sunday Sessions
SUNDAY, 20 NOVEMBER 2022
(click on the session/abstract title for more details)
SUNDAY, 20 NOVEMBER 2022
(click on the session/abstract title for more details)
The ZOOM link for joining the conference:
CLASSROOM 339 (3rd floor)
Chair: John Koslovsky
Gianluca Dai Prà: Music theory and analysis knowledge as a didactic instrument for integration: three examples
Bozhidar Chapkanov: Making teaching of harmony more accessible through neo-Riemannian theory
Chair: Steven G. Laitz
Vladimir Popov: Expanding the canon: The music of Vesselin Stoyanov (1902–1969)
Clare Wilson: Pedagogical approaches to marginalised art Song: A Caplet case study
John Koslovsky, Ralf Pisters: Roll over Adorno: "New music" education reconsidered
Nico Schüler: Integrating under-represented and forgotten composers in academic Music History and Music Theory courses
Chair: Daniel Moreira
Ângelo Martingo: Shared representations: Analysis, cognition and the communication of musical expression
Owen Belcher: “Schöne Stellen”: On the role of musical pleasure in analysis and pedagogy
Rosalind Cardenas: Step in time: An analysis of how musical attributes of duration can influence experiences of engagement in 7-11-year-olds
STANČIĆ HALL (439, 4th floor)
moderatorica: Zlata Životić
Petra Zidarić Györek: Promišljanja o interdisciplinarnim aspektima nastave glazbenih oblika u srednjoj glazbenoj školi
Vito Balić: Kako definirati temu? Ili, problem poučavanje glazbenih formi iz razdoblja od pet stoljeća
Johanna Elvira Lorenzin: Harmonija u Adagiu Mahlerove 10. simfonije
Marija Živković: Filmska glazba Arsena Dedića
moderatorica: Sanja Kiš Žuvela
Trena Jordanoska: Od Uvoda u analizu muzičkog dela do ciklusa od osam automuzikoloških knjiga Dimitrija Bužarovskog o sopstvenom muzičkom opusu – teorija i godišnjica
Ante Knešaurek: Nasljeđe Natka Devčića i poučavanje harmonije u Hrvatskoj
Domagoj Marić: Teorija glazbe kao podloga za osobni obračun. Stota obljetnica polemike između Franje Dugana i Antuna Dobronića iz 1922.
Stančić Hall, 4th floor