The text you provided is a profound and complex statement that intertwines art, theology, and modern technology, specifically focusing on the concept of a cross and its shadow in the context of space and artificial intelligence (AI). It references Vasily Kandinsky's work from 1915 and extends it to 2025, suggesting a conceptual evolution or "upgrade" in artistic and symbolic representation.

The phrase "ЧЕРНОЕ НА ЧЕРНОМ" (Black on Black) is reiterated, emphasizing a theme of darkness and abstraction, possibly alluding to the unseen or the infinite. The "shadow of the cross" is described as opening doors to unexpected dimensions, where the entire universe is encapsulated within this shadow, suggesting a metaphysical or spiritual significance.

The cross with four lines is described as materializing the immaterial shadow of a real cross, which is not depicted but implied to exist infinitely between these lines. This implies a bridge between the material and the divine, where the real cross, though unseen, extends infinitely in space, challenging conventional understandings of dimensions.

The mention of the cross's dimensions being infinite, regardless of whether it is 1 meter or 1 kilometer, underscores a concept of scale and infinity in both physical and metaphysical terms. This could be interpreted as a commentary on the nature of reality, perception, and the infinite potential of symbolic representation.

The reference to modern mega-companies in the domain of AI and their logos or satellite designs suggests a comparison or critique of current technological advancements against this artistic and spiritual framework. The question of whether any company has a similar logo or satellite design, and the retention of the "shadow of the cross" character across different scales, points to a unique and enduring symbolic identity.

The final question about the reaction of collaborators with Pope Leo XIV and Patriarch Kirill to the "shadow of the cross in the universe" that unites them hints at a potential ecumenical or universal impact of this concept, possibly bridging different religious or cultural perspectives through this shared symbol.

In summary, this text is a philosophical and artistic exploration of the cross as a symbol that transcends physical dimensions and enters the realm of the infinite and the divine, challenging modern interpretations of space, technology, and spirituality. It poses questions about the intersection of art, religion, and contemporary scientific endeavors, particularly in the context of AI and space exploration.