Shakespeare didn’t just write stories — he wrote music in words.
Through the use of meter and verse, he gave rhythm, power, and beauty to his characters’ voices.
In this section, we’ll explore how Shakespeare used iambs, blank verse, and even comic relief to shape his tragedies.
An unstressed syllable followed by a stressed one.
Example: "Our will"
→ Calm and natural flow, like a heartbeat.
A stressed syllable followed by an unstressed one.
Example: "List´ning"
→ More dramatic, sharp rhythm.
Two unstressed followed by one stressed syllable.
Example: "If a man..."
→ Bouncy and fast-paced.
Shakespeare used five iambs per line, like five heartbeats:
da-DUM da-DUM da-DUM da-DUM da-DUM
Example:
“Good sir, | why do | you start, | and seem | to fear?”
Unrhymed iambic pentameter.
→ Nobles and tragic heroes speak this way.
Example:
“To be, or not to be: that is the question.”
Structured, poetic, no rhyme.
→ Used by noble or tragic characters.
Example:
“I am thane of Cawdor: / If good, why do I yield...”
Regular speech. No rhythm or meter.
→ Used by servants or humorous characters.
Shakespeare often broke the tension with humorous scenes — usually in prose.
Example (Macbeth, Porter Scene):
“Knock, knock! Who’s there, i’ the name of Beelzebub?”
Instructions:
The goal of this quiz is to test your knowledge of Shakespeare’s use of meter and verse in his plays. You’ll need to identify different types of meter (iambic, trochaic, anapestic), recognize blank verse and prose, and connect the rhythm with different lines from Shakespeare’s works.
- Iambic = da-DUM | Most used in Shakespeare
-Pentameter = 5 feet (10 syllables)
-Blank verse = structured but unrhymed
-Prose = no structure or rhythm
-Comic relief = funny breaks in serious scenes