Transiciones Latentes se inspira en el potencial eléctrico: la energía necesaria para desplazar una carga de un punto a otro. Como en la vida, alude a esos momentos en los que algo en nosotrxs se mueve, cambia de estado y se vuelve incierto. Instancias donde la identidad se abre y conviven emociones y pensamientos en tensión.
La pieza se despliega como un campo en movimiento: formas, colores y texturas que se acercan, se desvían y se resisten a fijarse. En ese flujo, la transición se vuelve presencia.
La obra habita un umbral donde lo conocido se disuelve y otra forma comienza a insinuarse. Un instante suspendido en el que algo deja de ser, mientras algo nuevo empieza a aparecer.
En memoria de mi mentor y profesor de electrónica Ing. Jorge Carlos Sztaynberg
Arte por Tamara Moura Costa
Con el poyo de Processing Foundation & Trilitech, 2026.
Arte generativo hecho en p5.js.
14 de abril, 2026 | Bootloader, obkt
Transiciones Latentes draws from the concept of electric potential: the energy required to move a charge from one point to another. As in life, it points to those moments when something within us shifts, changes state, becomes uncertain. Instances where identity opens up and contradictory emotions and thoughts coexist in tension.
The piece unfolds as a field in motion: forms, colors, and textures that approach, diverge, and resist settling. Within this flow, transition becomes presence.
The work inhabits a threshold where the familiar begins to dissolve and another form starts to emerge. A suspended moment in which something is ceasing to be, while something new begins to take shape.
In memory of my mentor and professor of electronics Ing. Carlos Sztaynberg
Art and Concept Tamara Moura Costa
With the support of Processing Foundation & Trilitech, 2026.
Generative Art made in p5.js.
April 14th, 2026 | Bootloader, obkt
Agua limpia, aire limpio is a generative artwork exploring the simulation of a digital ecosystem inspired by the behaviours of natural habitats. An algorithmic homage to biodiversity that reflects the need to embrace our natural world as essential to humanity’s survival. The work stands as a meditation on coexistence, adaptation, and the quiet intelligence of nature.
Concept & Development: TAMAAINA
Artists: Tamara Moura Costa & Christopher Ainako Legaspi
Medium: Generative Art / Reactive Net Art
Labias Pavillon, The Wrong Bienalle, 2025. Visit
Generative NFTs, Tamara Moura Costa.
Exhibited by Bright Moments Gallery in Venice (Italy, April 2024) and Buenos Aires ( Oct, 2023).
Displayed in 100 screens by ARTCRUSH Gallery in Belgium (Jan, 2025. May, 2024)
An unnatural appearance distinguished by the elevation or expansion of anything.
Series of 3 Digital Artworks, Tamara Moura Costa.
ARTBAG, 2023. Available for sale
Generative 2D and 3D images still and in motion made in p5*js published as NFTs
Mujeres en los tiempos de Borges y Kafka (Women in Borges and Kafka’s times)
A generative poem created in an OpenSource code language: Processing. By using the texts Del infierno y del cielo (Of Hell and Heaven) (1960), Jorge Luis Borges and y El proceso (The Process) (1925), Franz Kafka; all the sentences containing the word "woman" or "women" are extracted from them, and a prose poetry of six verses (three of Borges’ book and three, from Kafka’s) is generated by randomly combining them.
The intention is to highlight the elaborated image that male writers made towards women, always inventing a weak, unbalanced character and as an object of consumption and bribery. It purpose is to make evident and visible the construction of repressive meanings through well acclaimed literary pieces.
"Woman/en” appears at the beginning of each verse which gives it a literary structure
and rhythm, thus creating an anaphora. The poem is automatically renewed after a
certain time - calculated - with a new combination of random sentences that begin
with the word “woman/en” and so on.
2020 - 2021
2022
2022