Veer Zaara Hindi Movie Hd Video Songs Free Download __EXCLUSIVE_

In a soundtrack review, Syed Firdaus Ashraf of Rediff.com states, "It will disappoint you at first, but if you listen to it repeatedly, the music will grow on you."[46] Ashraf felt that "Kyon Hawa", sung by Sonu Nigam, was the best song in the album.[46] Derek Elley of Variety agrees with Ashraf on the first point, writing, "While not instantly hummable, they do the job effectively."[47] In a review of "Tere Liye", a Sify editor writes, "Madan Mohan's mastery with tunes is quite apparent in this number, parts of which are used often in the movie."[48] Joginder Tuteja of Bollywood Hungama rated it 4 stars out of 5, writing, "Veer-Zaara is a mixed bag varying from a rich collection of love songs to emotional tracks to a patriotic number, a qawwali, a folk song and a ghazal. While the first half of the album is instantly appealing the second half will slowly grow on you."[49] A reviewer for the BBC applauded the album, calling it "unique and special".[50]

Taran Adarsh of Bollywood Hungama gave it 4.5 stars out of five and comments, "There's romance, there's a strong dose of emotions, there're songs aplenty, there's drama... But, most important, it has soul, which has been lacking in most movies of late".[76] Writing for India Today, Kaveree Bamzai gave a positive review and compliments Khan's performance, writing, "Khan strides across Aditya Chopra's screenplay with assured ease."[77] Subhash K. Jha gave Veer-Zaara a positive review for Indo-Asian News Service, praising the performances of the leads as "old yet passionate, frail yet sublime" and writes, "The surge of love between two people belonging to entirely different cultures and lands is collected into a quaint and quivering collage of memory and melody."[78]

Veer Zaara Hindi Movie Hd Video Songs Free Download

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Carrie R. Wheadon of Common Sense Media gives it four stars out of five and rates it as 11+, writing, "Those who watch can't miss the pleas for understanding and peace between India and Pakistan or the film's strong support of equality for women." She compliments the picturization of the songs, opening, "Even the slower love songs will hold viewers, especially as Zaara dreams about seeing Veer everywhere while she prepares for her wedding."[90] Manish Gajjar of BBC commented, "Veer-Zaara has a great storyline with some unpredictable twists and emotions, keeping you engrossed throughout."[91]

"Instinctively, I blurted that I had some old world melodies on tape, now not heard for 28 years. He seemed excited at the idea and very surprised that I had never mentioned this before. His son, Aditya Chopra was scripting the new film. Adi was a man of today and needed commercially acceptable songs. There was no place for nostalgia and emotions here. Only Yashji and Adi knew what they needed. I didn't."

Javed Akhtar, who made his debut as a lyricist in Silsila, worked again with Yash Chopra over two decades later in this film. Legendary singer Lata Mangeshkar was 75 years old at the time, and she sang the songs as these tunes were originally composed by Madan Mohan decades ago, for her to sing.

"Yashji was clear that only Lataji would sing the female songs and that thrilled me because all Madanji tunes were made only for Lataji and it would have been incomplete if she did not sing them. But at the same time it concerned me. It would be so challenging for her to sing for Madanji again after 30 years.

"And what a coincidence that Amitabh Bachchan and Hema Malini danced to his tunes again and once again his songs were on the top of the charts for almost an entire year, and he finally won many popular awards," Kohli stated.

Do pal has outstanding lyrics, and is a very touching song. Sonu Nigam has done a good job in this.

But the best song in the album is undoubtedly Kyon hawa, again sung by Sonu Nigam. Lata Mangeshkar accompanies him, along with a narration by Yash Chopra.

The qawwali Aaya tere dar par sung by Ahmed Hussain and Mohammed Hussain will take you back to the 1960s. But the song seems to be a mismatch when heard against the contemporary music. It does not fall into the same category as Tumse milke dil ka haal in Farah Khan's Main Hoon Na.

Lodi by Gurdas Mann and Lata Mangeshkar is the usual Punjabi song. It's good but does not match Dilwale Dulhaniya Le Jayenge's hit, Mehndi laga kar rakhna.

I wonder why two songs, Tum paas aa rahe ho (sung by Lata Mangeshkar and Jagjit Singh) and Jaane kyon (Lata Mangeshkar) are not included in the audio cassette, and the movie as well. These two feature exclusively on CDs.

Due credit must be given to Javed Akhtar for his outstanding lyrics. Madan Mohan's son Sanjeev Kohli -- also the CEO of Yash Raj Films -- recreated the music, and RS Mani has arranged it.

All the male singers have done a commendable job but Lata Mangeshkar disappoints. If you compare her voice now to some of her earlier songs like Naina barse of Woh Kaun Thi, you will be disappointed.

If you love classical music, then Veer-Zaara's music will definitely appeal to you. But if you prefer funky music like that in Dhoom, this is not for you!

In another move to promote curiosity about his new film, Yash Chopra has not allowed radio and television stations to air songs from Veer-Zaara for a while. Yash Raj Films has tied up with MTV to offer exclusive clips from his film, as well as catch up on Chopra's earlier hits.

> lt

What you say in the first para above may well be true,

although we are not likely to get any definitive proof

or details about who all were responsible for the

complete process. But I am not sure I wholly agree with the next para.

The Chopra bandwagon may have done an excellent job of

marketing but the album's popularity doesn't seem to be

on account of MM's reputation and fame. Even in his

heyday, and despite his excellent music, MM was always

overshadowed by other MDs, like Naushad, Shankar Jaikishan

etc. He never got the Filmfare Award even once. Though

we may not agree that the Award was deserved every time,

it was usually considered as representing pupular choice,

not necessarily of musical excellence. And, today, the

general public in India (and even abroad) hardly remembers

Madan Mohan. Except in RMIM, and sometimes in relatively

obscure writings in the media, one hardly finds any

discussion about his music. Even in the recent MM survey conducted by Vinay, only 2

out of 32/33 participants picked "Veer Zara" in their

top 15 choices. MM is much more popular and venerated in

RMIM as compared to the general (Indian) listeners. It

is difficult to imagine that the late composer enjoys

a greater degree of popularity/fame/reputation amongst the

masses than amongst RMIMers themselves. I feel the album's popularity is due more to its intrinsic

excellence, aided no doubt by the Chopras' marketing

strategy. Another important factor is that the songs

"dovetailed" or blended in the scenarios very well and

enhanced the film's appeal. Overall, it was a very well -

crafted movie. The setting and the performances seemed

to complement each other. At the recent Zee Cine Awards,

the film won quite a few Awards, including Music. And

these Awards are supposed to be based only on popular

choice --- and there is no "arbitrariness" normally

associated with jury panels or critics' committees. Actually, I feel the Chopras took a calculated risk

(music-wise) and it came off.

Afzal

I feel that you are right in a way that the album didn't get all the

popularity because people know Madam Mohan or because MM is popular

among general Indian public, but rather because the music of the album

was very well done. Although, I do have to say that music of the album

also picked because of a few other reasons that can't be ignored:

1. It was a SRK movie. The sheer popularity of SRK will make the

music of any movie a hit! That factor just can't be ignored as to why

the songs became so popular. Granted the music is great.. and the

singing was really nicely done, especially with the kind of stuff we

get to hear these days.

2. It was a Yash Chopra Film! Now once again, similar to SRK, Yash

Chopra Films also have a great popularity in the general public, they

like anything these guys make, especially because they make always the

same kind of films and secondly they love to stick with their popular

casts (like SRK, Preity, Rani, etc.).I think these factors, added to the fact that the music was actually

good and the songs were much better than what we get out there (of

course, the sole exception being ARR), lead to the popularity of

Veer-Zaara's music.Amit> Afzal

I doubt it very much. Gone are the days when songs were composed with the

stars in presence for selection of the MDs, etc. Also, Shah Rukh Khan, with

his attitude as it is, might want to be paid even for going thru the act of

reading his script, let alone sit in for music sessions! And remember,

Yash Chopra is one of the earliest producers/directors who gave him a break

and is also known for his attetnion to the music on his own. Going by the

history of Veer Zaara's productrion, the choice of Madan Mohan's music/tunes

being used for the film was announced right when the film project itself was

begun. A google search on RMIM itself would reveal it. And if listening to

the 2nd audio CD or the 2nd DVD does not convince anyone as to who composed

the music, nothing can.Why does anyone have to give credit to Shah Rukh Khan anymore or for

anything in the film he stars in than he deserves!And all the credit he deserves, IMO, is for stuttering or whining in every

film he "over"-acts in.

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