August 19, 2025 - Tona Hangen
As you can read below, the 2025 summer team has dug deeper into some of the more troubling aspects of the THDN collection, specifically how the Home was embedded in a larger system of diagnosis, treatment, and care (often woefully inadequate institutional custodial care) for some of society's most vulnerable people: those with physical, mental or emotional disabilities. We're interested in how people experiencing these challenges maintained their agency, dignity and voice, even as the medical and political establishment may have treated them as disposable, undeserving, criminal, or weak.
At the same time, I've been preparing fall courses, including one on History and Memory, and in the course of my reading I encountered the term "stolpersteine," or literally, "stumbling stones." These are small concrete blocks topped with brass plaques placed into the sidewalk outside the homes of the last freely-chosen residence of people disappeared by the Nazi regime in Germany and other countries under Nazi occupation during World War II, bearing that person's name and life dates. They're designed to interrupt a pedestrian's walk -- to make them stop and consider what happened there. They were first conceived by German artist Gunter Demnig in the 1990s, as a "decentralized memorial" of the Holocaust's victims, and there are over 100,000 of them in various locations.
While there are vast differences between victims of Nazi persecution and people in our own region who were recorded in official records of state institutions, there is something about the concept of stolperstein that resonates on a common frequency with the work we've done this summer. Early in the summer a Massachusetts state commission released a huge multi-year report documenting the forgotten history of the huge state institutional system, its now largely-neglected properties and physical facilities, and the often hidden histories of its residents and the impact that their treatment, incarceration, or institutionalization had on their families and communities. As a team we've taken time to visit some of the final resting places of state hospital patients -- not out of morbid curiosity or prurient sensationalism of the supernatural -- but to respect the dignity and humanity of our subjects and to contribute to a better collective memory of the past of people with a wide variety of conditions that once doomed them to live apart from society.
Yes, it's been a busy summer. And yes, we're working to create a database. But the people in it are not just "data" to us. It's good to pause, even to stumble, on their histories and the ground they occupy even now, and to take a moment for reflection.
August 13, 2025 - Kaylee Chen
Over the past couple of months, we have delved into both archival work from both primary and secondary sources, as well as making site visits. The Museum of Worcester houses a wealth of archival collections from the THDN and state hospitals including historical documents, photographs, intake forms, and postal cards that shed light on the social, cultural, and institutional history of Worcester and the surrounding areas. The casefiles we are working with range from 1910-1950, which indicates that many of the families that utilized the home as well as their descendants might still be alive and sensitive information about these families could be readily open to the public to interpret and criticize. When speaking with the museum staff, I gained better insight into how local narratives within the archives should be interpreted and presented to the public. This will help me create a presentation in the fall that is clear to the public and help me communicate clear findings based on historical documents that other scholars can access and interpret.
One unique collection within the Museum of Worcester are albums documenting patients in the Worcester state hospital around 1890. These volumes included photographs that resembled mugshots: stark, front facing portraits that reduced an individual to an institutional image. At the front of each book, there was an index that included the patient name, their assigned number, and the page number their picture can be found on. This organizational system underscored the dehumanizing nature of institutional recordkeeping, where an identity was filtered through numbers rather than personal history. In these books and intake cards, patients are described as “feeble-minded” and “insane,” words that are not used in medical terminal terminology today.
What we see in the archive draws a parallel with a 1967 documentary our research team studied called Titicut Follies, directed by Frederick Wiseman, which exposed the harsh conditions of Massachusetts prisoners at the Bridgewater State Hospital for the criminally insane. Inmates at the Bridgewater State Hospital were stripped of their clothing, faced both verbal and physical assault from guards, were treated with little to no care, and faced dehumanization from the moment they stepped foot into the asylum. Furthermore, scenes within the film follow the worsening physical conditions of an inmate's body within the asylum as they are “treated” there. Treatment of inmates would include living in cells without furniture, inmates who did not follow bathing procedures would be left in unsanitary conditions, and inmates ultimately lost autonomy. The loss of autonomy left inmates with frustration and anxiety which left many of them to pace nervously around rooms, bang on doors in desperation, screaming or lash out, and for others, losing the desire to eat or even to live. This was an unsettling reminder that institutional neglect, power imbalance, and loss of dignity can be as damaging as the illness itself.
By connecting these archival materials with the visual record of Titicut Follies, this research underscores the persistence of institutional practices that stripped away humanity under the guise of care. Although these systems were built to help the “mentally ill” or “mentally insane”, the harsh reality was that these institutions made recovering and reintegration into society all the more difficult.
August 12, 2025 - Abby Rickert
On July 31, 2025, our team visited the Public Health Museum in Tewksbury, Massachusetts. The Public Health Museum currently resides in the “Old Administration Building” that oversaw the Tewksbury State Hospital. The Tewksbury State Hospital was established in 1854, initially designed to be one of three state-funded almshouses for the poor. The institution expanded to include the care of the “pauper insane,” and throughout its time in operation (until the early 1970s), provided treatment for various other chronic mental and physical diseases such as tuberculosis and polio. The campus eventually stretched over 1,000 acres of land, with some of the original buildings still standing, some with alternative functions today.
Our trip to the Public Health Museum was relevant to the research of the thousands of people who utilized the Edward’s Street Temporary Home and Day Nursery (THDN) throughout the early twentieth century. Many of the people who came to the THDN were referred to or experienced mental health services and some were institutionalized at Worcester State Hospital and other similar institutions in different parts of the state. The Public Health Museum detailed various approaches to mental health that were utilized at the Tewksbury State Hospital, as well as a detailed look at physical health conditions and epidemics that plagued this area throughout history, and a look into the nursing and medical training program that was introduced on their campus.
In the mental health room, advertisements, like the one seen above, were posted to promote the idea of rehabilitation. On the left, the shoes belong to a patient, and on the right, it can be assumed that they belong to the same person who was once a patient but has been rehabilitated and released back into society. The patient had “gone home.” Overcrowding, unsanitary conditions, and improper ventilation systems were common at institutions like these by the mid twentieth century, and caused many problems within the institutions themselves. Though the goal may have been rehabilitation, with the limited knowledge of mental health causes and treatments that were available throughout the early 20th century, many times complete rehabilitation was not possible. This further exacerbated the aforementioned problems, especially overcrowding.
This ideal of rehabilitation was not always reflected in the practice of the treatments that took place in institutions like Tewksbury State Hospital. The mental health wards of the hospital were set up as pseudo-barracks, with many beds in one room. On the bottom floor of both the men’s and women’s psychiatric buildings, however, were isolation rooms. Reportedly, only patients who were deemed a threat to themselves or to others would be placed inside of these rooms. A door was removed from one of these cells in the Tewksbury Hospital and remains part of the mental health exhibit in the Public Health Museum. Upon first glance of this door, it appears to be just that: an industrial-looking door with two small holes for viewing inside and out of the cell. Upon further inspection, the door becomes a haunting symbol of the restraint, restriction, and mistreatment of patients suffering from mental health conditions at this time. These conditions were not unique to Tewksbury State Hospital, and were used in order to create a hierarchical system within institutions in order to gain control over those that were differently abled under the guise of “treatment.”
Taking the time to experience the exhibits at the Tewksbury State Hospital and to walk around the existing campus provided a deeper understanding to the institutional system that we have been studying this summer. We were fortunate to speak with staff at the museum who were extremely knowledgeable, and provided us with detailed information that would not have been as easy to access had we not been on site.
July 23, 2024 - Tiernan O'Neal
The Edward Street Temporary Home and Day Nursery (THDN) moved into their newly constructed building on 10 Edward Street in 1910. The Edward Street building, only a 5 minute walk from UMASS Memorial Hospital, faithfully served women and children until its closure in the early 2000s. Today the building is occupied by the Rainbow Child Development Center, which serves over 300 children. All summer, we’ve read stories about women staying in the temporary home for a night, a couple weeks, or a couple of months. We’ve read stories about children getting cared for by the day nursery while their parents worked. We’ve read personal narratives, letters, official correspondences, and newspaper clippings. Yet, we could only imagine what the building’s interior looked like until this point. Today, Professor Hangen, Maroua, and I took a trip to 10 Edward Street to get a better understanding of the building’s interior. Paula Perrier, the executive director, greeted us with enthusiasm when we arrived at the Rainbow Child Development Center. I was surprised by how old – yet at the same time, how modern – the building was. Of course, after 100 years, there were some minor renovations. There were freshly painted walls and cheerful new rooms, but the building’s original architecture remained front and center. The kitchen and butler’s pantry had the original cabinets and several rooms had mahogany doors. The wood creaked beneath our feet as we shuffled from one classroom to the next and up the stairs, wondering what the original purpose of each room was. We were able to find the third-floor parlor, which is now being used as a meeting room. The staff’s offices were clearly old temporary home rooms. The isolation ward, now used as offices, had a glued-shut dumbwaiter that was used to bring up food from the kitchen below for the sick patients. Most rooms had a fireplace, though 98% of the fireplaces were sealed off for safety reasons. Walking through a building and knowing what stories were going in and out each room felt weird. While the Edward Street Temporary Home and Day Nursery no longer exists, I’m sure Miss Charlotte Emerson and the staff would feel satisfied knowing that their building is continuing to be used as a center for children.
Jul 23, 2024 - Maraoua Rahaoui
I suppose what drew me most to learning about the Temporary Home and Day Nursery, a place I’ve never heard of before as a Worcester resident, was the historical context. I was so very curious about what life was like in the 1910s in Worcester, what the societal norms were like and how that affected charity organizations like this one. As we began to take it all apart, digging deeper into the records and files, we found stories upon stories. Through those, we were able to infer somewhat of the setting, but not enough. It wasn’t until we went to explore other archives beyond our own, to Simmons University and reaching out to a professor with a similar project from Illinois, that we began to understand the true complexities and layers of the cultural norms during this period of more than 100 years ago. The Temporary Home and Day Nursery (THDN) on 10 Edwards Street, Worcester, Mass was not the first of its kind, and it wouldn’t be the last. In fact, after it closed in the early 2000s, the building became home to another local day care center called Rainbow Development Center that was originally located in the same neighborhood in the 1970s, and is now in the same building, replacing the original.
Charities in this era were interconnected. Many women applying to stay in the THDN were single or jobless, while some were sick mothers who had nowhere else to take their children. Of course this wouldn’t be the only place they turned to for help. They had the Travelers Aid Society, the Worcester Children’s Friend Society, Associated Charities, and countless others interconnected across the city and state. What’s interesting is that we see the stories of these women and mothers primarily through the eyes of the charity workers, often wealthy women from respectable families. Philanthropy was a huge trend in this time amongst the upper classes, and some wealthy women believed it to be their responsibility to society to give the children home care to restore the societal norm of what a proper American household should look like and run like. However, despite all of that, it’s inspiring to see women of this time, from Charlotte Emerson (superintendent of the THDN for 30 years+) to Isabella Gardner (Bostonian art collector and philanthropist) to Jane Addams (founder of Hull House), starting these homes in the first place, fundraising for them, designing them, creating schedules, and making sure they run efficiently. It was run by women for women, and to see their legacies today is truly awe-inspiring.
August 8, 2024 - Tona Hangen
The photos above are from our last workday at the Worcester Historical Museum, when we got a look into the vault and also were able to see and handle the originals of the 1936 city insurance map books to see the neighborhoods we've been studying as they looked then.
Our summer has been far more productive -- and unpredictable -- than I could have imagined. We got through photographing all 9 boxes of casefiles (something I thought would be a multi-year project in itself) and expanded our research interests into related collections in other college archives, including Simmons, Boston College, and Holy Cross. We made a robust research collection of secondary literature, original sources, supporting materials, and lots of annual reports. We're finishing up the summer by creating a series of resource documents to help organize the collection for future research and dataset-creation.