Sundari Kannal Song Download [Extra Quality]

When people fall in love in many Indian movies, the various stages of love are expressed in the form of songs. This nurtures the music industry and aids the current rules of censorship that prohibit on screen kissing on lips and other forms of displays of affection.

This particular song is set in the imagination depicting the man as a warrior and the woman as his beloved. It is from Thalapathi, 1991, one of the first ever movies I remember watching and the song is one of my all time favourites. You can listen as you read the meanings.

Sundari Kannal Song Download

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Ilayaraja delivered one of his best soundtracks with Dalapathi. Each song fit the scene perfectly and stood out as a classic on its own. And thats just the songs. The background music stands out as one of the best ever in tamil cinema. Every scene's bgm had a story to tell. And in what was a unique attempt at that time, Mani, Raja and the crew created a story in a song piece with "Sundari Kannal". The setting for the song was that the timid heroine had spotted the hero doing unsavory thuggery in the middle of the road. The hero, defiant of his act is trying to convince her that there is a reason for his actions and that his ways are not for her kind. The soft spoken Shobana, playing the heroine bursts out saying she loves him, inspite of everything she just saw. Cue the setting to something that vaguely resembles feudal Japan.

A student of Tamil literature once told me that the song carries strains of an old tamil poem, the Netunalvatai. A fan of Akira Kurosawa told me that the visuals are Mani's tribute to one of his personal icon's greatest movies, Seven Samurai. Whatever inspiration it may be, the song is an epic in itself. From the visual grandeur conceived by Mani, cinematographer Santosh Sivan and art director Thotta Tharani to the operatic orchestration composed by Maestro Ilayaraja to SPB and Janaki rendering Vaali's poetic words to glorious perfection, everything is just the way it is meant to be. The orchestration warrants special mention as it captures the duality of the piece- one that truly creates the feeling of a war in the listener's mind while understanding the pain of longing and love. It seems so simple when I write about it but to deliver two completely different emotions in the same song and at the same time requires a complete understanding of the medium and the audience.

Tamil cinema has played host to some great composers from G.Ramanathan to Viswanathan-Ramamurthy to Illayaraja and today's A.R.Rahman. But songs that are perfect are far and few. It is not because of any one musician or artist involved in the effort. For songs to be perfect, everything has to come together. The setting, the mood, the lyrics, the composition, the singers, the rendition, the actors performing the piece, the cinematography and that special glue that binds them all together. This song has all the ingredients in right proportion with that glue to offer the listener and the viewer a singularly timeless experience. A song that never ages. One that can be heard and seen over and over again. One which offers a new set of nuances with every new hear or view. For everyone who has experienced this piece, you will know exactly what I am talking about. For everyone else, here it is. Perfection.

The original Tamil version of the soundtrack album features seven songs and was released on 23 April 1991.[15] The Hindi-dubbed version Dalapathi has six songs, which were written by P. K. Mishra and released on Saregama.[16] The Telugu-dubbed version, which was distributed by Aditya Music, features lyrics penned by Rajasri.[17] Lahari Music released the Kannada-dubbed version of the film's soundtrack which was titled Nanna Dalapathi, and V. Nagendra Prasad penned its lyrics.[18]

N. Krishnaswamy of The Indian Express criticised the incorporation of "Kunitha Puruvamum" into "Rakkamma Kaiya Thattu", saying, "Beside this verse that has survived more than fourteen hundred years, how utterly pedestrian and absolutely base [Ilaiyaraaja's] song sounds. And how blasphemous and philistine it looks when the profound and the profane are juxtaposed with total disregard to cultural values".[19] The album gets rave reviews 30 years later and soc media is aghast at boomer Kiccha's comment in Indian express on "Kunitha Puruvamum".[20] The review board of Ananda Vikatan praised Ilaiyaraaja's music, particularly "Rakkamma Kaiya Thattu".[21] e24fc04721