A group show conceived as a mixtape of songs gifted to a lover, Love Songs features photographic projects about love and intimacy from 16 contemporary photographers, including Nobuyoshi Araki, Ergin avuolu, Motoyuki Daifu, Fouad Elkoury, Aikaterini Gegisian, Nan Goldin, Ren Groebli, Herv Guibert, Sheree Hovsepian, Clifford Prince King, Leigh Ledare, Lin Zhipeng (No. 223), Sally Mann, RongRong&inri, Collier Schorr, and Karla Hiraldo Voleau.

Through the myriad lens of intimate relationships, Love Songs brings together series dating from 1952 to 2022 by some of the leading photographers of our time that explore love, desire and intimacy in all their most complex and contradictory ways. The exhibition is the U.S. museum debut for work by Aikaterini Gegisian and Lin Zhipeng (aka no. 223), the first New York City museum presentation of the work of Sheree Hovsepian and Motoyuki Daifu, and the U.S. debut of the work of Karla Hiraldo Voleau.


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Love Me Do Photography is a collaborative of Philadelphia based wedding photographers. We are available for both local and destination weddings. We emphasize creative portraiture and photojournalism. We also shoot wedding videography.

This collection consists of photographs, maps, and posters related to the Love Canal environmental disaster. The Love Canal Images collection forms part of the Love Canal Collection in the University Archives of Special Collections. The University at Buffalo holds the premier collection on Love Canal, the country's most notorious and infamous hazardous waste site.

Newborn photo shoots in general have started to skew a little older, since many parents are preferring to wait until after vaccinations for me to come into the home, and hospitals are just starting to let visitors in for fresh 48s.

I use an erasable non-photo blue pencil to lay in the basic shapes and capture the posture, proportions, and angles in most of my drawings. I then go over these lines with graphite and sometimes watercolor. Even though the pencil is erasable, I generally do not erase the lines. This pencil is so light and non distracting that it almost seems to magically disappear when you cover it with graphite. You could just draw lightly with graphite pencil for your starter lines but these lines end up showing much more than the non-photo blue guidelines.

While non-photo blue pencil strokes are easily seen on your paper (before you lay down the graphite), the marks are too light to be scanned and do not show up in my step-by-step tutorials. I usually approximate the effect of the pencils in Photoshop to create the instructional drawings you see on this blog or books. This is why the marks start off bold in the tutorials and then fade by the end of the drawing. On your real drawing, you will no longer notice the non-photo blue pencil lines once you put down your graphite over it (unless you reallllly look). I think this has something to do with the way our brains focus on contrast. Any neurobiologists out there please leave a comment if you know why.

Not all non-photo blue pencils are created equally. I use the Prismacolor Copy-Not Col-Erase non-photo blue pencil #20028. This makes the light ghost lines I need. If you use a regular Prismacolor non-photo blue pencil, it makes a bold blue line. I have also found that other brands of non-photo blue pencils make darker marks as well and I avoid them.

This pencil is very very light. If it does not make a mark that is dark enough to barely see, do not press harder, instead make multiple lines, circling back over the same stroke until it appears. If you press too hard and are doing a graphite pencil drawing with lots of blended subtle shading, the non photo blue lines will prevent some of the graphite from adhering to the paper, leaving light lines against the shading. Also on some types of watercolor paper, the non-photo blue pencil seems to act as a resist, preventing some of the paint from sticking in the same way. Slick paper may not have enough tooth for the non-photo blue pencil to catch and leave a mark. If you have these problems, you many want to go back to the light graphite pencil drawing to lay in your initial shape.

Wow! This turned out amazing. I was looking for something smaller for a small house but who says we have to. Having tiny photos means you can have more. Or put up a theme of the kids growing up or summer adventures. I like it!

Sorry for your loss. He was a great man and I hope his legacy and values will live on in his children. I pray for the family. I enjoyed working for loves travel stop in Ritzville Wa wish there was one in Moberly Missouri.

About two and a half years ago, I wrote an article for FujiLove discussing the use of Fujifilm cameras for technology journalism. In that article, I described how Fujifilm cameras helped me do my job better, and maybe more importantly, made me fall in love with photography as a whole. Between the fully manual camera style, the old-school feel, and the variety of affordable, quality prime lenses, I credit Fujifilm for not only learning how to take photos, but for my passion for photography altogether.

Dear Photograph, my Dad took this photo of you in February of 1984. I was a one-year-old and it was the first time I ever saw snow in Italy. I still have that red jacket that my Mom bought me in the closet. I miss you Mom.


Love,

Lorenzo


Dear Photograph, My grand-father served in World War 2. After he passed away I ended up with a shoebox full of his old photos. After many failed attempts to research and find the location of this photograph, years later I ended up discovering the location while browsing through the photographs of Airbnb listings when planning a trip to Italy. I then got to stand in the same spot that he did, 72 years apart.


Dear Photograph, a 1957 summer picnic in the park with the women in my family and my dad, the prolific amateur photographer, capturing the moment. I am the young child in the seat hooked onto the table and have only an imagined memory of this moment. The exploration in this space was powerful as I remembered these women who have all gone before me. As I took in the sights, sounds, and smells, I was thankful both to you, my photograph, as well as to my father for his diligence in capturing our family stories through the years. A salute to these women who taught me to be strong through both their living and their dying. May I honor their legacy through the next generations.

Dear Photograph, My father passed away in 2010 just shy of his 50th birthday. My mom and him divorced when I was only 1 year-old and we lived 2 hours away from each other. He would always make the trip to pick me up and spend time with me. I feel I was never separated from him, he was 100% committed to being the best father I could have ever asked for. I miss you everyday and love you forever! - Renee

If you were to look at my photos before my relapse, a large portion was related to work\u2014either trips I took, or photos of me all dressed up for a conference, or snapshots of a wall covered in butcher paper with big plans. But what\u2019s here in my camera roll shows me that work was not my priority this year. My priorities were to stay alive and to heal and to spend as much time as I could with my loved ones. It was a year of sickness, but more than that, it was my year of love.

Plus, great Philadelphia photo opportunities such as the Rocky statue, the Philadelphia Museum of Art steps and many others extend well beyond the locations housing #VISITPHILLY Photo Spots structures.

Recognized by national press as one of the best places to visit in Philly spring through fall, the super-popular Spruce Street Harbor Park attracts impressive crowds with bocce and shuffleboard, tree-slung hammocks and colorful lights, floating barges with over-the-water seating, a beer garden serving plenty of food options, a variety of events and the photogenic big red Visit Philly Adirondack chair.

You can view Luce County through the eyes of Luce County 4-H youth. These photos were taken by Luce County 4-H members through the Land I Love Photo Project. The following are short slideshows created by Luce County 4-H members.

When you think of baby portraits, what do you think of first? There are the iconic sleeping newborn photos. Whether baby is curled up, or on their belly with their tush in the air, or posed on a prop, we all have our favorite newborn poses. Or maybe your first thought is of a happy, smiling, newly one year old. Frosting on their faces and hands as they dig into their birthday cake and celebrate their first birthday. Perhaps you think of a 6-9 month old baby who has just mastered sitting on their own. There are so many different milestones throughout the first year that we celebrate.

For non-parents, there might not seem like a huge difference between newborn and 3 month. Well, take it from someone who has spent a lot of time around babies of both ages: there is definitely a difference! Here are some of my favorite things about photographing the 3-4 month milestone.

This milestone is the perfect time for family portraits. Your little one will be alert and awake during your family photos for the first time. These will make for such amazing keepsakes (not to mention perfect gifts for family and friends.)

Are you looking for 3 month baby milestone portraits north of Boston? Crabapple Photography in Andover MA is a full service boutique portrait photography studio. We serve clients from around Massachusetts including Boston, Concord, Boxford and beyond. Kate McKenna has over 11 years experience photographing babies of all ages. Contact Kate today to book your session!

Welcome to Crabapple Photography! I'm Kate and I've been a family portrait photographer since 2009. My specialty is newborns, babies and children. We have fun! My style is clean and whimsical and I am a detail person. e24fc04721

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