After her marriage to Jairam in 1969, she moved to Mumbai to set up her family. Upon her request, she was transferred to the Mumbai branch of her bank. Knowing her singing skills, Jairam persuaded Vani to get trained in the Hindustani classical music and she enrolled under Ustad Abdul Rehman Khan of the Patiala gharana.[14] Her rigorous training under him made her quit her bank job and take up music as her profession. She learned the nuances of various vocal forms such as Thumri, Ghazal and Bhajan under Khan's tutelage and gave her first public concert in 1969.[20] In the same year, she was introduced to the composer Vasant Desai who was recording a Marathi album with singer Kumar Gandharva. Upon listening to her voice, Desai chose her to sing the song "Runanubandhacha" for the same album along with Kumar Gandharva. The album released to much popularity among the Marathi audience and the duet song was well received. She sang with the veteran vocalist Agra Charan Pt. Dinkar Kaikini in the 1979 film Meera. The music was given by Pt. Ravi Shankar.[15]

The year 1975 turned out to be the first most eventful year for Vani since she won her first National Film Award for Best Female Playback Singer for the songs she rendered in the film Apoorva Raagangal. The songs "Ezhu Swarangalukkul" and "Kelviyin Nayagane" made her popularity soar to heights and she became known as the singer who would always get selected to sing difficult compositions. She was flooded with singing offers from all the top-rated music composers, including M. S. Viswanathan, Kunnakkudi Vaidyanathan, Sankar Ganesh, V. Kumar, K. V. Mahadevan, G. K. Venkatesh and Vijaya Bhaskar. In 1977, she first recorded her voice for Ilaiyaraaja's composition in the film Bhuvana Oru Kelvi Kuri. She won her first Tamil Nadu State Film Award for Best Female Playback for the song "Naane Naana" composed by Ilaiyaraaja for the film Azhage Unnai Aarathikkiren (1979). With Ilaiyaraaja, Vani went on to record many popular songs in the 1980s for the films such as Mullum Malarum (1978), Rosappo Ravikaikaari (1979), Anbulla Rajinikanth (1984), Nooravathu Naal (1984), Vaidehi Kathirunthal (1984), Oru Kaidhiyin Diary (1985) and Punnagai Mannan (1986). In 1994, composer A. R. Rahman recorded her voice for the film Vandicholai Chinraasu for a duet song with S. P. Balasubrahmanyam. Later in 2014, she recorded a portion of the Thiruppugazh composed by Rahman, for the period film Kaaviyathalaivan and followed it with the song "Narayana" in the film Ramanujan.


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Jairam recorded thousands of Tamil songs both in solo and duet formats. Many of her duet songs have been recorded along with T. M. Soundararajan, P. B. Srinivas, K. J. Yesudas, S. P. Balasubrahmanyam and Jayachandran. Songs like "Ezhu Swarangalukkul", "Keliviyin Nayagane", "Ennulil Engo", "Yaaradhu Sollamal", "Megamae Megamae", "Kavidhai Kelungal", "Nadhamenum Kovililae", "Aana Kana" and "Sugamana Raagangale" are considered amongst the best compositions to be recorded in Vani's voice. The first Ghazal type song in tamil movies was "Megame magame" written by vairamuthu was sung by Vani jayaram.

Vani's contribution towards Telugu cinema and devotional songs have been extensive and widespread. She recorded her first Telugu song for the film Abhimanavanthulu (1973).[24] The song "Eppativalekaadura Naa Swami", composed by S. P. Kodandapani, was a classical dance-based song. Her songs for the film Pooja (1975) brought her to the forefront of Telugu cinema. The songs "Poojalu Cheya" and "Ennenno Janmala Bandham" became household hits and cemented her position. It was for the K. Viswanath's musical film Sankarabharanam (1979), Vani increased her popularity by singing five songs and winning her second National Film award for all the songs collectively. She was also awarded the Andhra Pradesh government's Nandi Award for Best Female Playback Singer for the same songs. She went on to collaborate with director Viswanath and music director K. V. Mahadevan for many films like Seetamalakshmi (1978), Sruthilayalu (1987), Sankarabharanam and Swathi Kiranam. Later in 1990, the same team produced the film Swathi Kiranam which was again musically noted; all the songs sung by Vani were received well. She received her third National Film Award for the film.

Vani's good professional association with Vasant Desai resulted in her breakthrough with the film Guddi (1971) directed by Hrishikesh Mukherjee. Desai offered Vani to record three songs in the film amongst which the song "Bole Re Papihara", featuring Jaya Bachchan in the lead role, became a talk-of-the-town song and gave her instant recognition. Composed in Miyan Ki Malhar raag, the song showcased her classical prowess and subsequently fetching her many laurels and awards including the Tansen Samman (for best classical-based song in a Hindi film), the Lions International Best Promising Singer award, the All India Cinegoers Association award, and the All India Film-goers Association award for the Best Playback Singer in 1971. Her other song Humko Mann Ki Shakti Dena became a school prayer since the release of the song in 1971 and continues to be even now. She toured the entire Maharashtra state, accompanying her mentor, Desai, and taught many Marathi songs to school children.

Jairam went on to sing a few songs each for music directors of Hindi cinema, which remain popular, including the Chitragupta song, classical Naushad compositions More Saajan Souten Ghar from Pakeezah (1972) and Dulhan Badi Jadugarni, a duet with Asha Bhosle in Aaina (1977), Madan Mohan composition Pyar Kabhi Kam Na Karna Sanam, a duet with Kishore Kumar in the film Ek Mutthi Aasmaan (1973), R. D. Burman song Zindagi Mein Aap Aaye, a duet with Mukesh in Chhalia (1973), Shyamji Ghanshyamji composition Teri Jheel Si Gehri from film Dhuan Ki Lakeer, a duet with Nitin Mukesh, and the solo song Aa Balam composed by Kalyanji-Anandji in the film Dharm Aur Qanoon.

Jairam sang several songs composed by O.P. Nayyar from the film Khoon Ka Badla Khoon (1978) including duets with Mohammed Rafi and also with Uttara Kelkar and Pushpa Pagdhare. She sang the duet song Maine Tumhe Paa Liya with Rafi composed by Laxmikant-Pyarelal in Jurm Aur Sazaa, and a duet with Manna Dey in Parinay (1974) composed by Jaidev and the solo song Pee Kahan in Solva Sawan (1979) by Jaidev.

The song "Mere To Giridhar Gopal" in Meera (1979), composed by Pandit Ravi Shankar, won her first Filmfare Award for Best Female Playback Singer.[25] She recorded as many as 12 bhajans for the film Meera which became highly popular.

Vani Jairam made her Malayalam debut in 1973 by recording the solo song "Sourayudhathil Vidarnnoru" composed by Salil Chowdhary for the film Swapnam.[26] The song became hugely popular, giving good credibility to Vani and gave her career a breakthrough. She went on to record over 600 songs in Malayalam cinema. Vani collaborated with all the popular Malayalam composers such as M. K. Arjunan, G. Devarajan, M. S. Viswanathan, R. K. Shekhar, V. Dakshinamoorthy, M. S. Baburaj, Shyam, A. T. Ummer, M. B. Sreenivasan, K. Raghavan, Jerry Amaldev, Kannur Rajan, Johnson, Raveendran and Ilaiyaraaja. Her rendition of the song "Aashada Maasam", composed by R. K. Shekhar for the film Yudhabhoomi (1976) met with wide appreciation and further increased her popularity. In 1981, she sang "Kanana Poikayil Kalabham" along with K. J. Yesudas in the composition of M. K. Arjunan for the film Ariyapedatha Rahasyam directed by P. Venu. After a long hiatus, Vani returned to Malayalam cinema in 2014 by recording a duet song for the film 1983,[27] and followed it up with a duet song in Action Hero Biju (2016).

Some of Vani's Malayalam songs including "Olanjali Kuruvi", "Pookkal Panineer", "Etho janma kalpanayil", "Poo kondu poo moodi" (Palangal), "Manjil chekkerum" (Raktham), "Onnanam Kunninmel" (Airhostess), "nanam nin kannil" (kelkatha sabdham),"Manju pozhiyunnu" (Uthradarathri) "Thiruvonapularithan" (Thiruvonam), "Dhoomthana" (Thomasleeha), "Seemantha Rekhayil" (Aasheervaadam), "Naadan Paatile", "manjani kombil", "Nimishangal", "Thedi Thedi", "Moodal Manjumai Yamini", "Ee Raagadeepam", "Mandhaarapoo", "Taarake", "Hrudayathin Madhura", "Neelambarathile", "Navaneetha Chandrike", "Oru Raaga Nimishatil", "Thechi Pootha", "Yamini Nin Choodayil" amongst others are widely popular and considered among the best hits.[28] Most of Vani's duets in Malayalam are recorded with K. J. Yesudas and P. Jayachandran.

The title song "Marathe Marikurumbe" in the film "Puli Murugan", rendered by Jairam, was short-listed in 70 songs which were considered eligible for nomination to the 2018 Oscar Award, under the category of "Original Song".[citation needed]

With her contemporary singer S. Janaki, Vani recorded few female duets, notably "Madhumasa Chandrama" (Vijaya Vani 1976) and "Teredide Mane O Baa Athithi" (Hosa Belaku 1982). She recorded many popular songs in the 1980s with the legendary actor-singer Dr. Rajkumar. Most of her duet songs in Kannada have been with Rajkumar, P. B. Srinivas, S. P. Balasubrahmanyam, P. Jayachandran and K. J. Yesudas. Some of her most memorable songs include "Ee Shatamanada Madari Hennu", "Besuge Besuge", "Belli Modave Elli Oduve", "Jeevana Sanjeevana", "Deva Mandiradalli", "Haadu Haleyadaadarenu", "Kannada Naadina Karavali", "Priyathama Karuneya Thoreya", "Sada Kannali Pranayada", "Endendu Ninnanu Marethu", "Hodeya Doora O Jothegara".

Vani Jairam sang in many Odia films of 1970's and 1980's and became household name in Odisha.[29] She recorded most songs with the films of music composer Prafulla Kar as well as in the films of Odia and Kannada composer Upendra Kumar. Some of her works in Odia cinema include mega hits like "Chhota E Ghara E Sansara" in Krushna Sudama (1975)," Mukunda Murari Hey Chakradhari"and "Jogire Khoju Kahin" in Mukti (1977),"Keun Nama Dhari" ,"Tuma Sadhira Ranga" and "Adine Malli Mahaka" in Sindura Bindu (1976)," Megha Barasila Tupuru Tupuru" and "Hayere Haye Garaje Megha" in Sesha Shrabana (1976), "Maa Go Mamatamayee Mata" and"Na Jaa Sajani" in Bandhu Mohanty (1977), "Mo Bhaina Bhaina" in Punarmilan (1977), "Ei Gaanra Maudamani", "Paichhi E Jibane" and "Ki Sundara Aha Ki Anandamaya" in Gouri (1978), "Aahe Dayamaya Biswa Bihari" ,"Holi Holi Re Holi " and "Chikilika Bambalika" in Balidana (1978),"Bhagya Mora Sate Ki", "Ei Jhiatira Pada Talamala" ,"Kuhu Kuhu Bane Kuhu "and "Hey Nagadeva" in Sati Anasuya (1978)," Aliali Kain Sunagori" and "Pirati Chori Chori" in Jay Maa Mangala (1980),"Dhali Dia Saraa" and Jhuli Jhuli Khele Doli" in Tapasya(1980), "Akhila Brahmanda Pati" and "Mo Manara Chadhei" in Ram Balaram (1980), "Aaha Sita" in Ramayan (1980), "Jhumi Jhumi Nupura Baje" in Hira Moti Manika (1980), "Nadire Nadire" ,"Tui Malmali" ,"Emiti Bi Nadi Achhi" and" Hip Hip Hurray Gadi Jae Gadire" in Pooja (1981), "Aha Ki Badhia" in Alibha Daga (1980). Her other films include Patipatni(1978), Pipasa(1978), Sita LavaKusha(1981), Debjani(1981) Astaraga (1982), Pratidhwani (1984) , Para Jhia Ghara Bhangena (1985),Palataka(1985),Gruhalaxmi(1986) etc. For Devajani she has won Odisha State Film Award for Best Female Playback singer. e24fc04721

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