In contemporary Japan, shodo is a popular class for elementary school and junior high school students. Many parents believe that having their children focus and sit still while practicing calligraphy will be beneficial.[16] In high school, calligraphy is one of the choices among art subjects, along with music or painting. It is also a popular high school club activity, particularly with the advent of performance calligraphy.[17] Some universities, such as University of Tsukuba, Tokyo Gakugei University and Fukuoka University of Education, have special departments of calligraphic study that emphasize teacher-training programs in calligraphy.

In 1985 I met Kobara Ranseki Sensei, an extraordinary master of Japanese calligraphy, with skill in ink painting as well. He was the founder of the Ranseki Sho Juku system of traditional calligraphic art and the co-founder of the Kokusai Shodo Bunka Koryu Kyokai, an international shodo association headquartered in the Tokyo area.


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The prefrontal and frontal cortices are likewise operating throughout this phase owing to the need for augmented attentiveness tied to the undertaking being trained. But the central area related to motor learning is the cerebellum, a section of the brain involved in motor control. The basal ganglia, associated with thought, emotion, and voluntary motor movement, is also crucial to so-called muscle memory, in particular to stimulus-response associations and the development of habits. The basal ganglia-cerebellar networks are believed to intensify with time when absorbing a motor skill like shodo.

Like many Japanese traditions, shodo has its roots in China and dates back to Wang Xizhi, a 4th century Chinese scholar credited with standardizing the writing of Chinese characters. But Japanese evolved their own scripts from Chinese characters as well, including the hiragana and katakana syllabary needed to express Japanese grammatical structures (among other things), and as the characters evolved, so too did shodo. Today there are five different forms of script in use in calligraphy: seal script, clerical script, regular script, semi-cursive and cursive. Each has its own appeal and, depending on the text being written, may be intermingled in a single calligraphic work.

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In Japan if you`re serious enough about calligraphy you can actually take tests and get certifications in the art, and if I was staying here I think I would try for that one day. Sitting down for even a two hour class leaves you rather spent mentally because it takes a lot of concentration and there are a lot of things to consider when drawing each character. Developing shodo skills takes a lot of time and patience, but as I slowly improve I feel it`s definitely worth the investment. Sadly I only have a couple more classes to go, but I`ll be sure to enjoy them and cherish every minute!

Anyway, after you take six hours setting up all your equipment and pouring your ink and whatnot, you start to understand the complex difficulties of shodou itself. A standard method of warming up is to draw a series of vertical and horizontal lines across a sheet of paper in a grid-like pattern:

Even though the spoken languages and cultures of Japan and China differ greatly, they share a common set of Asian characters. It is important to note, that while these characters are definitely utilized to form a system of written communication, classical Japanese calligraphy should not be thought of as just penmanship. In light of the fact that Chinese characters began as simplified drawings or pictograms, it is evident that no clear-cut dividing line can be found between drawing, ink painting (suiboku-e or sumi-e), and calligraphy. Ink painting and shodo originally used the same type of brush, ink, and paper. Even certain brush strokes are similar. Shodo can perhaps most accurately be thought of as a system of writing originally based on abbreviated abstract drawings. In characters like mountain (yama), for example, it is still easy to see three distinct mountain peaks.

In like manner, in shodo the mind controls the brush through the hand, and the lines the brush creates on paper directly reflect the mind. In this way, shodo functions as an outward reflection of our mental state.

The first two chapters are very information-dense and contain a wealth of important details for those new to Japanese calligraphy. Chapter one talks about basic materials, including information about brushes, paper, and ink, as well as how to hold the brush and proper body posture. The second chapter begins by showing how to draw the simplest possible vertical and horizontal lines, including a few variations (varying brush angle, etc.), and then gives a two-page treatment of each of the basic strokes (hane, harai, magari, etc.) Each of these pages has a few kanji examples with salient points (alignment and spacing of elements, etc.), and the chapter ends with pages of brush-written hiragana and katakana charts, and a section on differentiating similar terms: shodou (), shuuji (), and shosa ().

Let me tell you: getting back in the game after taking a break is 10 times more demanding than playing the game all along. This was a tough lesson for me, but I am happy to say that I made it back. There were lots of psychological obstacles holding me back, and since I was missing the positive force of routines and habits, I had to stem the whole thing myself.

On our first round we found an array of architectural items, as my husband is designing a Japanese-style tiny house for the backyard of our R-2 home in Orlando, which will welcome AirBNB guests or friends. I love the Buddhist items, such as a temple bell and gongs. Tiny boxes of makie we collected, as well as many kimonos, shodo paraphernalia

Fuji-san gives you a price when you ask, then you tally it up, and he adds the final total on an abacus. If you purchase enough, like we did, he will deliver, and he tends to throw a lot of things in for free. He was really surprised that I wanted to know how much for some old Japanese divider panels that I thought I would rework with collage, several with shodo on them. He gave me three sets for only 2000 Yen, which is about $20 U.S.

This is where a tutor can be beneficial. Japanese tutors understand common mistakes and can steer you away from them, such as mixing characters up and forming bad habits when writing. They can also give you a realistic idea of how your stroke order will be perceived by Japanese people.

Born in Canada, Kaoru Akagawa grew up in the U.S. and Japan, and since 2007 in Europe. Kaoru Akagawa is a contemporary artist and also a master of Japanese calligraphy (kana shodo). Her aim is to revive ancient traditional Japanese syllabary, kana, in modern times with her own style of art, kana art, has been featured in notable media including CNN, The Guardian and BBC Radio.

Like Shinto, many aspects of Buddhism were relocated to tradition. In the case of Zen Buddhism, primarily Zen, this revealed itself in the arts. Tea ceremony, ikebana, shodo, and many others things we associate with traditional Japanese culture were deeply influenced by Zen.

After gaining an appreciation for the tools necessary in shodo, it is also helpful to explore the unique skills or values required when it comes to practising calligraphy. You may find that as you gain access to this skill set, you'll enjoy a range of cognitive and emotional benefits as well! 17dc91bb1f

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