One cool October evening -- it was the last day of the month, and unusually cool for the time of year -- I made up my mind to go and spend an hour or two with my friend Keningale. Keningale was an artist (as well as a musical amateur and poet), and had a very delightful studio built onto his house, in which he was wont to sit of an evening. The studio had a cavernous fire-place, designed in imitation of the old-fashioned fire-places of Elizabethan manor-houses, and in it, when the temperature out-doors warranted, he would build up a cheerful fire of dry logs. It would suit me particularly well, I thought, to go and have a quiet pipe and chat in front of that fire with my friend.

I had not had such a chat for a very long time -- not, in fact, since Keningale (or Ken, as his friends called him) had returned from his visit to Europe the year before. He went abroad, as he affirmed at the time, "for purposes of study," whereat we all smiled, for Ken, so far as we knew him, was more likely to do anything else than to study. He was a young fellow of buoyant temperament, lively and social in his habits, of a brilliant and versatile mind, and possessing an income of twelve or fifteen thousand dollars a year; he could sing, play, scribble, and paint very cleverly, and some of his heads and figure -- pieces were really well done, considering that he never had any regular training in art; but he was not a worker. Personally he was fine-looking, of good height and figure, active, healthy, and with a remarkably fine brow, and clear, full-gazing eye. Nobody was surprised at his going to Europe, nobody expected him to do anything there except amuse himself, and few anticipated that he would be soon again seen in New York. He was one of the sort that find Europe agree with them. Off he went, therefore; and in the course of a few months the rumor reached us that he was engaged to a handsome and wealthy New York girl whom he had met in London. This was nearly all we did hear of him until, not very long afterward, he turned up again on Fifth Avenue, to every one's astonishment; made no satisfactory answer to those who wanted to know how he happened to tire so soon of the Old World; while, as to the reported engagement, he cut short all allusion to that in so peremptory a manner as to show that it was not a permissible topic of conversation with him. It was surmised that the lady had jilted him; but, on the other hand, she herself returned home not a great while after, and, though she had plenty of opportunities, she has never married to this day.

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Be the rights of that matter what they may, it was soon remarked that Ken was no longer the careless and merry fellow he used to be; on the contrary, he appeared grave, moody, averse from general society, and habitually taciturn and undemonstrative even in the company of his most intimate friends. Evidently something had happened to him, or he had done something. What? Had he committed a murder? or joined the Nihilists? or was his unsuccessful love affair at the bottom of it? Some declared that the cloud was only temporary, and would soon pass away.

Meanwhile I had met him twice or thrice at the club, at the opera, or in the street, but had as yet had no opportunity of regularly renewing my acquaintance with him. We had been on a footing of more than common intimacy in the old days, and I was not disposed to think that he would refuse to renew the former relations now. But what I had heard and myself seen of his changed condition imparted a stimulating tinge of suspense or curiosity to the pleasure with which I looked forward to the prospects of this evening. His house stood at a distance of two or three miles beyond the general range of habitations in New York at this time, and as I walked briskly along in the clear twilight air I had leisure to go over in my mind all that I had known of Ken and had divined of his character. After all, had there not always been something in his nature -- deep down, and held in abeyance by the activity of his animal spirits -- but something strange and separate, and capable of developing under suitable conditions into -- into what? As I asked myself this question I arrived at his door; and it was with a feeling of relief that I felt the next moment the cordial grasp of his hand, and his voice bidding me welcome in a tone that indicated unaffected gratification at my presence. He drew me at once into the studio, relieved me of my hat and cane, and then put his hand on my shoulder.

"Oh, never mind. It's just as well, too, you didn't let me know beforehand you were coming; the unreadiness is all, to paraphrase the poet. Now, with you to help me, I can drink a glass of whisky and water and take a bit draw of the pipe. This would have been a grim night for me if I'd been left to myself."

"In such a lap of luxury as this, too!" said I, looking round at the glowing fire-place, the low, luxurious chairs, and all the rich and sumptuous fittings of the room. "I should have thought a condemned murderer might make himself comfortable here."

"Perhaps; but that's not exactly my category at present. But have you forgotten what night this is? This is November-eve, when, as tradition asserts, the dead arise and walk about, and fairies, goblins, and spiritual beings of all kinds have more freedom and power than on any other day of the year. One can see you've never been in Ireland."

"Yes, I have been in Ireland. Yes --" He paused, sighed, and fell into a reverie, from which, however, he soon roused himself by an effort, and went to a cabinet in a corner of the room for the liquor and tobacco. While he was thus employed I sauntered about the studio, taking note of the various beauties, grotesquenesses, and curiosities that it contained. Many things were there to repay study and arouse admiration; for Ken was a good collector, having excellent taste as well as means to back it. But, upon the whole, nothing interested me more than some studies of a female head, roughly done in oils, and, judging from the sequestered positions in which I found them, not intended by the artist for exhibition or criticism. There were three or four of these studies, all of the same face, but in different poses and costumes. In one the head was enveloped in a dark hood, overshadowing and partly concealing the features; in another she seemed to be peering duskily through a latticed casement, lit by a faint moonlight; a third showed her splendidly attired in evening costume, with jewels in her hair and ears, and sparkling on her snowy bosom. The expressions were as various as the poses; now it was demure penetration, now a subtle inviting glance, now burning passion, and again a look of elfish and elusive mockery. In whatever phase, the countenance possessed a singular and poignant fascination, not of beauty merely, though that was very striking, but of character and quality likewise.

Ken, who had been mixing the punch, and had not noticed my movements, now looked up, and said: "I didn't mean those to be seen. They don't satisfy me, and I am going to destroy them; but I couldn't rest till I'd made some attempts to reproduce -- What was it you asked? Abroad? Yes -- or no. They were all painted here within the last six weeks."

"Well, let them alone, and tell me what you think of this beverage. To my thinking, it goes to the right spot. It owes its existence to your coming here. I can't drink alone, and those portraits are not company, though, for aught I know, she might have come out of the canvas to-night and sat down in that chair." Then, seeing my inquiring look, he added, with a hasty laugh, "It's November-eve, you know, when anything may happen, provided its strange enough. Well, here's to ourselves."

We each swallowed a deep draught of the smoking and aromatic liquor, and set down our glasses with approval. The punch was excellent. Ken now opened a box of cigars, and we seated ourselves before the fireplace.

He arose as he spoke, and going to another part of the studio, opened a black oak coffer, and took out of it a long object wrapped up in a piece of faded yellow silk. He handed it to me, and when I had unwrapped it, there appeared a thing that might once have been a banjo, but had little resemblance to one now. It bore every sign of extreme age. The wood of the handle was honey-combed with the gnawings of worms, and dusty with dry-rot. The parchment head was green with mold, and hung in shriveled tatters. The hoop, which was of solid silver, was so blackened and tarnished that it looked like dilapidated iron. The strings were gone, and most of the tuning-screws had dropped out of their decayed sockets. Altogether it had the appearance of having been made before the Flood, and been forgotten in the forecastle of Noah's Ark ever since.

"It is a curious relic, certainly," I said. "Where did you come across it? I had no idea that the banjo was invented so long ago as this. It certainly can't be less than two hundred years old, and may be much older than that."

"I know that; but the two hundred years have passed since then. Yes; it is absurd and impossible, I know, but nothing is truer. That banjo, which was made last year, existed in the sixteenth century, and has been rotting ever since. Stay. Give it to me a moment, and I'll convince you. You recollect that your name and mine, with the date, were engraved on the silver hoop?"

I took the decrepit instrument from him, and examined the spot which he had rubbed. It was incredible, sure enough; but there wee the names and the date precisely as I had caused them to be engraved; and there, moreover, was my own private mark, which I had idly made with an old etching point not more than eighteen months before. After convincing myself that there was no mistake, I laid the banjo across my knees, and stared at my friend in bewilderment. He sat smoking with a kind of grim composure, his eyes fixed upon the blazing logs.

"I'm mystified, I confess," said I. "Come; what is the joke? What method have you discovered of producing the decay of centuries on this unfortunate banjo in a few months? And why did you do it? I have heard of an elixir to counteract the effects of time, but your recipe seems to work the other way -- to make time rush forward at two hundred times his usual rate, in one place, while he jogs on at his usual gait elsewhere. Unfold your mystery, magician. Seriously, Ken, how on earth did the thing happen?" 152ee80cbc

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