Russel Light

I studied architecture at Portsmouth Polytechnic from 1978 to 1984. Directly after this, I established the practice `Ferenczi Design' with two colleagues, which had successes in a number of competitions and was exhibited at the Venice Biennale.

I have been teaching at SSoA since 1987 and have had a major role as a design tutor throughout my time here. I continue to run my own practice and passionately believe that this experience contributes to the way that I teach (and vice versa).

Alongside teaching at Sheffield, I have established my own practice, mainly focussing on small scale, domestic projects (published in BD, Perspectives, ARQ and Financial Times). These have included a considerable amount of work with listed buildings and projects that have investigated a range of craft-based techniques. These themes are also developed in my work as a Trustee of the South Yorkshire Building Preservation Trust. Larger, more recent residential projects have explored a range of environmental strategies, including green roofs, storm water management and ground source heating.

My main teaching role is as a studio tutor on the MArch in Architecture course, where I run Studio One. In recent years, Studio One has focused on the European city and issues of re-using and imaginatively converting existing buildings. In 2011-2012 the studio investigated the relationship between cinema and architecture, visiting Rome and the film studios at Cinecittà This provide rich material for exploring how space can be constructed cinematically and for developing drawing techniques that spanned the two disciplines. These explorations formed the basis of the individual design agendas that were developed throughout the year. The theme for 2012-2013 is 'Venice - Behind the Mask' and will begin with a field trip to the Venice Biennale.

I also have a long standing interest in perspective drawing and give lectures and workshops on the undergraduate course. All of this course material is freely available on my perspective website (see link at the top right).

I have considerable experience across the different years of the School, having co-ordinated the MArch course (from 2002-2011) and prior to that, co-ordinating the second and third years of the degree course. My teaching spans the areas of architectural theory, precedents, urban design and composition and my particular interest is in the relevance of these subjects to the design studio.

My research interests include architectural theory, re-use of existing buildings, architectural drawing and perspective.

Published research includes subjects such 'The Architectural Legacy of Pliny the Younger', the restoration of Palladio's Villa Saraceno and papers about my own published design projects. I have presented papers at international conferences in Canada, Italy, India and the United States.

Superstudio’s lost project for Sheffield

In my recent research, I have discovered a previously unknown project by the Italian architectural theorists Superstudio for Sheffield, which was part of their Continuous Monument project of 1969. In Superstudio’s presentation of the project one of the montages is entitled 'Coketown Revisited’, without any reference to a specific location. I have identified the background as a photograph of a street in Sheffield taken by Roger Mayne. I have also identified the location of the street (demolished in the 1970s). From this information it has been possible to reconstruct the full plan and extent of the project. At over 2 miles long and 67m high, it dwarfs all of the other major architectural projects for Sheffield that were being carried out in the 1960s, including Park Hill, Hyde Park, Kelvin and the Tinsley Viaduct. I have already produced plans and new photomontages showing the scale and impact of the structure on the city.
So far, I have given two talks on this research, the first to accompany the S1 Love Among the Ruins exhibition and the second at the Sheffield Modern Architecture Weekender. I would now like to develop a journal article about the topic.
Journal Article, Presentation, EDI, History and Representation, Building Performance, Material Cultures, Placemaking, Russel Light

The Dreams of Sleeping beauty - December, 2018

Our current third year is the fifth cohort of students to be working on design projects for Scarborough. By December 2018 we will have a repository of over 500 different projects for the town. The projects are based on a variety of briefs which engage with different aspects of the rich history of town and located on many different sites that explore its unique topography. The proposal is to take the best of this work and develop an exhibition and/or catalogue, showing how these sites could be used and new facilities that could be proposed. The intention is to present an optimistic future for the town, developing themes of the urban design framework document ‘Kissing Sleeping Beauty’ produced by West 8 in 2003, which so far has largely remained unrealised.
In addition to student work, we could also include staff projects in the town (Markets - Group Ginger, Woodend - P Testa, W McFadden). The aim would also be to provide a didactic commentary to the projects, with input from the Y3 team and our external examiners.
Event, Booklet, EDI, History and Representation, Participation, Building Performance, Material Cultures, Placemaking, Russel Light