Turn your attention to the small panel at the back of the room. Turn the knob on the left until you see a light switch on at the other side off the room. Turn the right dial until the waveforms are overlayed.

There's a mannequin with three missing body parts. Rotate the lever to the left to attach the first limb, then use the eyepiece to enter the small tower and repeat with the next limb. Continue a third time until you reach peak limb-ception and complete the puzzle.


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The Room Three, as its predecessors, is an escape the room game, where by solving puzzle boxes and other similar puzzles, the player reveals new secrets and puzzles towards reaching the game's conclusion. The game is presented in a first-person, three-dimensional view, allowing the player to look around rooms from a spot, or rotate their view around a puzzle box or similar object. Elements of objects can be interacted with, such as pushing buttons, inserting and turning keys, or sliding sections around. Items can be collected and examined from the player's inventory, which many include manipulation of that object to reveal secret chambers or the like. As with previous games, The Room Three also has some puzzles made out of the classical element Null, which can bend reality. The player-character has a special eyepiece that he can wear to see through the Null, revealing hidden clues or puzzle parts. The Room Three introduces an additional lens for this eyepiece that allows the player-character to manipulate objects within small spaces like keyholes.

Methods:  A prospective observational study was undertaken on 539 patients presenting to ER with vertigo. We used three tools: a structured-history and examination, nystagmus video-oculography (VOG) in all patients, additional video head-impulse testing (vHIT) for acute-vestibular-syndrome (AVS).

Partnership. The most popular room in our home at this time of the year has to be our sitting room. It's where we chill out, watch TV (yes, there is one hiding in this room somewhere, can you guess where?!), play games and chat into the early hours all winter long. 

In my childhood home, my Mother insisted on two antique chesterfields which looked stunning - but didn't move an inch when you sat down - do you know the type?! God forbid if you were to sit on one of the arms (there'd be an almighty cracking sound!)! In our sitting room we might not benefit from the history that comes with antique sofas - but boy is our IKEA Sderhamn 3-seater, armchair and chaise longues comfy! 

We can also update the furniture whenever it starts to look tired thanks to Bemz (who create custom covers and legs for IKEA furniture in hundreds of high end fabrics that are made to order in Europe (LOVE THAT!). I tried out a few different looks in my sitting room to suss out which cover (and layout) works best for the chilly winter months ahead. 

I'd love to know which of the three you like the most!

Look One: Lovely Linen


The Design 

For the first look I wanted to create something that felt soft, floaty and snug. The Brera Lino linen in Dusk is a soft, middle blue with a very slight green tint to it (Per insists it is green... but then again, he also thinks pink is red sooo....). I liked the idea of combining it with Brera Lino Pebble and brown accents.



The Look





I've been a fan of the Bemz Loose Fit style cover ever since re-arranging my living room in 2017 (remember that look? I've since been through a few more styles including this one last autumn!) - you know me! I love the floaty, relaxed look and the contemporary seams, is this your kind of style too? This time I opted for a Bemz Loose Fit sofa cover in Dusk Brera Lino linen for the IKEA Sderhamn sofa. It was one of those instant matches with with my coffee table (an old workman's bench which I've had for years). I love it when a plan comes together!



I've always loved the way linen catches the light - and also how it looks equally fine creased as it does flat ironed - perfect for a messy (or maybe I should say, very relaxed?) family like mine! 

I picked up the camel coloured wool and mohair blanket from online Swedish shop Granit.

The sitting room doubles up as a thoroughfare to our back garden which makes it kind of tricky to furnish! It was the first time I've tried a chaise longues in this position (it was Genevieve Jorn's idea) and it just seem to slot into place. Per might wonder where his bar cart has gone, along with the Hendricks - but the girls and I love it in this position! What do you think?

The Ikea Sderhamn chaise longues has been kitted out with a cover in Bemz Loose Fit cover in Pebble Brera Lino. 

When it comes to rugs, I say the fluffier the better at this time of the year, don't you? This Beni Spezial is from from the family-run company Natur Pur in Austria. 

There are so many details in my living room - some of which are fairly new, and others I've had for years. Here's a quick low down:


Get The Look1. Z1 Cotton Lamp

2. Paris Print by Anna Johansson

3. Bemz Single Curtain panel in Belgian Linen Blend, Unbleached

4. Sderhamn 3 seater in Loose Fit Dusk

5. Colour Print by Maria Leinonen

6. Granit Wool & Mohair Blanket

7. Antique Chinese Bench

8. Sderhamn chaise longue in Pebble

9. Blue Print by Berit Mogensen Lopez

10. Bemz Cushion Cover in Belgian Linen Blend, Unbleached



Look two: Luxurious Velvet

The DesignWhile the Dusk look is ever so slightly darker than my previous cover, I felt I wanted to go even darker and create a seating area with a really luxurious feel. 

My Mother's infamous (and very lovely, I must say) antique sofas have always been upholstered in dark blue velvet - a look that never fails to make me feel nostalgic. In my own sitting room I wanted to incorporate this and explore a blend of Indigo, camel and soft grey. 

The Look

For this look I covered my Ikea Sderhamn sofa and armchair with a Bemz Regular Fit cover in Indigo Simply Velvet. The fabric has a wonderful soft feel and a sheen that changes with the light - so beautiful! 

I used to have sheer white linen curtains in the sitting room (you can catch a glimpse of them here) - for these two looks I swapped the white linen out for Curtain Panels in Unbleached Belgian Linen. It's a slightly thicker fabric and immediately made the room feel more cosy - it's funny how that can happen, don't you think?


I have to say, this look was so popular with my family (mainly because the sofa is so soft!). I also sent over a few pictures to my Mum and she absolutely loved it too!

Here's a quick round-up of some of the pieces: 

Get The Look1. Zuiver Shady Iron Wall Lamp2. Blue print by Berit Mogensen Lopez3. Paris Print by Anna Johansson4. Sderhamn 3 seater, regular fit, simply velvet, indigo5. Sergel skinny Wooden Furniture Leg6. Stockholm 2017 Rattan Chair7. Wool & mohair throw8. Sderhamn 1 seat section cover regular fit, simply velvet, indigo9. Adoray Print by MiltonStudio10. House Doctor Shelf11. Bemz cushion cover, plain seam, simply velvet, Moleskin

Did I miss something? If so, please give me a shout in the comment section below and I'll do my best to help!

Look Three - The Reading Corner

For the final layout we moved the Ikea Sderhamn chaise longue with a Bemz Loose Fit cover in Pebble to the corner to create a reading nook. It's been topped with matching pillows and a cushion cover in Belgian Linen Blend, Unbleached and Spice Linara by Romo. 

If you're looking for me this weekend you might just find me here. 

Or should I keep the velvet look. Or maybe the dusk linen? Hmmm. What to do?! Do you have a favourite? 

If you've got any questions about anything, please do ask away in the comment section below!

In the meantime, I might just go and snuggle up in my new sitting room! 

Have a wonderful weekend! 

Niki

Photography: Niki Brantmark - My Scandinavian HomeStyling: Genevieve Jorn 

This post is brought to you in collaboration with Bemz and contains affiliate links. However, all words are my own and I only ever work with brands I absolutely love and think you will too (#Ilovemyjob!). Thank you for supporting the businesses that help bring fresh content to your mail box and make My Scandinavian Home possible.

The player requires certain items in order to change the ending they receive. There are two paths the player can take individually, and unlocking either or both of these provides them with the necessary items. They can be achieved in any order, but can only be completed incrementally, as different rooms around the nexus of Grey Holm become available to the player.

The path to this artifact is a crystal collection quest. In the Conservatory, the player may observe that one of the scientific instruments on the back table has a wheel with three slots. One slot contains a purple crystal. The other two are empty.

The wheel given by Maggy can be used to open the grate at the back of the room where the player first arrived at Grey Holm. Following a set of stairs down to a Basement room, they find a machine with three levers and a lighted indicator. Pulling these levers reveals three separate math puzzles. The player must direct a number of switches to reach the total indicated at the top of the switchboard. Completing these (8 + 4 + 5 = 17, 7 x 4 + 3 = 31 and 2 x 5 + 4 + 12 - 5 + 9 = 30 or 8 x 2 + 7 + 3 - 5 + 9 = 30) allows them to power up the phone in the Library. Answering the phone there grants them a handle from the phonograph.

The handle must be used back in the Basement room, where there is a filing shelf on a table at the back of the room. Attaching the lever to the filing shelf activates a Simon Says-style puzzle, instructing the player to open the drawers in a specific order. This reveals a second token which can be given to Maggy. This time, Maggy reveals the second tarot card, Escape, and provides the player with a winding handle to be used on the Conservatory phonograph. It allows the phonograph to be wound and play a record, but is temporarily useless until the Conservatory is unlocked. ff782bc1db

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