Naina Sethi is a young and shrewd successful businesswoman in London with a perfect family. Her world turns upside down when she gets arrested for the murder of her secret lover, Arjun. Naina's lawyer, Jimmy Punjabi, hires prestigious defence attorney Badal Gupta to defend her, and over the course of one late evening, they work together to find out what actually happened. Badal reveals that there is a witness whose testimony will incriminate her in the crime. Naina explains that she and Arjun were blackmailed by someone for their extramarital affair. They were called to a hotel where Naina was attacked; only to wake and find Arjun dead with the money meant for the blackmailer. She was arrested but is out on bail. The police find no trace of anyone else being present in the room or breaking in.
Badal tells Naina that she is not being honest with him and questions her about the disappearance of a young man near the hotel. Naina reveals that she and Arjun went to a cabin in the woods few months ago. On the way back, she accidentally crashed into an oncoming car and killed its driver, a young boy named Sunny. Arjun convinced Naina not to inform the police, and they removed any trace of the crime. They put Sunny's body in the trunk of his car, which Naina dumped in a swamp. While Arjun was waiting for her, Rani and Nirmal, a local couple, met and invited him to their home, where Arjun discovered that they are Sunny's parents. When Rani called Sunny, his phone rang in Arjun's pocket as he had forgotten to dispose of it, making Rani suspicious. Arjun and Naina get away but become worried that they will be discovered soon.
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Naina watched the news showing that Sunny had embezzled money from the bank where he was working before disappearing. She learned that Arjun had taken Sunny's wallet as they disposed of the body and used his girlfriend's employee credentials to hack into the bank to frame Sunny as a criminal. Rani identifies Naina's car at the scene of her son's disappearance, making her a suspect, but Naina has her lawyer falsify an alibi. The police buy it, but Rani is unconvinced. Rani later confronts Naina at a press event and reveals that she knows the truth. She pleads Naina to tell her Sunny's location but Naina keeps up her act of innocence. A few months later, Arjun and Naina are contacted by the blackmailer, leading to the present events.
Badal decides that Rani must have killed Arjun and could have easily done so since Sunny's father, Nirmal, works at the hotel. Naina reveals that she saw Rani in the room but lied to check whether Badal was a good lawyer or not, to which Badal reveals there was no witness and he was lying to get the truth from Naina. However, Naina who now trusts Badal, reveals a secret: Sunny was still alive in the trunk before she disposed of the car. However, she let him drown, deciding not to save him to protect herself from potential incrimination. Surprised by her murderous and selfish actions, Badal proposes an alternate sequence of events in which Naina was the one who actually pressured Arjun into hiding the crime and framed Sunny. In this version, Arjun grew so guilty that he traveled to the hotel to confess the truth to Rani and Nirmal, prompting Naina to kill him. With the police knocking, she decided to injure herself and frame Rani for the crime. Naina denies this and claims that what Badal proposed earlier is the truth.
Badal refuses to fight Naina's case. When she implores him for help, he agrees only if she honestly tells him whether she killed Arjun. Naina confesses to Arjun's murder, revealing where Sunny's body is. Badal agrees to continue defending her and excuses himself for a moment, going out to get some fresh air while Naina receives a call from Jimmy. She realises that Badal's pen is interfering with the call. Naina then discovers that the person who came to her as Badal Gupta was an imposter when she finds the real Badal Gupta at the doorstep. Naina, shocked, takes apart Badal's pen to reveal a voice recorder inside that recorded every word of their meeting, including her confessions of both murders. As she glances outside her window, Naina makes eye contact with the imposter and Rani in the apartment building across from hers. "Badal" takes off his disguise, revealing himself to be Nirmal. Rani calls the police for Naina's arrest.
On 11 February 2019, Shah Rukh Khan, whose production house Red Chillies Entertainment is producing the film, tweeted two first look posters of the film, one with Bachchan's character and another with Pannu's.[19][20][21] The film was released on International Women's Day, 8 March 2019 and is available online on Netflix.[22] The film was certified by British Board of Film Classification with runtime of 118 minutes.[23]
Three unplugged innovative promotional videos which involved a conversation between Shah Rukh Khan and Amitabh Bachchan were launched on 3 March 2019, 6 March 2019 and 9 March 2019 respectively, which also featured Taapsee Pannu, to promote the film.[24][25]
The music of the film is composed by Amaal Mallik, Anupam Roy and Clinton Cerejo while the lyrics are penned by Kumaar, A. M. Turaz, Siddhant Kaushal, Manoj Yadav, Anupam Roy and Jizzy. Amitabh Bachchan, inspired by Ranveer Singh's Gully Boy, rapped the song "Aukaat".[28]
Released in Telugu, Tamil, Malayalam and Hindi, the lyricists for the respective languages are Chandrabose, Viveka, Siju Thuravoor and Raqueeb Alam. Pushpa is on red sandalwood smuggling in the Rayalaseema region of Andhra Pradesh, and item songs are common in such films that deal with crime, gangsters and the underworld. The songs usually feature as a distraction when some kind of criminal activity, exchange or meeting is happening in the background. The woman dancer, dressed in scanty clothes, symbolises the moral degradation of the place, and is simultaneously used to emphasise the hero's masculinity and/or the villain's lecherousness. The camera in such songs roves all over the woman's body, and is meant to titillate the cis heterosexual male audience.
In this context, 'Oo Antava' (Telugu, with similar versions in other languages) is a departure from the norm. Many mainstream films, across languages, have used clothes to characterise a woman's morality and justify sexual harassment. In 2015, Telugu vlogger Annapurna Sunkara stirred a hornet's nest by calling out the misogyny in Telugu films, with the scene in Baahubali where Mahendra Baahubali (Prabhas) disrobes Avantika (Tamannaah) in focus. She received vile abuse from fans and people from the film industry for her comments, but in recent years, such conversations on male gaze, consent and representation have increasingly become mainstream.
'Oo Antava' turns the gaze back at the men who are looking at a woman's body, suggesting that it doesn't matter what a woman is wearing (saree or a short dress) or how she looks (fair skinned or dark, plump or thin, tall or short), the men around her, regardless of age, will always find ways to ogle. It blames the gaze of the men and their thoughts for this, and says it has nothing to do with the women. Predictably, #NotAllMen memes about the song are already doing the rounds. According to reports, a men's association in Andhra Pradesh has even threatened to file a case against the song for allegedly portraying men in poor light.
But does the song really question patriarchal ideas about women's bodies and sexual violence? While the move away from the typical item number is a welcome shift, the song still compares women with food (sweet grapes/sugar) and implies that men cannot keep away from them because of this. Such comparisons are unfortunately all too common and only add to the theory that sexual violence is inevitable because women are 'too tempting' for men to resist. For instance, whenever an incident of rape is reported, the woman is often blamed for what she was wearing at the time of the incident. Statements like 'if you leave expensive jewels out in the open, don't complain if a thief steals them' are frequently made to place the onus on the victim/survivor. In the infamous Nirbhaya gangrape and murder case, the defence lawyer of the accused ML Sharma said that if you keep sweets on the road, street dogs will eat them. Many other conventionally made item songs, too, have compared women to food, including Kareena Kapoor's hit 'Fevicol se' from Dabangg 2 where she compares herself to tandoori chicken and says she can be consumed with alcohol.
'Oo Antava' is an interesting take on the item song, and it remains to be seen if it has broken away from the male gaze in the visuals too. But if we're to really go beyond objectifying women in cinema, we have to start looking at them as people. Not jewels, food or anything else that does not have a mind of its own.
Motwane wrote the script in 2003, but could not find a producer. He co-wrote Kashyap's Dev.D (2009), and Kashyap produced and co-wrote Udaan. The film was set and shot in the industrial town of Jamshedpur. Mahendra J. Shetty was its director of photography, and Dipika Kalra was the editor; Aditya Kanwar was the production designer.
Seventeen-year-old Rohan is expelled from the Bishop Cotton boarding school in Shimla with three of his friends (Vikram, Benoy and Maninder) after they are caught watching a pornographic film outside campus in the middle of the night. Rohan returns home to Jamshedpur, where his stern, abusive, alcoholic father, Bhairav Singh, and his six-year-old half-brother Arjun (whom Rohan hadn't known before) live. Bhairav forces him to run every morning (racing him the last leg) and work at his metalworking factory and attend engineering classes at the local university. Bhairav expresses his disappointment in him by humiliating and abusing him, both verbally and physically. Rohan aspires to be a writer and his uncle, Jimmy, supports his ambition.
Rohan deliberately fails his examinations so that Bhairav will give up on him, freeing him to pursue his dream of becoming a writer. Bhairav, summoned to school to pick Arjun up, loses an important contract. Rohan comes home to find Arjun being rushed to the hospital for an unknown reason; according to Bhairav, Arjun fell down the stairs. Fearful of making things worse, Rohan lies to Bhairav that he passed his exams. Bhairav goes to Kolkata on an urgent business trip, leaving Rohan to look after Arjun in the hospital. Rohan impresses the hospital employees including doctors and nurses with his stories and poems, and discovers that Arjun was actually beaten by the angered Bhairav after he lost the contract. 152ee80cbc
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