Shape of Home

A drifting tree of memory fragments sways gently atop a mobile base, like a suspended wardrobe from a nomadic life. Weathered branches stretch like veins, tethering pieces of past dwellings and fading emotions. Polyurethane foam blooms wildly within the structure, expanding like ant colonies, forming an unfinished nest between chaos and shelter.

Gauze trembles in the air, gently wrapping sharp clock parts, silent blades that graze the surface of time, leaving faint yet permanent marks. Time never pauses but slips through softly, wounding as it passes.

This work deconstructs the idea of home. It is no longer a fixed space but a shifting and unstable constellation of emotions. Each dry branch once blossomed. Each scar speaks of truth. In its incompleteness and instability, the installation becomes closer to memory itself — porous, soft, yet weight-bearing.

一棵长满记忆碎片的“流动之树”，在不稳定的基座上轻轻晃动，如同迁徙生活中的一口悬空衣柜。枝桠斑驳，如脉络般牵引着过去的居所与情感残片。固化泡沫恣意膨胀，像蚁巢般无序扩张，在缝隙中筑起一座未完的栖居地。

风中纱布微颤，包裹着尖锐的钟表零件，它们无声地划过时间的皮肤，留下细微却永恒的痕迹。这里的时间不会停留，只在轻柔中隐约刺痛。

这件作品是对“家”概念的拆解。不再是静止的空间，而是不断流动、变形、漂移的情感集合。每一根枯枝都曾繁茂，每一道裂痕都真实可触。它未完成、未稳定，却因此更接近真实的记忆状态：模糊、柔软，载着重量。