Dashka Slater has been telling stories since she could talk. An award-winning journalist who writes for such publications as The New York Times Magazine and Mother Jones, she is also the author of nine books of fiction and non-fiction for children and adults. Her children’s picture books include: Escargot, winner of the Wanda Gag Read-Aloud Award; Dangerously Ever After, which is currently being made into an animated film by Fantasiation Studios; and The Antlered Ship, a Junior Library Guild selection and a Parents Choice Recommended book that received four starred reviews and was named Best Picture Book of the year by both Amazon and the Northern California Independent Bookseller’s Association.
Slater’s 2017 true crime narrative, The 57 Bus, has received numerous accolades, including the 2018 Stonewall Book Award from the American Library Association, the 2018 Beatty Award from the California Library Association, the California Book Award Gold Award for Young Adult Literature, and a Boston Globe-Horn Book Honor. It was a YALSA Excellence in Nonfiction Award Finalist, an LA Times Book Award Finalist, and the Northern California Independent Booksellers Association Young Adult Book of the Year, in addition to receiving four starred reviews and being named to more than 20 separate lists of the year’s best books, including ones compiled by the Washington Post, the New York Public Library, and School Library Journal. The recipient of a Creative Writing Fellowship from the National Endowment for the Arts, Slater grew up in Cambridge, Massachusetts but has spent most of her adult life in Oakland, California, where she is always working on far too many writing projects.
One teenager in a skirt. One teenager with a lighter. One moment that changes both their lives forever.
Two teenagers growing up in Oakland, California. One, Sasha, was born male but identifies as agender, wears skirts and attends a private school. The other, Richard, is an African American from a poor part of Oakland who attends a rough public school.
They have no reason to meet, except for eight minutes every day, they catch the same bus home. And one day, messing about, Richard spies Sasha napping. He flicks the flame of his lighter to Sasha's skirt, and Sasha wakes up in a ball of flame.
What happens next, as the victim, the perpetrator and the community struggle to come to terms with their sadness and shock, is a story of recovery, reconciliation, forgiveness and, above all, hope. It's about the power of being true to yourself, bravery and the good and bad in all of us.
Written with luminous, crackling style, Cane Warriors is an unforgettable account of Jamaican and British history that must be known, with an unforgettable narrator at its heart. In the words of fourteen-year-old Moa, “the hope of our dreamland churned in my belly,” a powerful statement that pulses through this extraordinary story of Tacky’s War.
Based on a revolutionary real-life 1760 Jamaican slave rebellion, a visceral sense of the atrocities Moa and his fellow field slaves are subjected to is evoked from the start. Their bodies are lashed and “roasted by a brutal sun”, Moa hasn’t seen his house-slave mama for three years, his papa lost an arm in mill machinery, and his friend Hamaya fears the day predatory white men will “come for me.”
Spurred by the death of Miss Pam who “drop inna da field and lose her life”, and led by Miss Pam’s brother Tacky, who “trod like a king” and whose brain “work quick like Anancy”, the uprising hinges on the freedom fighters killing the plantation master. While Moa is glad to be given a pivotal role in the rebellion, he fears that success and escape will mean he’ll never see his parents or Hamaya again - his conflict is palpable, but he’s set on being a cane warrior. Outside the plantation, Moa’s world is immediately transformed, with his life as a freedom fighter evoked in fine detail (I loved the depiction of him tasting creamy, fleshy sweetsop for the first time). There are bloody battles ahead, executed in the presence of Akan gods, and driven by brotherhood and hope for that dreamland. Lucidly lyrical and raw, I cannot praise Cane Warriors enough.
Adapted for a younger readership from the author’s celebrated adult book of the same name, this illustrated history of the Silk Roads, bound in a majestic gold and blue package, is the perfect present for fledging historians.
The book’s journey leads armchair adventurers along thrilling, far-reaching roads, taking in the history of ancient Persia, Constantinople, Rome, Attila the Hun, the emergence of Islam, Viking slavery, Genghis Khan, Columbus - and more - from a holistic perspective. “You might even think of the Silk Roads as the world’s central nervous system, linking all the organs of the body together”, the author suggests in the introduction, and his engaging exploration of the interplay between politics, science, religion and trade certainly gives this book far greater tang than your standard textbook. Indeed, generously spiced with exquisite illustrations and maps that inform as they enthrall, young history buffs will undoubtedly devour this pitch-perfect treasure, and grown-ups will get much from it too.
This is a book that was inspired by the issues teens were facing as a result of the lockdowns and lack of contact with peers and school. Nicola Morgan, known for her no-nonsense very approachable way with incredibly difficult and important subjects for teenagers set herself the task of writing this very readable guide to growing their own resilience.
The pandemic was not a situation any one person could control – but this book sets out lots of strategies for dealing with whatever the world throws at you – be it pandemic, personal crisis, or just navigating that difficult time we call teenage! The book is arranged into five specific areas that will work in different combinations for individuals. Not every reader will need every section, but there is definitely something in here for everyone. Reading this book will give everyone a set of tools – whether to build your personal network, or in coping strategies or other areas with an approach that uses character studies, simple activities, as well as giving lots of space and time for reflection on what has been read.
Knowing Nicola is an expert on the teenage brain and mental health you know the subject is well researched and based on the latest scientific research. The topic I had not encountered before in any other book was the idea of ‘heartsong’ and knowing what your heartsong is. Heartsong is defined by Nicola as a feeling of joy, of satisfaction, of fulfilment, of happiness – different from well-being – a positive emotion just for the individual. It’s the ‘I’m glad I did that’ of life. I’m glad I read this – and I know just the right person who will value this, too.
Meanwhile, every school with teenagers in it should have this book available in multiple copies for their students – so many will get benefit from it.