Euphoria, vindicated, and schadenfreude are just a few of the new entries. You can also browse the Table of Contents to see all 130 emotions in this volume or check out the free preview at Amazon (contains an affiliate link). Just click the image:
Regarding the 2nd Edition of the Emotion Thesaurus, had we made minor changes or added just a bit to the content, we would likely have simply updated the file itself. This is common practice for minor changes and would have resulted in a reprinting of the book (and an update to the digital files).
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Yes, there are many ways that a character on the autistic spectrum, or with a condition like Alexithymia, emotional agnosia, or some types of mental illness, would have to portray a character differently. There are also cultural differences to consider; eye contact is a sign of interest, engagement, respect, etc. but in other cultures it may be viewed as challenging, rude, and antagonistic.
The Emotional Thesaurus is a great work. But it could use some more links between emotions, back links to places already linked, etc.
For example:
MAY ESCALATE TO: LOVE, DESIRE, FRUSTRATION, HURT
CUES OF SUPPRESSED ADORATION:
But Love, Desire etc do not back link to Adoration. And Adoration does not side link to its opposite, nor to Envy. There are many links missing. It would be better with a better link pack.
And I could, in the future, note emotions that are not lisMAY ESCALATE TO: LOVE, DESIRE, FRUSTRATION, HURT
People living in small, relatively isolated communities, such as Himba farmers and herders in southern Africa, often rank facial emotions differently than Westerners do if asked to describe on their own what a facial expression shows, Roberson says.
As a new fiction writer, one of my biggest challenges to mastering the craft has been how to convey emotion in a unique, compelling, and believable way. Readers want to be sucked into the story to feel what the main characters are experiencing and not standing on the sidelines watching robots cross their arms or tap their feet for the hundredth time. We can only have them smile, nod, or grimace so many times before our readers throw the book across the room. (Which, for the record, is NOT the emotional response we want our readers to have.)
Elise desires to write God-glorifying stories for teens. She has a degree in marketing, loves being a middle school ministry leader, serves as a library trustee, and is the mom of three boys, twenty-five hens, and one tailless cat. She is living her "happily ever after" with her husband on their 15-acre homestead in Central Illinois.
Like Peter, I called for help as I felt the world attempt to drown me. I opened my eyes and looked at the ceiling of my ninety-something-year-old house. Two cracks jutted across the plaster. One short one overlapping...
Please check out the two reviews below. One for young adult and one for middle grade. First let me recommend a light, funny young adult book called Freaky in Fresno by Laurie Boyle Crompton. Life is rough right now and...
When we shared the lists with our critique group, they jumped on it, sharing how they each struggled with the same problem. Years later, when it was time to start our Writers Helping Writers blog (then called The Bookshelf Muse), we wanted to include practical and fresh content that would keep writers coming back for me. We decided to share our lists, releasing a new emotional entry each week. And The Emotion Thesaurus was born.
You write Young Adult Fantasy Historical Fiction Writing in addition to the series of guidebooks for writers, two vastly different forms of writing. How did you develop the structure for The Emotion Thesaurus?
Well, in its original state, it was just a bunch of simple lists: one for fear, one for anger, etc. By the time we started our blog, the lists were so long that we needed something a little more organized and user-friendly, so we split each entry into fields: physical signals, internal sensations, mental responses, and so on. And when we decided to publish the books, we added a few more fields that we thought would be helpful to writers.
Each book in the set is a comprehensive thesaurus that addresses one main idea, such as The Positive Trait Thesaurus, and explores it thoroughly. Each entry is broken into: Definition, Categories, Associated Behaviors, Associated Thoughts, Associated Emotions, Positive Aspects, Negative Aspects, Examples From Film, Traits In Supporting Characters That May Cause Conflict, and Challenging Scenarios For The Other Characters. (There are several more options depending on the trait) But this gives you an idea.
Why do I love this book so much? For one, stories are about change. That change is embodied in the characters you write about and the way you convey the change is through the emotional journey your characters go on.
It also means the reader has to keep reading because the argument is unresolved. Using this sort of tactic at the end of a chapter is especially devilish because your poor reader has no choice but to read on if they want to know what happens.
Whether you enjoy playing games or not, as authors we know the importance of providing an emotional journey for our readers. To do that, we need to understand how emotions manifest themselves in our characters. The Emotion Thesaurus is the place to go to gain that insight.
Long-time writing partners, Angela and Becca are passionate about helping others, especially writers. To this end, they co-founded the popular site Writers Helping Writers, a description hub for writers and One Stop for Writers, an innovative creativity portal for one-of-a-kind tools that give writers exactly what they need to craft unbelievably rich stories and characters. Originally created in partnership with Lee Powell, the creator of Scrivener for Windows and Linux, One Stop for Writers is now a shared venture between Angela and Becca.
Becca: The Emotion Thesaurus was fairly well-received, so we knew that we were on to something. As Angela said, the issues that pushed us to write that book were universal in nature, and it made us think: What other writing problems did we have in common with authors? So we started exploring those areas of struggle at the blog in the form of various thesauruses. When people began clamoring for them in published form, we knew we had more books to write.
Angela: Tough to narrow it down to a single piece of advice, lol. I think what I would probably say is to not be in a rush. Developing strong storytelling skills takes time. Can anyone belt out a book and publish it? Yes. Should they? Not if their intent is to have a satisfying career if their skills are not at the level needed for that to happen.
Some common synonyms of emotion are affection, feeling, passion, and sentiment. While all these words mean "a subjective response to a person, thing, or situation," emotion carries a strong implication of excitement or agitation but, like feeling, encompasses both positive and negative responses.
The meanings of feeling and emotion largely overlap; however, feeling denotes any partly mental, partly physical response marked by pleasure, pain, attraction, or repulsion; it may suggest the mere existence of a response but imply nothing about the nature or intensity of it.
I found The Emotion Thesaurus before it was an actual book. The authors have a blog called Writers Helping Writers, which was The Bookshelf Muse at the time. One thing they do on a weekly basis is add a new entry to one of their descriptive thesauruses. Once they completed the entries for The Emotion Thesaurus, they pulled it off their site and turned it into a fantastic book. Other thesauruses are still available on Writers Helping Writers, such as a Physical Attribute Thesaurus, a Setting Thesaurus, and the current Emotional Wounds Thesaurus, which gets a new addition every week.
Of course how useful this book is may vary in the eyes of the reader, as some people may disagree as to whether or not the various ways of describing the emotions are effective or not. I personally felt that some of the cues for certain emotions were lacking and seemed rather bland, especially when writing in a visual medium. I also felt some crucial emotions were missing from the book, and on occasion I found myself scouring through the book for a particular emotion without success. Some of these, were in my opinion rather common emotions as well, which made me slightly annoyed. I am aware however that it would be impossible to include every emotion that ever existed, and that it is unreasonable to expect to find everything in this book. It is certainly a very functional book, despite my misgivings.
EDIT: It has come to my attention that there is a companion to this book known as Emotion Amplifiers. It covers a number of emotions which were missing in the Emotion Thesaurus and is available for free so it is certainly worth a look. It is available as an ebook and can be found on the Writers Helping Writers website at as a free download.
I always have multiple projects in the works. This last week, I had a brainstorm that set me in the direction I need to go in order to finish writing the second half of a long novel that has been in the works since 2016. It will be a duology, and while the first half is completed, the second half is barely started. I refuse to publish the first half until the second is ready to go. Readers want the complete story.
It must be an organic part of the storyline, move the other characters, and force them to action. Thus, the character who must die in my novel was doomed from the first moment I decided to add them to the mix.
And in the novel I am working on, my antagonist is a good guy, one who believes he is on the right side. I love this guy. He triggered a mage trap and was corrupted by an evil god, but he is fundamentally still the same person he always was. 152ee80cbc
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