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The Pre-Production!
The Pre-Production!
When I reconnected with my friend, Weston Kinghorn, he shared that he had been working on an exciting new album. Inspired by his vision, I brought together a small creative team to plan and launch a music video for the debut of his work. I also brought on another close collaborator, Ryder Bates, whose sharp eye for camera work elevated our ideas. From brainstorming concepts to mapping out the shoot, pre-production was all about shaping Weston’s music into a compelling visual story.
Creating The Set
Creating The Set
In the studio, we designed a set that brought Weston’s visuals to life, synchronizing them with his music. Inspired by live DJ performances like Daft Punk, we set up the space with DJ equipment, sound systems, a room mic, a projector, and a full camera setup—transforming it into an immersive performance environment. With limited scheduling time, we worked efficiently and effectively, communicating closely as a team to make sure every detail came together.
Filming the Music Video
Filming the Music Video
For the shoot, we set up with a Canon R5 and a Sony FX6, giving us flexibility and range in our footage. We experimented with different styles, angles, and approaches—pushing ourselves creatively to capture both the energy of the music and the atmosphere of the set. With limited time, clear communication was essential as we coordinated camera work, lighting adjustments, and direction. Most importantly, we supported each other throughout the process—sharing ideas, giving feedback in the moment, and stepping in where needed—so the shoot stayed efficient, collaborative, and fun.
Full Final Music Video
Full Final Music Video
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