Luca Braga studied at the G. Verdi Conservatory with U. Oliveti.
After advanced studies with teachers such as Felice Cusano, Zinaida Gilels, Alexandre Brussilowsky, M. Jokanovich, M. Sirbu, and F. Rossi, he began a brilliant solo and chamber music career that also led him to collaborate with prestigious ensembles and distinguished musicians, performing in some of the world’s most important concert halls, including the Vienna Konzerthaus, the Concertgebouw in Amsterdam, the Salle Garnier in Monte Carlo, the Musikverein in Graz, the Salle Gaveau in Paris, Teatro alla Scala in Milan, the Berlin Philharmonie, the Auditorio Nacional in Madrid, and the Chopin Festival in Warsaw, among others.
He has made numerous recordings for Decca, Velut Luna, Tactus, and Teldec.
In 2004, he received four stars for the CD dedicated to the works of Martucci and Sgambati for violin and piano, recorded in duo with Lucia Pittau.
He has collaborated as concertmaster or principal player with major orchestras such as I Pomeriggi Musicali, the Arturo Toscanini Orchestra of Emilia-Romagna, the Teatro Comunale di Bologna Orchestra, Bergamo Musica Festival – Teatro Donizetti, Musica Riva Festival, and others.
He is first violin of QuartettOCMantova, the string quartet of the Mantua Chamber Orchestra, an Italian excellence recognized worldwide.
He has been invited to give masterclasses and recitals at American universities including Montclair State University, Kansas State University, the University of North Dakota, Concordia University in Fargo, Macalester College in Minneapolis, and the University of Las Vegas, serving as a visiting professor.
He is frequently invited to serve on juries for national and international music performance competitions.
He is currently a professor of Chamber Music and String Quartet at the G. Verdi Conservatory of Milan.
He graduated in Cello at the "G. Verdi" Conservatory of Milan in the class of Maestro Antonio Pocaterra (principal cellist of the Teatro alla Scala), and later continued his studies with Professor Paul Szabo (a student of the great Pablo Casals and cellist of the Vegh Quartet), earning his advanced diploma (Konzertdiplom) at the Conservatory of Italian Switzerland.
He took courses with Philippe Müller, Susan Moses, and the famous violinist Ruggiero Ricci.
In Duo with piano and String Trio formations, he attended the two-year advanced course at the International Chamber Music Higher School of the Trio di Trieste (D. De Rosa, R. Zanettovich, and A. Baldovino).
He deepened his historical performance practice on the cello by studying first with Maestro Paolo Beschi and later graduating with top marks from the Conservatory of Novara under the guidance of Maestro Gaetano Nasillo.
He has given numerous concerts as a soloist, with piano, with orchestra, and in chamber music formations, performing in major concert halls in Italy, Switzerland, Austria, France, Poland, Sweden, Netherlands, Georgia, Bahrain, United States, Mexico, Guatemala, Peru, South Africa, and Argentina.
As first cello for over 20 years in the "Camerata Ducale" orchestra, he has worked with soloists such as Ruggiero Ricci, Misha Maisky, Jan Wang, Enrico Dindo, Schlomo Mintz, Salvatore Accardo, Uto Ughi, Augustin Dumay, Vladimir Spivakov, Igor Oistrakh, Isabelle Faust, Veronika Eberle, Emmanuel Tjeknavorian, Aiman Mussakhajayeva, Edicson Ruitz, Maxim Rysanov, Louis Lortie, Alexander Lonquich, Andrea Lucchesini, Pietro De Maria, Maurizio Baglini, Maxence Larrieux, Richard Galliano, Renato Bruson, Luciana Serra, Enzo Dara, Katia Ricciarelli, Daniela Dessì.
He has recorded for radio and television for RAI, RAI SAT, Swiss Radio and Television, and Mexican Radio.
He has gained various teaching experiences as a Cello and Chamber Music teacher at the Conservatories of Trapani and Adria, the music institutes of Gallarate, Pavia, and Cremona, and has been teaching Cello as a tenured professor at the G. Verdi Conservatory in Como since 2006.
Passionate about the history of the cello, lutherie, and bow making, he has curated publications of 18th and 19th-century Italian cello music. He has held masterclasses on 19th-century Italian cello music at the Conservatorio Superior de Malaga (Spain), Yasar University in Izmir (Turkey), the Academy of Music in Łódź (Poland), the Academy of Music in Malmö (Sweden), the Conservatorio Superior de Murcia (Spain), the Escola Superior de Musica e Arte do Espetáculo (ESMAE) in Porto (Portugal), the Conservatorio Superior de Valencia (Spain), the Real Conservatorio Superior de Granada (Spain), and the Universidad Nacional de las Artes (UNIA) in Buenos Aires.
He plays a cello built by Giuseppe Odoardi, known as "il Villan d'Ascoli," in the first half of the 18th century. For Baroque repertoire, he uses a cello built in Stockholm by Johann Ohberg in 1773.
Introduced to the study of counterpoint and composition at the age of four by her mother, Odelia, she graduated from the “L. Marenzio” Conservatory in her hometown with diplomas in Flute (1991, under the guidance of Prof. Simona Valsecchi), Jazz, and Composition (with highest honors and distinction).
She subsequently perfected her studies with internationally renowned teachers including Eugenia Soregaroli, Peter-Lukas Graf, Glauco Cambursano, Bruno Cavallo, William Bennett, and Julius Baker. Under the guidance of Maestro William Bennett, she graduated from the Royal Academy of Music in London, earning the prestigious DIP-RAM (highest distinction) in 1995. In the same year, she served as Professor of Flute at King’s College of Music, London.
She has won prizes in numerous national and international competitions, including the “A. Ponchielli” Flute Competition (Cremona), Internationaler Instrumentalwettbewerb Markneukirchen, Jeunesses Musicales Music Competition (Bucharest, Romania), Maria Canals International Competition (Barcelona), and—at a very young age—the International Competitions of Stresa (multiple times), Viareggio, San Bartolomeo al Mare, and Taranto. As a composer, she was awarded at the Lago Moro Talenti Competition organized by the Conservatory of Darfo (2019).
As Principal Flute with numerous opera houses and symphony orchestras, she was personally selected and invited by Maestro Zubin Mehta to perform the full season of the Orchestra del Maggio Musicale Fiorentino, both in Florence and on tour in Japan.
In London, she was invited by Maestro Vladimir Jurowski to collaborate and record with the London Philharmonic Orchestra as Principal Flute.
She has held the position of Principal Flute at the Teatro Regio di Torino, Arena di Verona, Teatro Comunale di Bologna, I Filarmonici di Verona, Orchestra Filarmonica Toscanini of Parma, Orchestra dell’Opera Giocosa of Savona, and, of course, I Pomeriggi Musicali di Milano. Under the direction of conductors such as Gatti, Mehta, Temirkanov, Imball, Reck, Maazel, Oren, Feddeck, Bellincampi, Ceccato, Yurovsky (father and sons), Adams, Inkinen, Pelivanian, Santi, De Bernard, Campori, and many others, she has consistently received acclaim from both conductors and critics.
She has been particularly devoted to chamber music, performing in prestigious venues including Teatro Dal Verme, Teatro Bibiena of Mantua, Teatro Grande of Brescia, Belveglio Flute Festival, St. Cecilia Auditorium of Edinburgh, the Sala Maffeiana of the Teatro Filarmonico in Verona, the International Festival of the Island of Elba, and the Third International Flute Convention in Manchester (1999), by invitation of Trevor Wye.
For four years, she collaborated with Yuri Bashmet in the chamber concerts of the Elba Island Festival, performing with artists such as François Leleux, Yuri Bashmet, Marisa Tanzini, Mario Brunello, Natalia Gutman, Gidon Kremer, Uto Ughi, Victor Tretiakov, Vadim Repin, and ensembles including I Solisti di Mosca, Kremerata Baltica, as well as composers Carlo Boccadoro, Giovanni Sollima, and Kancheli.
She founded and directed the Ensemble Mulieres Aulosque (five flutes and harp), for which she composed and arranged the entire repertoire, performed in numerous concerts between 2005 and 2012, and the Elfran Quartet (flute and string trio) with her sister Elisa Citterio, Francesco Lattuada, and Marco Perini, active from 1995 to 2001. With other ensembles, she regularly performs her own music in concert (e.g. Trio Alua: flute, viola, cello).
She regularly performs with Les Indes Galantes, a chamber group she co-founded with harpsichordist Edmondo Savio, with variable formations ranging from trio (flute, cello, harpsichord) to a small chamber orchestra with one player per part.
She has given masterclasses at the Conservatory of Novara, Associazione Culturale Alchechengi, Piceno Classica, Villa Magni in Pistoia, the Portogruaro Summer Music Courses, and the International Academy “Incontri col Maestro” in Imola, where she served as faculty in 2008.
A passionate jazz musician, she earned the Advanced Diploma in Jazz and Improvisation from the L. Marenzio Conservatory of Brescia and is active in this field as both performer and composer.
She has conducted orchestras such as the Cantelli Orchestra of Milan and Les Indes Galantes. She is currently dedicated to composition and publishes with Eufonia Publishing House.
She has written extensive literature for children and young performers, including trios for flute, viola, and cello; sextets for five flutes and harp; 7 Studies for solo flute; two Sonatas for flute and piano; exercises and pedagogical studies included in the published methods of Maestro Cavallo; and The Seasons for flute/piccolo and piano, frequently included in Italian conservatory graduation recitals.
Stefania Redaelli is a leading figure in Italian chamber music.
She has performed with internationally renowned musicians including Salvatore Accardo, Mario Brunello, Massimo Quarta, Rocco Filippini, Sergej Krylov, Lukas Hagen, Bruno Giuranna, Viktor Tretiakov, Sonig Tchakerian, Domenico Nordio, Marco Rizzi, Edoardo Zosi, Fabrizio Meloni, Maria Grazia Bellocchio, Gabriele Dal Santo, Danilo Stagni, Antony Pay, and Alain Meunier, appearing in prestigious theaters and renowned concert series such as Teatro alla Scala in Milan, the Schauspielhaus in Berlin, Teatro San Carlo in Naples, Teatro Regio in Parma, Teatro Ponchielli in Cremona, Teatro Bibiena in Mantua, Teatro Olimpico in Vicenza, the Stresa Festival, Unione Musicale in Turin, Serate Musicali in Milan, La Biennale di Venezia, MITO Festival, Radio3 concerts (Concerti al Quirinale, Radio3 Suite, Piazza Verdi), IUC in Rome, the Accademia Chigiana in Siena, GOG in Genoa, Wigmore Hall in London, Boston Symphony Hall, the Glinka Museum in Moscow, Cemal Reşit Rey Concert Hall in Istanbul, and the University of Singapore.
For over forty years, she has served as assistant in courses led by Salvatore Accardo, Rocco Filippini, Franco Gulli, Yo-Yo Ma, Viktor Tretiakov, Lukas Hagen, Asier Polo, Ilya Gringolts, and Boris Belkin at institutions such as the Accademia Chigiana, the Stauffer Foundation, and the Garda Lake Music Festival.
As a soloist, she has performed with the RAI Orchestra, I Pomeriggi Musicali, and the Angelicum Orchestra of Milan, as well as with the Sanremo Symphony Orchestra and the Padua Chamber Orchestra.
She has recorded for Warner, Warner-Fonit Cetra, Foné, Dynamic, Brilliant, Stradivarius, Ricordi, Aulics Classics, and Bottega Discantica. Her most recent CD, “NinneNanne”, released by DaVinci, received an enthusiastic review in the prestigious American online magazine Fanfare Magazine (December 2025).
She is Professor of Chamber Music at the Milan Conservatory and Professor of Piano at the Advanced Academy of Music in Sacile.
She studied with Ernesto Esposito, Bruno Canino, Murray Perahia, Paolo Borciani (Quartetto Italiano), Dario De Rosa, Norbert Brainin (Amadeus Quartet), and Corrado Romano.
Umberto Ruboni is an Italian pianist born in Genoa in 1996, who graduated with honors and distinction from the "Verdi" Conservatory in Milan.
A versatile musician, he combines his concert career with that of an accompanist pianist; since 2025, he has been a permanent faculty member at the "Vivaldi" Conservatory in Alessandria. Over the years, he has collaborated with some of the greatest musicians in the international scene, particularly in the fields of violin and flute, both for concerts and as an assistant in masterclasses. Among these musicians are Maxim Vengerov, Uto Ughi, Ning Feng, Noah Bendix-Balgley, Sergej Krylov, Daniel Stabrawa, Peter-Lukas Graf, Marina Piccinini, Michael Cox, Silvia Careddu, Sarah Louvion, Juliette Hurel, Vicens Prats, and Tom Ottar Andreassen.
As a soloist, he has won several international piano competitions, including the Orbetello Piano Master Competition (1st Prize), YAMAHA International Piano Competition (1st Prize), and the Thalberg International Piano Competition (3rd Prize). He has performed in various countries, including South Korea, Tunisia, Sweden, Norway, Spain, Switzerland, and Germany, in prestigious venues such as the Seoul Arts Center (IBK Hall), Sala Verdi in Milan, and the Accademia Filarmonica Romana, and has accompanied several orchestras conducted by Marcello Rota, Filipe Cunha, Nikolay Lalov, Pietro Mianiti, and Fabrizio Dorsi.
From 2022 to 2024, he was an Artist in Residence at the Ingesund Piano Center in Arvika (Sweden).
Eunmi Park is a Korean pianist. A winner of numerous national competitions since childhood, she was admitted to the High School of Arts in Busan in 2009, where she studied with Yoon Soo In. She continued then her studies at Inje University under the guidance of Kwon Jun, distinguishing herself for her artistic merits and receiving scholarships both upon admission and at the completion of her academic path.
In Italy, she completed the Second-Level Academic Biennium at the "G. Verdi" Conservatory in Milan, studying with Marco Rapattoni, and simultaneously attended the Pinerolo Academy under Roberto Plano. She then specialized in historical piano with Gianmaria Bonino and in modern piano with Francesco Bergamasco at the "A. Vivaldi" Conservatory in Alessandria. Additionally, she deepened her training with Jacques Ammon in Germany, Julia Mustonen-Dahlkvist in Sweden, and Stefania Redaelli in Italy.
In the field of chamber music, she honed her skills with André Gallo and Francesco Senese at the Accademia Filarmonica in Bologna. She also participated in masterclasses with Stanislav Igolinsky, Bart van Oort, and Olaf John Laneri.
As a soloist and chamber musician, she regularly performs in numerous festivals, including Serate Musicali in Milan, Società del Quartetto in Milan, Società del Concerto in Milan, Glafsfjorden Musikfestival, Contrappunto Festival, Festival LeAltreNote, and Vivaldi Flute Week. In 2021, she performed at the prestigious Royal Conservatory of The Hague (Netherlands) during the Ton Koopman Academy.
She collaborates regularly in a piano duo with Umberto Ruboni and, as a chamber musician, has played with some of the world's top flutists, including Paul Edmund-Davies, Tom Ottar Andreassen, Sarah Rumer, and Juliette Hurel.
She has worked as an accompanist at the "G. Verdi" Conservatory in Milan, collaborating with various instrumental classes, and is frequently invited as an accompanist and assistant at renowned international festivals and academies. Among the great musicians she has worked with are Pierre Amoyal, Maxim Vengerov, Thomas Riebl, Olivier Stankiewicz, Marc Trénel, Stefano Parrino, Ulrike Hoffman, Vincent Prats, Sarah Louvion, Rena Urso, Heather Clark, Marina Piccinini, Fabio Di Casola, and Peter-Lukas Graf.
In 2025, she won the accompanist pianist competition at the "G. Verdi" Conservatory in Como, a role she currently holds on a permanent basis.