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English speakers borrowed the Italian noun virtuoso in the 1600s, but the Italian word had a former life as an adjective meaning both "virtuous" and "skilled." The first virtuosos (the English word can be pluralized as either virtuosos or, in the image of its Italian forbear, as virtuosi) were individuals of substantial knowledge and learning ("great wits," to quote one 17th-century clergyman). The word was then transferred to those skilled in the arts and to skilled musicians, specifically. In time, English speakers broadened virtuoso to apply to a person adept in any pursuit.

This word also refers to a person who has cultivated appreciation of artistic excellence, either as a connoisseur or collector. The plural masculine forms of virtuoso is either virtuosi or the Anglicisation virtuosos, and the feminine forms are virtuosa and virtuose.

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..."A virtuoso was, originally, a highly accomplished musician, but by the nineteenth century the term had become restricted to performers, both vocal and instrumental, whose technical accomplishments were so pronounced as to dazzle the public."

The meaning of virtuoso has its roots in the Italian usage of the sixteenth and seventeenth centuries, signifying an honorific term reserved for a person distinguished in any intellectual or artistic field. The term evolved with time, simultaneously broadening and narrowing in scope as interpretations went in and out of fashion and debates unraveled. Originally a musician was considered a virtuoso by being an accomplished composer, theorist, or maestro, rather than a skilled performer.[5]

In the 17th and 18th centuries, the word shifted in meaning, and many musicians applied it without considering merit, sometimes to themselves. Sbastien de Brossard, in his Dictionnaire de Musique (Paris, 1703),[6][7] approached the word virtuoso by its Latin root virtu emphasizing exceptional training, especially in theory. This position was also defended in Johann Gottfried Walther's Musicalisches Lexicon (1732) favoring the theorist over the performer. Johann Mattheson's Der brauchbare Virtuoso[8] (1720) maintained the respect for the traditional "theoretische Virtuosen" (theoretical virtuoso) but also paid tribute to the "virtuosi prattici" (performer virtuoso).

Johann Kuhnau in his The Musical Charlatan (Der musikalische Quack-Salber, 1700) defined the "true virtuoso", once again emphasizing theory ("der wahre Virtuose"), while describing the "highly gifted musician" ("der glckselige Musicus") or "performer virtuoso" as having nothing more than practical facility.[citation needed]

The real dignity of the virtuoso rests solely on the dignity he is able to preserve for creative art; if he or she trifles and toys with this, he casts his honour away. He or she is the intermediary of the artistic idea.[9]

React virtuoso is distributed as an NPM package, with react and react-dom being the only peer dependencies. Install react-virtuoso in your React project. The package exports the Virtuoso, TableVirtuoso, GroupedVirtuoso, and VirtuosoGrid components.

I would like to load wikidata into virtuoso. After days of searching I was unable to find any tutorial or at least somebody that uses virtuoso to sparql query wikidata. I would not like to spend money on a server to load 50G+ data for nothing.Why virtuoso and not blazegraph for instance? Because I'm used to use virtuoso for DBpedia.

As indicated here and elsewhere, loading Wikidata into Virtuoso should simply be a matter of creating the turtle file (better is to have multiple turtle files) from the download and bulk loading it in. To get decent performance, a number of parameters have to be changed in virtuoso.ini.

1/ Patch the geo-coordinate literal code, editing virtuoso-opensource/libsrc/Wi/rdfbox.c to comment out two pieces of code that check for non-terrestrial coordinates. Note that this is a bug in Virtuoso and that Wikidata conforms to the specification of this datatype.

2/ Patch the Turtle loader, editing the end of rdf_rl_lang_id in virtuoso-opensource/libsrc/Wi/ttlpv.sql to look as follows. Note that this is another bug in Virtuoso that is triggered by parallel loading of langstrings with different languages.

To get farther into the details, I'd classify the different e-specs as follows for novice-friendly use: virtuoso > mirage > chrono. It takes some getting used to with chronomancer for its wells and their delayed activation, the continuum split and the management of illusions for your shatter skills, so I'd put it as the least friendly. Virtuoso as the easiest to get used to simply because there are no clones, they're stored on you as blades to feed your bladesongs; mirage in-between, because your illusions summoning potential is higher than chrono, the skills do not take as much time as the chrono's wells to trigger, but you may want to keep clones around to feed your debuffs. Finally if we're adding core mesmer to the list, I'd put it between mirage & chrono - but you're missing on such utilities that it's rather something to consider after acquiring experience with the class.

For having fun, only you can tell - @Roadkizzle.2157 finds mirage boring after one year playing, I've been enjoying it the most out of our e-specs since its release five years and a half ago. Keep looking for hero points to try as many options as possible! Chrono & virtuoso alter their shatter options to stay closer to core mesmer gameplay, mirage disregards it to alter its dodges and keep acting (instead of the rolling animation), allowing special attacks in the meantime depending which weapon you're using. Maybe that'll help you have an idea of what you'd favor over the others!

Second, while chronomancer is the closest elite specialisation to core behaviour... this isn't necessarily better for a new player. Virtuoso works out simpler because you don't have to balance out whether to use clones, just let those daggers fly when you have a full set, and virtuoso can bring additional defences to make up for the distraction effect that clones can provide. Mirages can be very tough, especially if you make use of sigils and other sources of additional endurance, and playing mirage means you can get away with ignoring shatters altogether (although more advanced mirage play still uses them).

I would note, in direct reference to the OP, that if you're running a power virtuoso with greatsword and sceptre, that is a fairly glassy build. There are ways to make it less so (see above...), but virtuoso being seen as a good open world build usually comes about through leveraging the self-sustain that comes from using Jagged Mind on a more condition-oriented build. If you're running power, you might be better off starting with a power mirage (this is probably a good starting point, although you might consider trading out Illusionary Ambush and possibly Mimic for more defensive utilities. Also, consider a Sigil of Stamina for the greatsword if reasonably practical) and if that doesn't work for you, consider transitioning into power chronomancer when you have the hero points. (I'd have to admit that it's been a while since I've played power chrono in open world, though, so I'm not sure which specific build I'd recommend. Planning to take it out for another spin after the update - I'd been planning to switch to chrono for SotO, but dagger/greatsword mirage proved too much of a temptation.)

Virtuoso is an elite specialization for the mesmer unlocked with the End of Dragons expansion. A virtuoso's greatest weapon is their mind. Instead of summoning clones like traditional mesmers, virtuosos create psychic daggers floating above their heads, replacing shatters with bladesongs that fire these daggers at their enemies.

If you are one of our authorized dealers and you need to restock, note our new email: virtuosopolish@gmail.com NOTE: we do not have access to the old email so if you use it, it will get stuck somewhere on the internet. 17dc91bb1f