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The "Born Free" and "Cowboy" rocker threw some serious shade at Beyonc in an interview with Rolling Stone, published this week just after the release of his new album, First Kiss. He told the music magazine that he is "flabbergasted" by the attention she receives.

It was a uniquely busy weekend for music, with a handful of events having taken place that illustrated new and familiar concentrations of power or shifting alliances or institutions doubling down on the status quo: Coachella now has a new name; the Academy of Country Music Awards' 53rd year was held in Las Vegas six months after a mass shooting took place at a country music festival in the city; the Rock & Roll Hall of Fame inducted some vanilla rockers and two epochal contributors and Kanye West re-downloaded Twitter. You may have obliquely kept up with some of this; you may have missed some. Here's what you need to know.

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Most notable in all of this, maybe, was the abject lack of rock and roll in any post-festival analysis. SZA bringing out labelmate Kendrick Lamar on Friday; Tyler, The Creator stalking a verdant stage; Eminem's headlining set on Sunday; Kali Uchis' rising star; The Weeknd closing the opening night; aside from brief social bubblings around St. Vincent's performance, you could be forgiven for forgetting that this is the same festival which reunited Guns N' Roses... just two years ago.

The pre-war recordings of Sister Rosetta Tharpe, who died in 1973, have become retrospectively acknowledged as enormously prescient, influencing the whole of rock history. (Her legacy's rising visibility may owe something to the Internet, it should be noted.) Tharpe was inducted by Brittany Howard, singer and guitarist of The Alabama Shakes, who played Tharpe's song "That's All" alongside Questlove.

You'd already worked with Beyonc for tag_hash_109___________________. How did "Settle 4 U" come about?

Bryce Wilson: A good friend of mine, Chill Patterson from Chicago, who was Lupe Fiasco's manager, he called me. I had an album that was going on Columbia and I wasn't getting along with the label. I was like, y'all ain't handling your black music division that great. So I wanted out. I left, and Chris Lighty gave me a great exit and I had this album that was done that was a great album. It was actually a Groove Theory album with this other singer [than Amel Larrieux], and it was the complete opposite of what me and Amel did. I did something that was sonically way more aggressive and progressive. I had these songs and I kind of just walked away from music for a while, like I'll go to film school, I'm good on the music politics. I went to L.A., bought a house and chilled. [Then] I got a call from Chill and he was like, "I played these records for Jay Z," and I was like, cool, whatever. He hit me about a week later and said, "When can you come to New York?" and I said next week. I came in and me, Chill and Jay and Beyonc and a couple other people, we were in the studio and we played the whole album for them. Jay was just shaking his head like, this shit is amazing. B loved the records. They had heard the album and were like, aight, we'll see y'all later, we'll see you later and get back to y'all. So we just hung out in the studio talking and Jay Z took the CD and got in their car and they drove around for an hour, hour and a half, and they called back and were like, we want these records, are you cool with that? I was like, of course. Jay said it was a done deal. They took the records.

It was kind of weird. I'd stopped doing music all of a sudden, and because of Chill and Jay and B, I got half of my album on a solo project. Then I get a call a week later and Jay is like, "Yo, Janet [Jackson] likes one of the records. We'll take five but are you cool with giving Janet one?" I was like, dude, we can do whatever you want to do. Jay really had his A&R hat on and was really involved in her project at the time. Then, we started getting a lot of the business in order. This was right before Jay took the job at Def Jam, and then we got a call back and her father had sold a bunch a records already, so they had paid for so many records already from Scott Storch, that it moved my records out. Jay was like, "It's not a wrap. We'll definitely take 'Hip-Hop Star,' and 'Settle 4 U' is Beyonc's favorite record. We don't know what we're going to do with that record, because we have a certain amount that we can put on the album." So they took the records and she did the vocals and I mixed them, me and Tony Maserati, who did her whole album and is a great engineer. I saw Jay maybe seven or eight months later, and he was like "Dude, you don't understand, B loves the 'Settle 4 U' record." I was like, what are you gonna do? And he was like, "I don't know, but don't worry about it. The record is what it is."

Maybe a year after that, I got a call and they asked me to mix the record, and I was like, "Do you want me to change it up, make it a little more crazy?" They were like, leave it alone. The record actually had Marilyn Manson drums on it. The toms were straight Marilyn Manson, metal rock drums. If you look at "Hip-Hop Star" and "Settle 4 U," they had more of a rock element to it. We looked at her like she's our Tina Turner, so that's what we were going for with the record.

Turner, one of rock's great vocalists and most charismatic performers, died after a long illness at her home near Zurich in Switzerland, according to her spokesperson.

Last week, the 2017 Grammy nominees were revealed and, per usual, it left rock and metal fans scratching their heads and raising their eyebrows. Between Metallica landing in contention for Best Rock Song for "Hardwired" and Beyonce up for Best Rock Performance for "Don't Hurt Yourself," there's been plenty of chatter from fans and musicians alike. While this collective speculation typically goes unresolved, Recording Academy Senior Vice President Bill Freimuth has offered an explanation.

Beck, the innovative, 44-year-old rock musician, beat out beloved pop stars Beyonc and Sam Smith for the Grammys' Album of the Year for Morning Phase on Sunday, February 9. Outcry began immediately with Kanye West following Beck up on to the stage to express his disapproval. Beyonc fans cried out on social media that Beyonc was a far better album.

His competition that year was Radiohead's Kid A, Eminiem's The Marshall Mathers LP, and You're the One by Paul Simon. All of those albums lost to jazz rock band Steely Dan because their votes were divided.

"When we looked at the depth of the amount of stuff that she was willing to send, we just thought, `The only way we can really showcase these items is to put them in the Legends of Rock area in the museum,' which really is the spot that we have to pay tribute to legends of rock, which Beyonce has proven herself to be," she said in an interview. 2351a5e196