The Life and Songs of Emmylou Harris CD & DVD/Blu-Ray captures a once-in-a-lifetime concert celebrating one of the most influential women in music whose contribution as a singer and songwriter spans 40 years. Recorded at the famous DAR Constitution Hall in Washington, D.C. January 10, 2015. To see track listing and to hear songs click here.
The 4-LP Box Set includes the complete sound recordings from CONCERT FOR GEORGE, pressed on 180 gram audiophile vinyl, featuring a special, mandala-design etched on side-8. This is the first physical audio configuration to offer all songs from the performance.
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Neck Deep's current outlook is "Don't Overthink it." The songs on upcoming self-titled album "are just fun, and we're not taking ourselves too seriously. We've basically done 90% of the production and recording ourselves... We've pretty much built this record fro the ground up with little to no outside help By that factor alone, it's the most Neck Deep record there's ever been, or at least since our first record, Wishful Thinking. It's the first time since then that we've done everything ourselves" explains Ben Barlow.
During a sold-out gala event on Feb. 10, 2012, 18-time GRAMMY winner McCartney, along with a cast of superstar guests, performed some of the quintessential songs from his celebrated career. The 15 exclusive performances featured on A MusiCares Tribute To Paul McCartney include exceptional solo performances by McCartney of "Magical Mystery Tour," "Junior's Farm," and "My Valentine"; a riveting medley of "Golden Slumbers," "Carry That Weight" and "The End" by McCartney, with Dave Grohl and Joe Walsh joining the performance of "The End"; and incredible performances by a slate of GRAMMY-winning artists, including Alison Krauss & Union Station featuring Jerry Douglas, Coldplay, Norah Jones, Alicia Keys, Diana Krall, James Taylor, and Neil Young with Crazy Horse.
"I wrote Volume 1 during a period of deep healing and space to process that I had never given myself. I hope you feel yourself in these songs as much as I do. Part 1: tear down. Part 2: rebuild," the singer shared on Instagram, teasing Vol. 2 of the collection (release date yet to be announced).
"The whole goal of this album was to make amazing songs with artists I love and respect," he added. The 14-track record features several 2022 singles, such as "Free" with Alesso and Clementine Douglas, "LA On Acid" with Good Times Ahead, "Pretty People" with INJI, "Don't Let Me Let Go" with Illenium and Evan Giia and "buttons!" with Knock2.
No. 2 is their second album from 1965; the same year's December's Children is the last of their early songs to lean heavily on covers; Got Live If You Want It! is an early live document capturing the early hysteria swarming around the band.
Since her early '60s breakout to her current status as a bona fide living legend, Barbra Streisand has lived a lot of life. Streisand's 992-page tome breaks down her humble beginnings growing up in Williamsburg, Brooklyn and her subsequent stratospheric life during which she received a whopping 46 GRAMMY nominations and released many timeless songs. Along the way, she also became the first female in the history of moviemaking to write, produce, direct and star in a major motion picture (Yentl).
Spanish singer Mara Jos Llergo released her newest album ULTRABELLEZA, following her 2020 Sanacin. The album features songs that transverse between genres like "NOVIX," which features a intricate, Latin rhythm and "Superpoder," a star-studded pop song.
The concert albums, which will be released on Thursday (Dec 23), come in four editions - a hardcover Blu-ray edition and a CD version recorded at the Hong Kong Coliseum, featuring more Cantonese songs; and two similar editions recorded at the Taipei Arena, which have more Mandarin numbers. The Blu-ray editions cost $77 each, while the CD versions cost $74 each.
Any time you hear a pop song (or other piece of pre-recorded music) in a movie or TV show, someone has paid licensing fees to get that song in their film or series. Licensing fees are paid in two separate ways. The first fee is paid to the songwriter, and it goes to the publishing company that controls the rights to those songs. The second fee is paid to use the actual recording, and it goes to a record company.
From there, Peisch and his team moved on to the publishing office of Bob Dylan, who had 10 different songs scattered throughout the series in various forms. They had anticipated a struggle to get Dylan's music on DVD, but the process went surprisingly smoothly. And that helped the company approach other artists. "If we can tell people that Bob Dylan has 10 songs in Wonder Years, and he agreed to be involved, that's impressive," he said.
Both StarVista (Time Life) and Shout (Rhino Records) have close ties to companies with long-standing record company relationships. That puts both companies at a significant advantage when it comes to making deals to lock down songs for inclusion on DVD.
"In some cases, they're small publishers where they only control a few things," Garson Foos, the president of Shout! Factory, told me. And in those cases, the publishers will often drive harder bargains that can drive up the price of not just the songs they control, but the songs controlled by larger publishing houses as well.
"You plead with those people that have a couple of songs to go with the rates that the vast majority of people are willing to go with and hope they'll come along, but once in a while they just won't," said Foos.
In Europe, rather than negotiating clearances on a case-by-case basis, a DVD company will divide up a certain percentage of the profits of every DVD sold among the various artists who have songs in the show. It works as something much closer to the compulsory rate publishers get for sale of recorded music, which generates an automatic royalty to the songwriter.
Foos also suggested perhaps there could be different rates for songs that are simply used in the backgrounds of scenes, as opposed to songs that are used in full or as performances by the original artists. It's possible such a change could be made by expanding the definition of "fair use" under existing copyright law, though such a thing is unlikely to happen, due to (again) the amount of money potentially involved. be457b7860
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