WITCHES MAG BEGAN AS a handwritten idea in the back of an old notebook in October of 2018. It was born after 2 am, when my cup of tea had gone cold, my graduate school assignments had been pushed to the far side of my desk, and my thoughts were racing like I was living through a fever dream. I’d spent the week keeping up with the U.S. senate hearing during which Dr. Christine Blasey Ford bravely shared the story of her sexual assault, and then watching Brett Kavanaugh get confirmed as a Supreme Court justice in spite of Blasey Ford’s testimony. Sick of sulking in my growing disappointment and anger, I felt compelled to do something, to make something that was overtly political and overtly feminist. The results of Dr. Blasey Ford’s testimony had proven to me that women’s stories were not valued like men’s were, even in 2018, and I wanted to work to change this. I decided that night that I would begin a publication that centered girls’ and women’s voices.
I scribbled down that Witches Mag would try to create a space for girls and women to discuss sexism and feminism honestly, to write with nuance, to critique our culture, to mess up and teach each other, to admit our hypocrisy, and ultimately to have our voices, artwork, opinions, stories, and experiences centered, acknowledged, validated, and listened to. With these goals in mind, for each issue of Witches, girls and women are asked to contribute work related to that issue’s theme.
The title "Witches" was inspired partially by the name of season 4, episode 6 of the show Broad City. The feminism we see in pop culture is often fun, sexy, lighthearted, and apolitical, but I think this episode of Broad City, despite having passed through the filter of capitalism, maintains some of the grittiness of feminism as an overtly political movement. The women characters in this episode are powerful and struggling and funny and flawed and resilient all at once, just like the Witches you’re about to meet.
Feminism is messy, uncomfortable, and difficult. It is both personal and political. It’s about challenging a sexist culture, not just making individual, empowered choices. It recognizes the downfalls of the gender binary. It knows that men are negatively affected by patriarchy as well. It requires an intersectional approach to be effective. It is often exhausting and disheartening, but it is ultimately rooted in optimism. Our work in Witches is meant to reflect these values.
This publication does not claim to be representative of what misogyny feels or looks like to every woman and girl. As a young woman who is very white, mostly straight, and relatively middle class, I recognize that mainstream feminist movements have historically marginalized women of color, queer women, and transgender women, and that I have a responsibility to make space in these pages for girls and women who are different than me. This is an essential element of my understanding of feminism and it consistently shapes the manifestation of my values in the personal, professional, and academic areas of my life. Witches centers the artwork and experiences of girls and women with the goal of challenging existing systems from angles that are actively anti-sexist, anti-racist, and anti-classist. The girls and women in Witches are committed to these ethics, and we are aware of our responsibility to continue learning, challenging, advocating, and growing with each issue. That being said, anyone who identifies as a girl or woman and is interested in sharing work that reflects her experiences within a sexist culture is invited and encouraged to join us.
My greatest hope is that Witches is beginning to create a community in which girls and women share their stories, discover commonalities, and learn from the ways their experiences contradict each other. I hope it’s satisfying its contributors and entertaining its readers. I hope men are reading it, too. I hope it’s teaching someone something along the way. I hope it’s making my parents proud. If nothing else, I know that beginning Witches made the anger I began harboring after the senate hearing feel purposeful and proactive as my fellow Witches and I took concrete action to contribute to building a culture that values girls’ and women’s stories more, even on this small scale.
Jaclyn Griffith
Est. Oct. 2018 | Providence, RI