A unique discography print of Queen albums and singles. Each release is pictured as a record cover spine. It's a brilliant gift for fans of Queen, an incredibly successful band over many years. Add your own message to the print as well, if you want, at the top right of the print.
Queen have a vast number of releases! This Queen discography print shows all their studio albums along with compilation and soundtrack albums and all the singles that reached the top 5 on the US Billboard Hot 100 or UK Singles charts. A3, 12x16 and 16x20 inch prints include a few additional records (e.g. live albums).
Queen Discography Download
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Disclosure: I cannot be accurately described as afan of the band. I'm very respectful of FreddieMercury's vocal and compositional abilities, andalways wowed by Brian May's guitar style andtalent. But I'm also a guy that takes music a littletoo seriously, and too many of the band's worksstrayed too far towards twee pop songs or torchsongs. I'm rarely appreciative of either musicaltheater or the ridiculous synthetic superficialitythat characterized so many bands' change of stylein the 80s. Plus, Queen became so ubiquitous atleast four times during my lifetime (Greatest Hits,Wayne's World, Live Aid and Freddie bio movie)that it was hard not to get sick of hearing aboutthem. Queen is very much like a decadent dessert;once you overindulge, it's a long time before youcan bring yourself to find it appetizing again.Yet despite (or in some ways because of) this, I stillregard Queen II as one of my favorite albums.Maybe not top 5 or 10, but not too far down fromthere. Go figure.Immediately upon crossing the threshold, you'regifted with Brian May harmonies, symphonic andahead of his time. Not so much in the Yardbirdsalumni/ Hendrix vein of rock guitarists, Mayinstead took a similar road as glam soloist MickRonson, a raw but symphonic preface to theneoclassical wave that took off after Van Halenand Uli Roth.This layered smooth-but-edgy approach alsocharacterized Roy Thomas Baker's arrangement ofthe vocals, so much a part of the Cars' first fewalbums. While this could become an overbearingwall of sound in lesser hands, the preciseapplication of restraint and emphasis lendsdramatic (it's OK to say 'melodramatic') weightwhen called for.Nearly everything the album has to offer istouched upon briefly on the opening track: larger-than-life anthemic multitracked guitars andvocals, barebones breakdowns with solo voiceand a single instrument, capricious changes indynamics and pacing, all leading to a huge finale. Ipersonally like "Father to Son" more than anythingelse on the album, but that's not to say therearen't many impressive moments to come.Like any self-respecting prog band of the 70s,Queen feels it necessary to explore theidiosyncrasies of each band member on side onebefore launching into the epic collaboration of theside two. "White Queen" provides a dark arpeggiothat connects the dots between "She's so Heavy" afew years before and "Still Loving You" severalyears later, and gets impressively heavy anddramatic with all the territory it covers under 5minutes. Then there's a semi-acoustic semi-mellow semi-hippie jam sung by May himself --and while no match for Freddie, it soundscompetent and suitable, miles ahead of thefollowing: the album's only contender for astinker, "Loser in the End" a Roger Taylorcontribution, comparatively underwhelming bothin concept and realization.But forget all that, because Side Black is one longrollercoaster of Queeny goodness. "Ogre Battle" isabsolutely made for 70s fantastists and rockersalike, you can almost smell the 1st edition of D&Dand the last edition of Ray Harryhausen stopmotion animation. There was nobody like Queento bridge the gap between some of the heaviestsounds of the 70s and musical theater.I don't know that there's much point indeconstructing the narrative. I'm not sure there'seven a narrative to deconstruct. The "Black" sidecan be seen as a collage, a melange, a rhapsody(oh wait, not yet) more in the vein of Abbey Road'ssecond side than Close to the Edge or Echoes.We're not given any reason to really connect"Ogre Battle" to the sweet mournfulness of"Nevermore" or the celebratory culmination of"Funny How Love Is." Nevertheless, there is acertain continuity and flow that begs the listenerto hear the whole side from start to finish --probably something of a challenge to many at thetime, and almost unimaginable in our lamentableattention-deficit modern era."The Fairy-Feller's Master Stroke" is a rollickingride in and of itself. I don't know if the idea ofdescribing a painting came from Crimson's "TheNight Watch," but musically and lyrically the twocouldn't be more different. Whereas Crimson'shaunting historicity attempts to transcend theintervening centuries to connect the listener tothe artist and his subjects, Queen simply runsdown the list of depicted characters with variousmischievous interpretations and musical motifs.Not that it's any less engaging, but as witheverything Queen, there's a veneer of campysuperficiality that belies (intentionally orotherwise) the undeniable musicality involved."March of the Black Queen" is mischievous in adifferent way. The guitars are furious at times, thelyrics darkly suggestive if not blatantlytransgressive. It's fun with a side order ofdiscomfort, part "Rocky Horror" and part painfulmetaphor of interpersonal sexual dynamics. Am Ireading too much into it, or not enough?"Seven Seas of Rhye" gets more than a fresh coatof paint to elevate it from the abbreviated and(mostly) instrumental version that closed theband's first album. It's now a fully-fledged song,albeit a largely incomprehensible one. As a finale,it is as satisfying and rocking as "Father to Son"was as an opener.All-in-all, the entire album is a heavy, fun, andprogressive treat from start to finish, in myopinion the single most enjoyable andaccomplished album in the band's discography. Ihave a certain fondness for the debut, and thereare many great individual songs yet to come --obviously, they were to hit much higher popularacclaim (and sales) afterwards, but they neverproduced a long-player as seamlessly engaging asthis. Shame about "Loser," though. social review commentsĀ | Review Permalink
Posted Friday, August 4, 2023 | Review this album | Report (Review #2943947)
This Complete List Of Queen Albums And Songs presents the full discography of Queen studio albums. The band Queen was first formed in 1970. The group Queen hails from the city of London, England. This complete Queen discography also includes every single Queen live album. All these extraordinary Queen albums have been presented below in chronological order. We have also included all original release dates with each Queen album as well as all original Queen album covers. Every Queen album listed below showcases the entire album tracklisting.
There's no questioning the commercial success of Queen's discography, which comprises 15 studio albums, 10 live albums and two soundtrack albums. The band has sold 300 million records worldwide and notched nine Top 20 hits on the Billboard Hot 100, including two chart-toppers, "Another One Bites the Dust" and "Crazy Little Thing Called Love." e24fc04721
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