Poster for "The Nun's Story," 1959. See the movie's trailer below.
While missionary men usually centered their mission activity on preaching, women more often worked in education or medical care because of restrictions on female preaching. These efforts—even if they offered marginal public services—were contributing factors to American imperialism in the nineteenth and twentieth centuries. Women missionaries’ actions are inseparable from white supremacist ideas about the inferiority of non-Christians (and, in most cases, non-Protestants). As is true throughout white women’s history, their imperialist decisions were often made within tightly controlled patriarchal systems, revealing how experiences of inequality do not preclude women from perpetuating white supremacy.
The movie poster to the left advertises "The Nun's Story," a 1959 film starring Audrey Hepburn. The film follows the story of Sister Luke, a surgical nurse in the Belgian Congo in the 1930s. This film, when analyzed as a primary source, reveals important ideas about race and religion among women missionaries in the twentieth century.
Find sources on this page that explore how women missionaries constructed race and created an American empire.
Jenny McGill, "The Legacy of Anna E. Hall, African American Missionary to Liberia," International Journal of Mission Research, 46, no. 1 (2022).
Angela Hornsby-Gutting, "'Woman's Work': Race, Foreign Missions, and Respectability in the National Training School for Women and Girls," Journal of Women's History, 31, no. 1 (2019).
Films about women missionaries are excellent primary sources, revealing much about the positions of the filmmakers toward missions. Click through the slides on the left to watch trailers and view posters of several films centered on women missionaries from the 1950s to the early 21st century. Each preview or poster is accompanied by the filmmakers' description of the films. These descriptions themselves are primary texts.
How do the missionary characters appear? Are they the heroes or villains of the movie?
How are nonwhite people portrayed in the movie? Are their racial characteristics connected to their religious practices, as understood by the filmmakers?
How have depictions of women missionaries in film changed over time? What has not changed?
Check out these secondary sources that explore missionaries in film:
Jamie S. Scott, "Missions in Film," International Bulletin of Missionary Research 32, no. 3 (July 2008).
Annamaria Motrescu-Mayes, "Paradoxical Legacies: Colonial Missionary Films, Corporate Philanthropy in South Asia and the Griersonian Documentary Tradition," in The Colonial Documentary Film in South and South-East Asia, ed. Ian Aitken and Camille Deprez (2017).
Lawrence Mastroni, "They Killed Sister Dorothy (review)," Film & History: An Interdisciplinary Journal 40, no. 2 (2010).
Women doctor-missionaries, 1895-1940 (Hollis Images)
This collection of portraits includes only one black woman.
Images (including photographs and other media) often accompany manuscript collections. These images can give us a fuller understanding of text-based sources. For example, the portrait to the left is part of a collection of women medical missionaries from the early 20th century. The portrait collection includes only one portrait of a Black woman, and none of the women are named. This leads us to important questions about race and international missions in this period:
Why did Black women serve as missionaries? Were their motivations different from white women?
What kinds of discrimination did Black women face in this profession? Were the same kinds of funding sources open to them as were open to white women?
Reading sources against the grain is important when studying the history of race. It is also essential to pay attention to the absences in our sources. With this collection, portraits of Black women were missing. Black women missionaries are underrepresented across Harvard's collections. Those absences tell us important stories about what kinds of people had the resources to collect and preserve their papers and what kinds of stories Harvard sought to preserve.
These absences tell us important stories about World Christianity more generally, too. Do we misunderstand international missions as primarily a white endeavor because of neglected or unpreserved source material? This understanding is currently being revised by scholars of "reverse" missions who study how Asian and African Christians evangelize in the United States. There is a similar scholarly need for analyzing Black missionaries--in the nineteenth and twentieth centuries, and today.
Like other primary sources, images are an excellent place to start your research because they can inspire good research questions.
Browse images through Hollis Images, or find images linked to larger archival collections, in Hollis for Archival Discovery.
The United Methodist Church also has a large collection of digitized missionary scrapbooks. These scrapbooks provide a window into missionaries' daily activities abroad. Because images communicate what words often cannot, the missionary scrapbooks help us see what missionaries found to be the most difficult to describe--the surprising landscapes, buildings, and people in their mission fields. Scrapbooks liike the one below on the right are records of the intersections between American sensibilities and Chinese aesthetics.
Board of Missions of the Methodist Episcopal Church , “Mission Photograph Album - China #16 page 0002" (United Methodist Church Digital Galleries)