The Man Who Knew Infinity English Subtitles REPACK Download

For example, Halo 2 Anniversary on PC. It has a subtitle option, and you can see it in cutscenes, and yet there's no subtitles in game. So while the story is being told, you're busy having your ears drowned out by the gunfights. I don't know why it has to be this way. 343 Industries, in their infinite wisdom, has an option for subtitles in the settings, and yet whether or not each game in Halo MCC actually has subtitles for the entire game is a dice roll. Why?

Another example, Borderlands 2. You can't adjust the size of the subtitles, and sometimes the subtitles can go up to 3 or 4 rows. In a game that is usually filled with visual overload, you may have to squint to read the subtitles. What's even worse is Borderlands 2 tend to deliver a lot of the story during heavy gunfights, so you have to focus on the visual overload, and the small subtitles overload.

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The worst example I can think of is Assassin's Creed 1. This game has no subtitles. Ok, that's pretty bad by itself, but what makes it worse is that the general consensus is that AC1 has the most interesting story in the series, and it also has one of the most bland and repetitive gameplay loop in the series, so the game has to rely on its story to keep you hooked.

But almost all of the time the dialogs are drowned out by the music, background noise, and a lot of the voice acting, while good, is pretty monotone. For me personally, I had no idea what was even going on in the story and had to resort to reading the wiki. So the main drive for me to even play the game is gone, all of this because of no subtitles.

Some may say that they don't care about subtitles/captions at all, and the subtitles being poorly implemented, or not implemented, doesn't affect them at all. Ok then, what about for the people that require subtitles because they have a hard time listening, or are deaf? Should they just go screw themselves when there are barely any quality control for the subtitles for so many years? I have had problems in listening comprehension for years now, I guess I'll go screw myself.

Luckily, the standard has been improved these days. A lot of the issues I listed have been addressed in a lot of games that are released these days, so I'm really grateful for that. But I play a lot of 2000's and early 2010's PC games, and there are barely any quality control for the subtitles in this period.

To test this further, I went back and tried some 1080p Blu-rays I had ripped previously with VobSub subtitle tracks and found that they too are being transcoded. My main benchmark for testing subtitle playback has been my rip of Avatar which used to play fine, but now the subtitles are being burnt in and the audio is also not coming through as DTS-HD as it should. VobSub maintains the font style and colour from the PGS subs on movies such as this that would be lost if I used SRT.

My Emby server doesn't have the processor power for 4K transcoding, so it becomes unwatchable, but is fine with 1080p rips. So for future rips, I will be happy to use PGS as long as it continues to work properly. However, I would definitely prefer to avoid transcoding my older ones with VobSub subtitles so that the audio can be kept in the original HD format. I especially don't want to have to re-mux all of my older movies with different subtitles if it can be avoided either.

A VERY LONG ENGAGEMENT (R, 134 minutes) -- In this World War I romance-epic, the young Mathilde ("Amelie" star Audrey Tautou) tries to find what happened to her boyfriend (Gaspard Ulliel), reported missing during the fighting. Mathilde's postwar search becomes a convoluted trail as she traces as many survivors and eyewitnesses as possible. With all the characters to keep track of, the movie becomes heavy going. In his zeal to faithfully adapt Sebastien Japrisot's book ("Un Long Dimanche de Fiancailles"), French director Jean-Pierre Jeunet bites off more than the movie can chew. But it's a pleasure to watch his direction. A scene in which a moored zeppelin is in danger of exploding inside a makeshift hospital building is a fantastic, suspense-filled spectacle. And details of the battlefront, which we return to often, are etched with staggering detail. Contains violence and sexual scenes. In French with subtitles. Cineplex Odeon Shirlington and Landmark's E Street Cinema.

{sstar} BAD EDUCATION (NC-17, 109 minutes) -- In this uniquely flavored tribute to film noir, Pedro Almodovar throws in cross-dressing, transsexuality, heroin addiction and ecclesiastical hypocrisy. The result is one of Almodovar's darkest films since the early days of "Law of Desire" and "Matador," and certainly one of his finest. When bearded stranger Angel (Gael Garcia Bernal) visits a filmmaker (Fele Martinez), claiming to be an old school friend (and former lover), the director enters a labyrinth of mysteries and revelations. It's a film full of stories within stories, like a set of Russian nesting dolls. Almodovar gives us his inspired melange of farce and tragedy, taboo slapstick and tender poignancy. And Bernal is a wonder, especially as his transvestite alter ego, Zahara. We're also treated to the lurid trappings of soapy Hollywood melodrama (as in the films of Douglas Sirk), nods to noirish classics like "Laura" and "Fallen Angel," and a full embrace of Grand Guignol. Contains obscenity, sexual scenes, drug use and themes of sexual child abuse. In Spanish with subtitles. Landmark's Bethesda Row, Cineplex Odeon Shirlington and Cineplex Odeon Dupont Circle.

{sstar}THE CHORUS (LES CHORISTES) (PG-13, 96 minutes) -- Sure, Christophe Barratier's movie about a music teacher and his dirty-faced choir is pure French cheese. But you might just crumble into itty-bitty pieces of emotional Roquefort watching it. In 1949 France, moon-faced teacher Clement Mathieu (Gerard Jugnot) joins a school of rejects and misfits. They're under the tyranny of Monsieur Rachin (Francois Berleand), a headmaster who despises his students. But after Rachin begrudgingly gives him the nod, Clement turns the bad boys into heavenly choristers. And it turns out the troublesome Pierre Morhange (Jean-Baptiste Maunier) sings like an angel. Yep, it's all sentimental fromage, but it's touchingly done, and it goes down nicely. Contains obscenity, sexual references and violence. In French with subtitles. Landmark's Bethesda Row and Cinema Arts Theatre.

{sstar} HOUSE OF FLYING DAGGERS (PG-13, 119 minutes) -- In China, circa 859 A.D., minions of the corrupt Tang dynasty capture a revolutionary named Mei (Ziyi Zhang), a blind dancer suspected of being one of the dreaded House of Flying Daggers. But she is sprung from jail by Jin (Takeshi Kaneshiro), who professes his love to her during their flight from the Tang authorities. Is he sincere? Is he really trying to help her escape? Mei can't quite trust him yet. Chinese director Zhang Yimou, whose extraordinary list of films include "Ju Dou," "Raise the Red Lantern" and "Red Sorghum," mixes old-school inventiveness with cutting-edge special effects. The result is a wonderfully visual adventure with fantastic martial arts choreography by Siu-Tung Ching; and the director's usual gorgeous use of composition and color. A scene in which Mei and Jin fight troops who are all straddling the highly bendable tops of graceful bamboo trees is unforgettable. Contains chaste sexual scenes and martial arts violence. In Mandarin Chinese with subtitles. Area theaters.

{sstar} THE MOTORCYCLE DIARIES (R, 126 minutes) -- A good-hearted young Argentine from Cordoba named Ernesto (Gael Garcia Bernal) decides it is time to put aside his medical school education, get on a motorbike with his pal Alberto Granados (Rodrigo de la Serna) and hit the road. He wants to discover South America. This man will grow up to be Ernesto "Che" Guevara, a Marxist revolutionary in the Cuban revolution. But Walter Salles's movie, adapted from Guevara's memoir, "The Motorcycle Diaries," and Granados's "Traveling With Che Guevara," isn't about the politics. It's a lyrical, warmhearted road movie about two men coming of age. Bernal, the star of "Y Tu Mama Tambien," is the movie's guiding star. He beams brightly, charming men and women, rich and poor, healthy and leprous, wherever he goes. Contains obscenity. In Spanish with subtitles. Landmark's Bethesda Row, Arlington Cinema 'N' Drafthouse and Foxchase. 006ab0faaa