Tascam Dr File Transfer Download For Mac

I am recording my LP collection to HD using a S/PDIF connection as the transfer medium between my external ADC box and the PC. My experience has shown the S/PDIF receiver has to be locked to the the sender otherwise the symptoms are exactly as you describe. You record silence. How do you set the Tascam US-144mkII S/PDIF data link speed? Is this setting controlled, and user selectable, by the Tascam US-144mkII driver sw? I have had a brief look at the specs of the Tascam US-144mkII but I cannot see any information regarding a S/PDIF lock indicator. If there is a lock indicator then removing the DAT to Tascam US-144mkII S/PDIF connection should cause the lock indicator to toggle (locked to unlocked). This would be a good indication the S/PDIF data is getting from the DAT player to the Tascam US-144mkII. If there is no lock indicator then your only other options are either to connect to a known good working S/PDIF record interface or, as Koz suggested, get out your 'scope. Sorry I cannot be more helpful but I would certainly investigate the S/PDIF connection.

I have a tascam 4 track cassette recorder with just rca output how can I transfer the tracks to computer to use them on audacity? I just bought a digitnow usb card grabber converter it has a usb on one side and female rca on the other end just to see if itll work anyone use one before? Reviews seem to look good

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Hello - I am wondering if there is a way (short of wifi or bluetooth) to transfer files from a Tascam audio recorder to an iPad Pro using the iPad camera connector gizmo (or an app?). The audio files are on an SD card, like pictures, but the iPad is not recognizing them. Is there any way around this? I know there have been years of complaints about a lack of file management in IOS. Have I smacked up against it?

When you are ready to ship your tape, please follow this link to fill out our Media Ordering Shipping Form. Please include the form with your audio media to be transferred, along with any additional information regarding file format, restoration, or other comments related to your transfer/restoration needs.

So here's my question: would a Focusrite 18i20 be able to take 8 tracks coming from the 388's direct outs all at once, or are the inputs on the 18i20 made specifically for microphones and instruments (rather than track transfers)?

The Tascam 388 has unbalanced -10dBV line (actually called "tape") outputs. The Focusrite appears to have input gain controls, as opposed to mic preamp gain controls. If that's indeed the case, they should affect not only the mic inputs, but the line inputs as well, so it should be possible to calibrate it and add some gain to the input signals so you can get hot enough levels to the DAW when you do a transfer.

We can transfer your DTRS multitrack audio tapes (Hi-8), both both 16 to 24 bit bit rates, originally recorded on the Tascam DA-88, DA-38, DA-98, DA-78HR, DA-98HR or Sony PCM-800, with any number of tracks/tapes to multiple digital audio files in the .wav or .aiff files format. This will allow you to digitally remix the tracks in a modern day Mac or PC DAW (digital audio workstations) like Pro Tools, Cubase, Nuendo, Logic Pro X, Garage Band, or Reaper. We have well maintained machines standing by that are perfectly synchronization with a precise master clock distributed to all machines for a sample-accurate synchronized transfer.Contact us now for a quote and directions on sending us your tapes.

No, Cubase license cannot sit at two USB-eLicensers. If you want to use 2 computers, transfer the Soft-eLicense to the USB-eLicense (you need an USB-eLicenser). Then Cubase starts at the computer, where the USB-eLicenser is plugged in.

At Greatbear, we carefully restore and digitise all variations of DTRS audio, as well as DTRS-compatible Sony PCM-800 tapes. There were two versions of DTRS: 16-bit and 24-bit. We are equipped to handle transfers from both types of machine.

We offer a range of delivery formats for our audio transfers. Following International Association of Sound and Audiovisual Archives TC-04 guidelines, we deliver 24-bit / 96 kHz high resolution Broadcast WAV files, together with MP3 audio file or audio CD listening versions. We're happy to create any other digital audio files, according to your needs. We can also digitise to 24-bit / 192 kHz, if required.

The Tascam DTRS format is an 8-track digital multitrack audio recording system using 8mm tapes, originally developed for video recording. The helical scan design (similar to DAT), has the 8mm tape wrapped around a high speed spinning head drum. Any physical damage to the tape will cause catastrophic problems for transfer.

Tape-based digital formats like these are arguably more at threat than older analogue formats. They will also be much harder to restore and recover when degraded. It is highly recommended to transfer these tapes to a file based digital format such as .WAV or Broadcast WAV now.

1: Find a PC with an 8-input soundcard (a rare animal, if there ever was one

!) and transfer it in one pass.2: Find someone with an 8-track DAT-recorder - many studios use them, alone

or in groups of 2to3to4 - and make an intermidiate transfer from the Tascam

to DAT. You'll then be in the digital domain and transfer of 2 tracks at a

time to your PC can be done without the timing-issue. It'll still be a pain

in the butt, but doable nonetheless !HTHOle"Mark W" wrote in message

news:Xns931ABE7D...@199.45.49.11...

Find someone with an 8-track cassette machine with all outputs (I

think the 'original' recorder-only-no-builtin-mixer Tascam 8-track

cassette was the 238), and an 8-input soundcard (is it the delta

1010?) and pay them to transfer it. Or to an ADAT or 8-track HD

recorder, from which you can then transfer two tracks at a time to the

computer with no speed variation.

Or do the chop-chop-chop thing with the tracks you transferred...

you really can't get discrete tracks if you don't have the right

outputs -- regardless of whether you have enough inputs on the card.

i have a tascam 414 4-track, so i could get 4 distinct outputs using

the L & R stereo channels and the 2 aux. sends. I can't see doing it

with 8 tracks.you're stuck with either combining some of your tracks or trying so

sync. them after getting them seperately (but i've heard that's

*really* hard).

your field recorder will likely have a line out/headphone out, so either route it from there to the DT input and record, or upload the recordings to your computer, and then add to the DT via the transfer app (? i no longer own a DT). id go with the latter myself

I Use the Firewire in the Motif to transfer the sixteen tracks to Audacity. This method is sooooo much easier than trying to get the 16 tracks of audio to Cubase and then getting the 16 tracks of audio out of Cubase. In Audacity all you do is hit the big red record button and hit play on your sequencer and the 16 tracks are transferred. Then you do a multiple track export in Audacity (1 menu click) and you have you 16 tracks of audio that you can take anywhere you like. In my case I import them into my Tascam DP 24 SD Portastudio. And there I can integrate those tracks with stems from our Sax player, guitar , and bass player, flute player and vocalists. The portastudio supports all of the cut, paste, move, tracks, cross fade, punch-in, punch out, etc.

The other approach, is to record all of your raw MOXF tracks directly on the Portastudio and do all of the mixing and mastering there(The advantage is you have more raw tracks on the Portastudio). Or you can import raw MOXF tracks to audacity. Motif has FW and can transfer 16 audio tracks at a time. I think the MOXF can only transfer 4 audio tracks at a time over USB . ( I think through USB 1/2, 3/4) So you would transfer 4 tracks at a time to Audacity and then drag-n-drop them on the Portastudio through the USB connection.

The Pattern/Song modes & jobs on the Motif/MOXF are excellent and extremely flexible for Composing and Arranging. But raw tracks can be transferred to the Portastudio, and its audio editing does allow for very flexible Composing and Arranging as well (Not as Flexible as Motif/MOXF) but pretty good. Midi in general offers more arranging/composing options than working with audio.

We can transfer your DAT tape to a digital .wav or .aiff file. These .wav or .aiff files can then be played on any modern PC or Mac, converted to .mp3 or .flac, or used for a remastering project. The vast majority of audio recorded on DATs was done at 16 bit, 44.1 KHz (CD quality). We use a TASCAM DA-20MKII for audio transfer direct to TASCAM CC-222 MKIV CD-R recorder. Reach out to matt@divebombrecords.com if you have any questions or are in need of a DAT transfer.

Right now I am working on connecting my Tascam 4 track into the pro tools interface to see what I can transfer/work with from it. Or if its possible to record direct from the analog sound into digital?

One of the best guitar sounds i ever in my modest home studio was thru the mkII into adobe audition using a soundblaster sound card. This was not an analog recording however, because it never touched the tape, just went thru the mixer section. This was years ago, and i have upgraded, but i kept my tape machine. I used it over Christmas to transfer some of my fathers older cassettes, into protools 7.3, using the mkII's direct tape outs, wich means it goes from tape directly into the computer, bypassing the mixer section. i routed it this way to preserve as much of the original recording as possible, tape hiss, flutter and all! Be careful when transferring commercial, or finished cassettes, to turn off the dolby NR on the unit, otherwise it will sound quite strange. (which could be a cool effect if your going for that) If you plan on doing more than 4 tracks of analog, you have to sync up your machine to a code, the manual says how to do it and what you need. Otherwise your tracks will not be lined up like the were when you recorded them, because a tape stretches, and the playback section doesn't play exactly the same speed the whole time. It is possible to use the machines mixer when going into the computer, by using a combination of main/monitor, or Headphone outs/ and the cue/efx switch and still get four individual tracks into your computer. gotta check your manual because i've forgotten exactly how i used to do it.

As far as sound quality goes, i was very pleased. I a/b the feed from the tape and the recorded digital copy and they were quite close, but the digital version did lose a little of it's girth but not much. I would expect high end converters would preserve this much better. But for a $500 interface (fw 1814) I was happy, so was my dad. It was refreshingly fun to record on the mkII a few months ago when my computer was down, and i forgot just how good this little machine sounds, for what it is. In fact my friend liked the results he got on that, over the digital set from a few months prior (he does folk style). ff782bc1db