Festivals who are already dealing- or have dealt with un-democratic contexts and tendencies, have developed various strategies and tools in order to tackle the treats and challenges they encounter. These range from practical solutions to everyday tasks to organizational models and the concepts festivals are built around. Below you will find an overview of tools and strategies that have appeared in the articles on Poland, Serbia, Iran and Syria. On the webpage terms will be linked with hyperlinks to the respective article where people can read more about the context and application of the ideas/concepts.
Volunteering schemes: think about efficient volunteering schemes in order to main cultural organizing with less resources
Self-financing: think about alternative funding systems such as self-financing in order to become less dependent on outside sources.
Artist-run festivals and spaces[1]: think about artist-run structures, more horizontal ways of organizing and team divisions, collectives and shared resources.
Underground organizing: find ways to organize festivals in underground structures and spaces, or apply underground principles (such as anonymity or semi-closed off spaces) in order to maintain independence and create safer spaces for audiences.
Legal structures: registration, NGO’s and foundations; think about what legal structures give you most flexibility and freedom in case political landscapes change.
Strength of the individual and small communities: find ways to have impact with using little labor/human resources.
Keep facilitating and organizing (safer) spaces for conversation.
Importance of education: educate others and yourself through workshops, training programs and being in/open for- conversation with others.
Participation: facilitate the possibility for a wide range of people to participate in activities.
People as the ‘source of culture’; The idea that culture is something that is already within/ from the people and can be found in the very day things of life. Art, artists and cultural workers can translate this into concrete objects or experiences.
Self-censorship: applying/accepting self-censorship in order to gain legitimacy within systems while simultaneously also organizing independent projects.
Working with censorship committees: understanding and finding middle ways to work with censorship committees in order to continue work activities.
Working around structures: find ways to work around structures and organize
Metaphor and language: use language in creative/ metaphorical ways in applications and communication for safety or higher changes of approval of forms.
Use of the digital[1]: explore possibilities of digital tools and spaces to create new and additional possibilities for culture, participation and organization. There is a separate toolkit on Digital technologies, which you can find here.
Micro-scale festivals: explore the idea of micro-scale festivals, which have the possibility to create high impact for local communities and low resources.
Archiving: use archiving as means of shaping new identities and resisting enforced cultural formation.
[1] Recommended resources: https://www.thefestivalacademy.eu/en/media/45-digital-r-evolution-festivals-that-worked-and-festivals-that-didn-t-lessons-from-the-digital-world/ & https://sites.google.com/view/toolkits-series/digital-technology-and-festival-making?authuser=0
Community and connection: try to find ways to strengthen (international) collaborations and relation.
Solidarity: find ways to create solidarity for communities by for example speaking up, listening, supporting and collaborating.
https://state-of-the-arts.net/empowering-artist-run-spaces/ - mind: this is not a very elaborate publication, but rather an introduction to an event they organized. However there might be some interesting concepts mentioned that can spark new insights.