To be extra safe with this part of the songwriting formula, many pop artists open their songs with the chorus or at least a hook, which grabs attention from the get go. Below are a couple number one examples of this in 2020.

Believe it or not, whether a song is in a major or minor key can have merit on its success. After going through the number one hits of the past year I found that all of them except for one were in a major key.


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Why does this seem to be such an integral part of the songwriting formula? My theory simply comes down to the fact that people would rather listen to music that makes them feel good rather than what which brings them down.

The tempo of a song is also known to play into whether or not a piece of music will rise in the charts. That said, there are both upbeat and slower songs that top the charts, each with their own ideal tempo.

A few years ago the ideal tempo for an upbeat track was 120BPM and this still is a great starting place. However, recent years have seen a rise in the tempo on number one singles. In current trends fast paced songs have an average BMP of around 135BPM.

When it comes to mastering the songwriting formula for hits, the more digestible you can make a track the better. Keeping the verses simple in form will make them memorable and relatable when the second verse roles around.

As already mentioned, any songwriting techniques to make the music quickly digestible is part of the magic formula. A repeating pre-chorus does this beautifully and by the end of the first chorus your listener will already know more than half the song.

Instant Love, unexpected love and grower songs (these are songs I didn't love right away but I also didn't dislike them), this is a no skip album for me so I have no need for dislike section. so let's get to it.

Cactus - I actually though I would hate this song but that didn't happen, it's literally my performance song. I love how I can feel the emotion in their voices, they put their all into this song and they did so good.

"The Formula" is a song by American rapper The D.O.C. from his 1989 debut album No One Can Do It Better. It was released as the third single to support the album and reached #4 on the Hot Rap Songs and #76 on the Hot R&B/Hip-Hop Songs charts in April 1990.[3] "The Formula" has been seen as the song that invented G-funk.[4]

"The Formula" was produced by Dr. Dre and contains samples from Marvin Gaye's "Inner City Blues (Make Me Wanna Holler)", from his 1971 album What's Going On. The remix of the song features a lengthy instrumental outro.

Melodically speaking, TikTok hits use more perfect unison (repeating the same note consecutively) than the average chart-topper, and have longer sequences of vocal hooks. All of these traits lend themselves to formulaic, repetitive, familiar-feeling tracks that make them easily memorizable, and thus poised for TikTok appeal. Regarding tonality, while the top-charting average splits almost equally between major and minor scales & modes, TikTok hits are largely minor scale oriented.

From the trap of Cardi B to the falsetto of The Weekend, most of the TikTok hits feature predominantly female/high-pitch vocals (compared to a near even split between high-and low-pitched vocals amongst top-charting songs). The songs span a wide range of genres, from pure pre-teen pop to trap and hip-hop bangers. TikTok songs also portray a curiously darker timbre.

Purpose:  To compare the prediction accuracy of algorithmic intraocular lens (IOL) power calculation formula selection method using conventional formulas (Haigis, Hoffer Q, Holladay 1, SRK/T and/or Barrett Universal II) based on keratometry (K), anterior chamber depth (ACD) and axial length (AL).

Methods:  A total of 1653 patients (1653 eyes) implanted with Tecnis ZCB00 IOL during cataract surgery were enrolled in this study. Intraocular lens (IOL) power calculation formulas with a small absolute value in the sum of the area under the curve measured by K, ACD and AL subgroup were selected to calculate IOL power in the relevant biometry subgroup. The median absolute error (MedAE) calculated by the Haigis, Hoffer Q, Holladay 1, SRK/T and Barrett Universal II formulas individually was compared to that calculated by the algorithmic selection method using four formulas, Haigis, Hoffer Q, Holladay 1 and SRK/T, or five formulas when Barrett is included.

Results:  The MedAE was 0.27 D in the Haigis, 0.30 D in the Hoffer Q, 0.27 D in the Holladay 1, 0.29 D in the SRK/T and 0.26 D in the Barrett Universal II formulas. The MedAEs determined by the algorithmic selection method using four (019 D) and five (0.21 D) formulas were significantly lower than those by the conventional IOL power calculation formulas.

Conclusions:  The IOL power calculation formula selection method by biometry subgroup combined with biometric parameters K, ACD and AL may offer a more superior postoperative refractive error prediction in cataract surgery.

To create a happy song, Dr. Bonshor believes combining a combination of a major key, 7th chords, 137 BPM, strong beat, four beats in every bar, and a verse-chorus-verse-chorus structure is a sure-fire way to produce one.

All this song is, is really just a 1, 5, 6, 4 progression played in any key. I usually teach it in the key of C, but literally any key will work. So your options are wide open with this progression, and thousands of musicians and artists have taken full advantage of that fact.

When all of these factors are computed, we arrive at the number of total performance CREDITS. After establishing the number of credits generated by a performance, the next step is to allocate these credits among all of the writers and publishers of the work based on the SHARE each should receive. ASCAP is advised of the correct shares to be paid when members submit Title Registrations. For example, if two co-writers of a song share royalties equally, each will receive 50% of the total credits. The final step is to multiply credits by the appropriate CREDIT VALUE to arrive at the ROYALTY payment.

When feeling down, nothing beats some uplifting tunes to cheer someone up and put a grin back on their faces. Now, a scientific algorithm was used to determine the top 10 happiest songs, ranking 'Good Vibrations' by The Beach Boys in the top place.

Dr. Michael Bonshor, a music psychologist and university professor at the University of Sheffield who has undertaken considerable research into the influence of research on wellbeing, has uncovered all the components that create a great "happy" song, with the 1966 pop smash ticking every box.

Meanwhile, the second and third happiest songs in the world are James Brown's 'I Got You (I Feel Good)' and Madness' 'House of Fun', respectively. Dr. Bonshor discovered, through a study commissioned by the yogurt company Mllerlight, that music in the major key is often considered as joyful.

He added that cheery songs, which usually have a strong 1-2-1-2 beat to them, also make people dance along with the tune. Such a short introduction and kicks off with a bang straight away need not have a long build-up for the song to have an upbeat sound.

Moreover, he noted that people like high volume so notes played in a bright and bouncy way by musical instruments, like trumpets or electric guitars instead of mellower instruments create happy songs.

These elements make up the track known as 'The Lighter Note', which is a song that science has proven to light up the winter blues. A survey of approximately 2,00 Brits showed that two-thirds listen to music to cheer themselves up, wherein 40% cited listening to it during cold weather and dark nights. Also, 71% said that music is one of the most powerful tools that influence their mood.

Formula 1 fever is in full swing, with support for the series bigger than ever thanks to the popular Netflix series Formula 1: Drive to Survive, more American races, and interest from celebrities like Brad Pitt and Keanu Reeves. But the latest bit of media to center around the top tier of motorsport is utterly cringeworthy: a new music video for a song by will.i.am and Lil Wayne entitled The Formula, which includes footage filmed the weekend of the 2023 Saudi Arabian Grand Prix and features all the current F1 team's cars, including Max Verstappen's Red Bull and Lewis Hamilton's Mercedes.

Choice lines include "You're a small fry, need ketchup," and "My car fly like a Jetson," with special mention made of Sir Lewis Hamilton and Max Verstappen with Lil Wayne's lines, "Got 'em braided like Lewis, got a Mercedes like Lewis," and "Yo girl my co-captain, driving like Max Verstappen." This is quality songwriting right here!

You hear a new song. Will it be a hit or a flop? Researchers from Bristol University in the U.K. say they can now tell you - well, sort of. After studying the Top 40 singles charts over the last 50 years and examining the audio characteristics for hits and flops, the team has come up with a formula as to what makes for a successful song and used it to devise software that "predicts" hits. The next step is a web app to allow budding musicians to score their own songs.

The prediction characteristics include musical features such as time signature, tempo, beat-variation, "danceability," as well as the harmonic simplicity of the songs and how noisy/loud they are. Importantly, these variables are examined for how they shift over time so in a sense, it is a shifting formula.

As Dr. De Bie, Senior Lecturer in Artificial Intelligence at Bristol University explains, "Musical tastes evolve, which means our 'hit potential equation' needs to evolve as well. Indeed, we have found the hit potential of a song depends on the era." For example, the ability to dance to a song was a huge determining factor of how well they would fare on the charts in the 1980s, but this characteristic became less and less important as music moved into the early 90s rock ballads. e24fc04721

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