
Stéphane Gerson
« Histoire des siens, histoire des autres:
1942-1994-2024»
à la Maison Française 33 Dover Road, 5pm
en français
Stéphane Gerson est Professeur d'histoire et d'études françaises à la New York University, dont il a dirigé l'Institut d'études françaises (Institute of French Studies) entre 2017 et 2021. Ses travaux portent sur la mémoire et l'oubli, les échelles territoriales, l'écriture de l'histoire et les histoires de famille. Il a deux livres en préparation: un collectif Scholars and Their Kin: Experiments in Historical Writing (University of Chicago Press, 2024) et Les gestes de notre guerre: 1994-1942 (Éditions La Découverte, 2026). Parmi ses autres ouvrages: Disaster Falls (Crown 2017; trad. Alma 2020); Pourquoi la France? Des historiens américains racontent leur passion pour l'Hexagone, dir. avec Laura Lee Downs (Cornell, 2006; trad. Éditions du Seuil, 2007).
Roundtable with Serena Bassi and Louisa Mackenzie
Moderated by Hélène Bilis
at the French House, 33 Dover Road, 5pm
in English
Serena Bassi is assistant professor in Italian Studies at Yale University. Their current book project titled Mistranslations: Queer Marxism in Italy after 1968 is the first study to date of the 1970s Italian Gay Liberation Movement - its history, its politics, and its aesthetics. Serena's interests are in modern and contemporary Italian cultural studies, translation studies and queer studies.
Louisa Mackenzie grew up in Scotland, did graduate work in Berkeley, CA, and is Associate Professor in the Comparative History of Ideas Program at the University of Washington in Seattle. They have published and taught on early modern and contemporary French culture, ecocriticism, Animal Studies, and gender studies. Their co-edited volume Devenir non-binaire en français contemporain was published last year in Paris and is receiving positive press.
Guillemette Faure
« Raconter les transformations du quotidien»
à la Maison Française 33 Dover Road, 5pm
en français
Guillemette Faure est journaliste et chroniqueuse pour Le Monde. Elle est l'autrice de dix livres (dont Dîners en ville, mode d'emploi, Grasset et Ça peut toujours servir, Stock et Pourquoi les enfants de profs réussissent mieux, Les Arènes) de deux documentaires (Gauche caviar, ton univers impitoyable et Les Présidents et les femmes) et de deux livres pour enfant (Consommation: le guide de l'anti-manipulation et Dys et célèbres, tous deux publiés chez Casterman).
Marina Chiche
« Investigating Gender Trouble in Music: the Case of the Violin»
at the French House, 33 Dover Road, 5pm
in English
Marina Chiche is an internationally recognized solo and chamber violinist. She has performed with many orchestras: Orchestre de Paris, Orchestre National de Lille, Orchestre National de Bretagne, Sinfonia Varsovia, and the Orchestra Ensemble Kanazawa, among others. Her album Post-Scriptum (2020) was met with critical acclaim. With her book, Musiciennes de légende, her articles, and radio programs, she strives to make classical music accessible to all. Distinguished among the "100 Women of Culture" in 2022 and named an ambassador of the French Touch movement, Marina Chiche is among the most important figures in French music today who makes culture shine beyond borders.
La Maison Française, in collaboration with the Franco-American Chamber of Commerce will host a panel on Women Entrepreneurs. Virtual Event on zoom. If you missed this event, watch the recording here.
Ludivine Wolczik has been the Executive Director of the French American Chamber of Commerce, New England, one of a leading chapter of the FACC Network, for close to 15 years. This chapter focuses on innovative technologies, digital economy, and Life Sciences.
In addition to this position, she is also a member of FACCNE’s Executive Committee and a member of French Tech Boston Advisory Board. Before moving to the United States in 2007, she worked 10 years for the French Ministry of Defense as a Senior Analyst and a Political Advisor to the French Government. Ludivine holds a master’s degree in International Relations from the Institut Libre des Relations Internationales (ILERI) in Paris and a DESS in Diplomacy and International Negotiations from Faculté Jean Monnet at Paris XI.
Beatrice Thouveny is an accomplished senior international executive with 25+ years of marketing expertise and has a proven track record of results delivery. She studied international business and communication in France and New Zealand and holds an MBA from ISCID in France. She speaks 6 languages.
After starting her career in France in consumer electronics she followed her path in different companies such as ACER, NEC and Samsung where she was marketing manager for over 10 years before moving to the US in 2013, first in Chicago for 2 years, and then in Boston’s south shore. Today, she is CEO and partner of TAM TAM agency, an international web & marketing agency. She also founded Baliostar LLC, a marketing agency, and is a board member of WhatcHelp and mentor in Women in Print.
Karen Pevenstein is a strategic communications leader with more than 20 years of experience in public relations, brand marketing and broadcast journalism. She is also the founder of Louis Sel, the exclusive US distributor of specialty sea salt imported from Brittany, France.
Her consulting practice specializes in building communications/brand strategies and thought leadership platforms for B2B and B2C clients working across organizations and closely supporting C-suite leadership. A master storyteller spanning multiple industries including financial services, tech and lifestyle, she has a proven track record of elevating brands and reputations in Fortune 100 and startup settings.
Karen translated her passion for food and French culture to create her business, Louis Sel, which has been featured in the Boston Globe and Forbes. She is the 2019 winner of FACCNE’s FAB Awards for Women in Business. A Boston resident and member of FACCNE since 2018, Karen is currently co-chair of FACCNE’s Women in Business Network.
La Maison Française, en collaboration avec le Département de Musique de Wellesley College et le Consulat de France de Boston, a le plaisir d'accueillir
Marina Chiche et Blaise Déjardin.
Music Room Pendleton West 201, 6pm
Tentative Program: Haendel-Halvorsen, Ravel, Canat de Chizy, Saariaho, Kodaly, Stravinsky.
Blaise Déjardin is the Strasbourg-born principal cellist of the Boston Symphony Orchestra. He is also a faculty member at the New England Conservatory, where he also received a master's degree and a graduate diploma. His dedication to teaching also shines through his instructional book, Audition Day, the online music site Opus Cello, and international masterclasses. In 2019, he collaborated with cellist Kee-hyun Kim in releasing the album MOZART New Cello Duos. As a soloist, he has performed with other orchestras around the world, such as the Christchurch Symphony Orchestra and the Kuopio Symphony Orchestra.
Marina Chiche is an internationally recognized solo and chamber violinist. She has performed with many French orchestras, such as the Orchestre de Paris, and abroad in Japan, Germany, China, South Korea, and the United States. Her 2020 Post-Scriptum album was met with critical acclaim. With her new book, Musiciennes de légende (éditions First/Radio France) and her editorial on the France Inter radio, she is committed to making classical music accessible to all. Recently, she was named as among the 100 Femmes de Culture and shares her passion for music through international university conferences and through seminars at Sciences Po in Paris.
Michèle Bacholle-Bošković
« Annie Ernaux: la vie en mots»
à la Maison Française, 33 Dover Road, 4:00pm
en français
Michèle Bacholle est Professeure-chercheuse en Études Françaises. Sa recherche porte principalement sur les écrivaines contemporaines, en particulier Annie Ernaux et Linda Lê sur qui elle a publié maints articles et deux livres, dont Annie Ernaux de la perte au corps glorieux (Presses Universitaires de Rennes 2011). Son e-musée Annie Ernaux (2021-2022) était le premier dédié à un.e écrivain.e français.e.
Jennifer Tamas:
« Non, je n’écoute rien. Me voilà résolue » Le refus sublime de Bérénice
à la Maison Française, 33 Dover Road, 4:00pm
en français
Si depuis 2015, on a beaucoup entendu, avec Nathalie Azoulai, que « Titus n’aimait pas Bérénice », cette rumeur court depuis la création de la pièce en 1670. Tragédie de la lâcheté, drame de l’inaction ou pièce « sur rien », l’œuvre a souvent été analysée selon le point de vue d’un souverain qui sacrifiait son devoir à sa passion. Et si Bérénice était celle qui dénouait l’action et offrait, comme le dit en son temps Louis Racine, « une magnifique leçon de grandeur d’âme » ? Cette communication entend restituer le « refus » de Bérénice pour analyser l’agentivité féminine et restituer la polyphonie des points de vue.
Jennifer Tamas est Associate Professor of French à l’Université de Rutgers dans le New Jersey. Elle s’est d’abord intéressée au pouvoir de la parole dans la société d’Ancien Régime avant de se consacrer à la dramaturgie du silence chez Racine (Le Silence trahi. Racine ou la déclaration tragique. Droz, 2018). De même qu’elle a analysé la déclaration d’amour en interrogeant les non-dits, elle s’attaque à la question du consentement sous l’angle du refus. Elle vient de publier un essai (Au NON des femmes. Libérer nos classiques du regard masculin, Seuil 2023) qui cherche à comprendre pourquoi le refus féminin a quelque chose d’inaudible et d’irrecevable dans les œuvres des 17 e et 18 e siècles et dans leur réception.
Alumnae Roundtable with Wellesley Club of France
French and Career Development: How French Shaped Our
Professional Development
Le 17 Novembre: 12:45-2:00pm. In English
Hear from Wellesley Alumnae!
How did French shape their experiences at Wellesley and define a path for them in the workplace?
Wellesley's French House is partnering with the Wellesley Club of France, an organization of over 80 French-speaking Wellesley Alumnae.
Watch the recording here!
Molly Rose Freeman Cyr, Class of 2013
Molly Rose Freeman Cyr graduated from Wellesley College in 2013 with a double major in French and Peace & Justice Studies. Since graduating, Molly has worked in the field of human rights in West & Central Africa, Europe, and the Americas, and is currently working to support activists at risk to develop their capacity in physical and digital security as a consultant for organizations such as Amnesty International, Front Line Defenders, and Open Briefing. Molly recognizes the pivotal role that French has played in her career, as being bilingual in French and English has opened doors to many professional opportunities internationally.
Sena Segbedzi, Class of 2006
Sena Segbedzi graduated from Wellesley College in 2006 with an Italian Studies Major and an Economics Minor. Sena currently works at the Organisation for Economic Co-operation and Development (OECD), in Paris where she is the coordinator of the OECD’s Champion Mayors Initiative for Inclusive Growth, a coalition of mayors working to advance inclusive economic growth in their cities. Her international experience includes designing an emergency management plan for the Greater Lyon municipality in France, conducting an options assessment for waste management systems with the African Institute of Urban Management in Senegal, and analyzing domestic violence advocacy programs in Ghana.
Elisa Doughty, Class of 1994
Elisa Doughty graduated magna cum laude from Wellesley College in 1994 with a BA in music and French. She received her masters degree in music from Boston University in 1997. She has performed opera at the Théâtre des Champs-Elysées, the Cirque Alexis Gruss and the Stade de France, operetta at the Opéra de Rennes and in festivals in southwestern France, musical theater at the Théâtre du Châtelet and in Dubai, and recitals throughout France. In the past few years she has developed a career as a screen actress and plays the roles of Princess Alexandra in the series Find Me In Paris and Henrietta Throckmorton in the family series Theodosia (HBO Max).
Jessica Goldman, Class of 2006
Since graduating from Wellesley in 2006, Jessica has worked for some of the world’s largest consumer goods and retail companies. After getting her MBA at Duke, she moved to France and has focused her career on digital marketing, data, and e-commerce at companies like Amazon, Unilever and Mars. Based in Paris, she currently leads data acquisition and CRM for Mars’ pet food division in Europe.
Lisa Levasseur Berlinger, Class of 1990
Lisa was a French major (with an English minor) as well as a participant in Wellesley’s Aix-en-Provence study abroad program. In addition to her Wellesley undergraduate degree, she earned a Master of Science in European Studies at the London School of Economics, a Master of Arts in Law and Diplomacy at the Fletcher School of Law and Diplomacy, and an MBA from a bilingual program with Groupe HEC outside of Paris. After working for a top ten law firm in New York City, UBS Zürich, and her own translating and editing business, Lisa accepted a part-time job at Bank Julius Baer, where she currently works.Jennifer Yee
Baudelaire’s Melancholy Orientalism
Le 27 Octobre 12:45-2:00pm In English.
Jennifer Yee is Professor of Literature in French at the University of Oxford (Christ Church), and Deputy Chair of the Faculty of Medieval and Modern Languages. She has published three monographs: Clichés de la femme exotique: un regard sur la littérature coloniale française entre 1871 et 1914 (2000); Exotic Subversions in Nineteenth-Century French Fiction (Legenda, 2008); and, most recently, The Colonial Comedy: Imperialism in the French Realist Novel (2016). She is also currently the President of the UK-based Society of Dix-Neuviémistes.
Charles Baudelaire’s exoticism is mediated by his passion for the visual arts. His admiration for the colourist, painterly style of Eugène Delacroix was deep and long-lasting, and he was particularly fascinated by the monumental Death of Sardanapalus and the two versions of Women of Algiers in their Apartment. Baudelaire’s response to Delacroix thus provides a key to understanding the Orientalism that underlies his exotic writings more widely. Among the many things that make us uneasy in Baudelaire’s works are his treatment of slavery, his ‘othering’ of the East and of women, and his fascination with cruelty and violence. But we should also not lose sight of the fact that his writing aims deliberately to unsettle and confront the ‘hypocrite lecteur’ (hypocritical reader): we too are the cruel Oriental Despot. This paper explores the melancholy nature of Baudelaire’s poetic Orientalism, which simultaneously invokes the fantasy of exotic wish-fulfillment and reveals it to be impossible. Situating this Orientalism in the specific context of nineteenth-century France – when the geopolitical background of the ‘Question d’Orient’ overlaps with anxieties about the place of the individual in emerging capitalist, bourgeois modernity – may give us a key to understanding the ‘secret douloureux’ (the painful secret) of ‘La Vie antérieure.’
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Why Academic Freedom Matters
The Politics of Anti-Intellectualism.
Le 6 Octobre: 12:45-2:00pm.
Éric Fassin is a professor of sociology at Paris 8 University with a joint appointment in the Department of Political Science and the Department of Gender Studies affiliated with the first research center in gender studies in France, created in 2015, LEGS (CNRS/Paris-8/Paris- Nanterre). He is also a senior member of the Institut Universitaire de France. His research focuses on contemporary sexual and racial politics with a comparative, transnational perspective. Public interventions related to his scholarly work have long been part of his political work as a “sociologue engagé”. He is currently finishing a book (with Caroline Ibos) that starts from the attacks against academia to raise questions about epistemology, politics, and academic freedom: La savante et le politique (Flammarion).
Academic freedom is under attack, in overtly illiberal regimes as well as in ostensibly liberal ones – not only from Hungary to Turkey, but also from France to the United States. The usual targets range from the (so-called) “ideology of gender” to Critical Race Studies – that is, critical thought. Paradoxically, these attacks are often launched in the name of freedom of expression, echoing the polemic against so-called “cancel culture”. This battle is about the status of truth in democratic societies. Truth is not just a matter of opinion, since opinion is about values. But the search for truth is the intellectual value that defines academic work.
Academic freedom means that in the University we can say everything – but not anything. This professional defense of truth explains why academics are under threat in an era of fake news and alternative facts. Anti-intellectualism thus plays a crucial role in anti-democratic politics.
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French American Commerce Club Round Table
with Monique Verrier-Mulkern, Gigi Shafai, and Johanne Gianuzzi
En anglais. Le 28 Avril 12:45-2:00pm
Estelle Zhong Mengual Apprendre à voir, Le point du vivant"
Le 13 Avril En français