The Roman Empire left behind a legacy of art and architecture that transcends centuries and countries, making it the greatest historical influence. Rugged concrete vaults from Roman temples and basilicas have survived to become revered churches across Europe, the Middle East, and Africa; they are still an essential part of contemporary homes, businesses, and cultural institutions. Roman amphitheaters are not just for architecture; they are also used for a variety of activities, including as concerts and bullfights. Their strategic ports and road networks have shaped modern European roadways and marine commerce. Roman influence can also be seen in legal systems, language, calendars, and currencies used in modern culture, all of which demonstrate the close relationship that exists between the past and present.
The Roman Empire at the death of Trajan in 117 ce.
Through a process of military invasion, diplomacy, and strategic alliances, the Roman Empire gradually expanded over centuries. With a series of military expeditions and victories, the empire, which was first centered around the Italian city of Rome, increased its sphere of influence.
Colosseum was to be built on the site of Nero’s lake. Nero had built an aqueduct to carry water into his artificial lake. To drain it, the builders cut this supply of water. Photo Credit: National Geographic.
Emperor Vespasian and other Flavians intentionally selected the location of Nero's Domus Aurea to recapture public land and began building of the Colosseum. Originally known as the Flavian Amphitheater, this enormous amphitheater was built to serve the Roman populace lavish entertainment, including gladiatorial fights. Even though it could accommodate more than 50,000 people, the Colosseum got its name because of its close proximity to the enormous figure of Nero. Even though Vespasian did not live to see it finished, his son Titus oversaw its ceremonial dedication and finalization in 80 CE, leaving a lasting legacy of Roman architecture.
Art Work Highlight
The magnificent life sized marble sculpture known as The Head of Emperor Vespasian is kept in the British Museum and dates back to the Roman Imperial era. This portrait, which stands around 45.72 centimeters tall, was formerly a part of a bigger statue that was probably re-carved from an earlier image of Emperor Nero. The artwork is remarkable despite the absence of a nose, and Vespasian's severe countenance and prominent features exude authority. The neck and oversized ears clearly show re-carving, indicating a departure from Nero's likeness and a reflection of the widespread practice of damnatio memoriae that followed Nero's contentious rule. This head not only demonstrates the artist's talent but provides an intriguing window into the artistic and political changes that occurred in ancient Rome.