Because it was widely available, yellow ochre pigment was one of the first colors used in art; the Lascaux cave in France has a painting of a yellow horse 17,000 years old. Ochre and orpiment pigments were used to represent gold and skin color in Egyptian tombs, then in the murals in Roman villas.[4] In the early Christian church, yellow was the color associated with the Pope and the golden keys of the Kingdom, but it was also associated with Judas Iscariot and used to mark heretics. In the 20th century, Jews in Nazi-occupied Europe were forced to wear a yellow star. In China, bright yellow was the color of the Middle Kingdom, and could be worn only by the emperor and his household; special guests were welcomed on a yellow carpet.[5]
According to surveys in Europe, Canada, the United States and elsewhere, yellow is the color people most often associate with amusement, gentleness, humor, happiness, and spontaneity; however it can also be associated with duplicity, envy, jealousy, greed, justice, and, in the U.S., cowardice.[6] In Iran it has connotations of pallor/sickness,[7] but also wisdom and connection.[8] In China and many Asian countries, it is seen as the color of happiness, glory, harmony and wisdom.[9]
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In color printing, yellow is one of the three subtractive primary colors of ink along with magenta and cyan. Together with black, they can be overlaid in the right combination to print any full color image. (See the CMYK color model). A particular yellow is used, called Process yellow (also known as "pigment yellow", "printer's yellow", and "canary yellow"). Process yellow is not an RGB color, and there is no fixed conversion from CMYK primaries to RGB. Different formulations are used for printer's ink, so there can be variations in the printed color that is pure yellow ink.
Traditionally, the complementary color of yellow is purple; the two colors are opposite each other on the color wheel long used by painters.[13] Vincent van Gogh, an avid student of color theory, used combinations of yellow and purple in several of his paintings for the maximum contrast and harmony.[14]
Hunt defines that "two colors are complementary when it is possible to reproduce the tristimulus values of a specified achromatic stimulus by an additive mixture of these two stimuli."[15] That is, when two colored lights can be mixed to match a specified white (achromatic, non-colored) light, the colors of those two lights are complementary. This definition, however, does not constrain what version of white will be specified. In the nineteenth century, the scientists Grassmann and Helmholtz did experiments in which they concluded that finding a good complement for spectral yellow was difficult, but that the result was indigo, that is, a wavelength that today's color scientists would call violet or purple. Helmholtz says "Yellow and indigo blue" are complements.[16] Grassmann reconstructs Newton's category boundaries in terms of wavelengths and says "This indigo therefore falls within the limits of color between which, according to Helmholtz, the complementary colors of yellow lie."[17]
Newton's own color circle has yellow directly opposite the boundary between indigo and violet. These results, that the complement of yellow is a wavelength shorter than 450 nm, are derivable from the modern CIE 1931 system of colorimetry if it is assumed that the yellow is about 580 nm or shorter wavelength, and the specified white is the color of a blackbody radiator of temperature 2800 K or lower (that is, the white of an ordinary incandescent light bulb). More typically, with a daylight-colored or around 5000 to 6000 K white, the complement of yellow will be in the blue wavelength range, which is the standard modern answer for the complement of yellow.
Supergiant stars are rarely yellow supergiants because F and G class supergiants are physically unstable; they are most often a transitional phase between blue supergiants and red supergiants. Some yellow supergiants, the Cepheid variables, pulsate with a period proportional to their absolute magnitude; hence, if their apparent magnitude is known, the distance to them can be calculated with great precision.[26] Cepheid variables were hence used to determine distances within and beyond the Milky Way galaxy. The most famous example is the current North Pole star, Polaris.
Autumn leaves, yellow flowers, bananas, oranges and other yellow fruits all contain carotenoids, yellow and red organic pigments that are found in the chloroplasts and chromoplasts of plants and some other photosynthetic organisms like algae, some bacteria and some fungi. They serve two key roles in plants and algae: they absorb light energy for use in photosynthesis, and they protect the green chlorophyll from photodamage.[3]
In late summer, as daylight hours shorten and temperatures cool, the veins that carry fluids into and out of the leaf are gradually closed off. The water and mineral intake into the leaf is reduced, slowly at first, and then more rapidly. It is during this time that the chlorophyll begins to decrease. As the chlorophyll diminishes, the yellow and red carotenoids become more and more visible, creating the classic autumn leaf color.
Carotenoids are common in many living things; they give the characteristic color to carrots, maize, daffodils, rutabagas, buttercups and bananas. They are responsible for the red of cooked lobsters, the pink of flamingoes and salmon and the yellow of canaries and egg yolks.
Xanthophylls are the most common yellow pigments that form one of two major divisions of the carotenoid group. The name is from Greek xanthos (, "yellow") + phyllon (, "leaf"). Xanthophylls are most commonly found in the leaves of green plants, but they also find their way into animals through the food they eat. For example, the yellow color of chicken egg yolks, fat, and skin comes from the feed the chickens consume. Chicken farmers understand this, and often add xanthophylls, usually lutein, to make the egg yolks more yellow.
Bananas are green when they are picked because of the chlorophyll their skin contains. Once picked, they begin to ripen; hormones in the bananas convert amino acids into ethylene gas, which stimulates the production of several enzymes. These enzymes start to change the color, texture and flavor of the banana. The green chlorophyll supply is stopped and the yellow color of the carotenoids replaces it; eventually, as the enzymes continue their work, the cell walls break down and the bananas turn brown.
Yellow, in the form of yellow ochre pigment made from clay, was one of the first colors used in prehistoric cave art. The cave of Lascaux has an image of a horse colored with yellow estimated to be 17,300 years old.
In Ancient Egypt, yellow was associated with gold, which was considered to be imperishable, eternal and indestructible. The skin and bones of the gods were believed to be made of gold. The Egyptians used yellow extensively in tomb paintings; they usually used either yellow ochre or the brilliant orpiment, though it was made of arsenic and was highly toxic. A small paintbox with orpiment pigment was found in the tomb of King Tutankhamun. Men were always shown with brown faces, women with yellow ochre or gold faces.[4]
During the Post-Classical period, yellow became firmly established as the color of Judas Iscariot, the disciple who betrayed Jesus Christ, even though the Bible never describes his clothing. From this connection, yellow also took on associations with envy, jealousy and duplicity.
The tradition started in the Renaissance of marking non-Christian outsiders, such as Jews, with the color yellow. In 16th-century Spain, those accused of heresy and who refused to renounce their views were compelled to come before the Spanish Inquisition dressed in a yellow cape.[28]
The color yellow has been historically associated with moneylenders and finance. The National Pawnbrokers Association's logo depicts three golden spheres hanging from a bar, referencing the three bags of gold that the patron saint of pawnbroking, St. Nicholas, holds in his hands. Additionally, the symbol of three golden orbs is found in the coat of arms of the House of Medici, a famous fifteenth-century Italian dynasty of bankers and lenders.[29]
The painter Vincent van Gogh was a particular admirer of the color yellow, the color of sunshine. Writing to his sister from the south of France in 1888, he wrote, "Now we are having beautiful warm, windless weather that is very beneficial to me. The sun, a light that for lack of a better word I can only call yellow, bright sulfur yellow, pale lemon gold. How beautiful yellow is!" In Arles, Van Gogh painted sunflowers inside a small house he rented at 2 Place Lamartine, a house painted with a color that Van Gogh described as "buttery yellow". Van Gogh was one of the first artists to use commercially manufactured paints, rather than paints he made himself. He used the traditional yellow ochre, but also chrome yellow, first made in 1809; and cadmium yellow, first made in 1820.[32]
At the end of the 19th century, in 1895, a new popular art form began to appear in New York newspapers; the color comic strip. It took advantage of a new color printing process, which used color separation and three different colors of ink; magenta, cyan, and yellow, plus black, to create all the colors on the page. One of the first characters in the new comic strips was a humorous boy of the New York streets named Mickey Dugen, more commonly known as the Yellow Kid, from the yellow nightshirt he wore. He gave his name (and color) to the whole genre of popular, sensational journalism, which became known as "yellow journalism".
In the 20th century, yellow was revived as a symbol of exclusion, as it had been in the Middle Ages and Renaissance. Jews in Nazi Germany and German-occupied countries were required to sew yellow triangles with the star of David onto their clothing.
In the 20th century, modernist painters reduced painting to its simplest colors and geometric shapes. The Dutch modernist painter Piet Mondrian made a series of paintings which consisted of a pure white canvas with a grid of vertical and horizontal black lines and rectangles of yellow, red, and blue. 152ee80cbc
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