Albert Sidney McNab took a final look at the lobby of the New Papagayo Hotel: stone floor with rectangles of pink marble, one of the few natural resources indigenous to the island of Frederique, the Caribbean island he had come to and come up empty handed; bench-like chairs and settees of hand-carved caoba; clusters of schefflera and palms, explorations of pothos and moonflower veining the thatched roof with trumpets of green fire. His look was one of instinct. He did not know what it was he was looking for, this stoop-shouldered white American who seemed, at first glance, like just another tourist. Had he stood straight, he would have been six feet tall. He was forty-five years old. His hair was in the crew-cut style of the nineteenfifties. He wore tan shorts, sandals with orange socks, and a bright blue short-sleeve shirt, crowded with multicolored geometric shapes: triangles, circles, trapezoids, rectangles. His brown hair was thinning. His glasses had thick black frames and thicker lenses. He was overweight, approaching obesity, and he had a weary way about him. He looked like a hastily made king size bed. With a tentative grasp of his suitcase, brown leather shiny from use, he headed to the front entrance, where a minivan waited to take him to the airport. Had he come all this way for nothing? To the smaller neighboring island, Mabouhey, he had taken Hernando's boat, a shack with a tin roof, water above his ankles. This risking of his life had continued, yes—there was no end to danger!—as ashore on Mabouhey he traversed jungle on sandals and mule through clouds of kamikaze mosquitoes. And for what? Albert Sidney McNab had no clues, no leads. Nothing. Day followed sunny island day in languishing Caribbean rhythm as if Travers Landeman had never existed. Five months had passed since his alleged demise. Maybe, as Eufusio and Rafael insisted with the intensity of youth, the Ohio businessman was dead. Maybe a shark had eaten him. Yet, even as this possibility skipped about in his mind, like a stone across water, Albert Sidney McNab felt the old feeling, the feeling that was never wrong.