Marc Chagall was born into a very religious and loving family in Russia, 1887. Marc did not do well in school, but loved music. In his last year at school he discovered he could draw and began art lessons. Marc studied in St. Petersburg but spent most of his career in Paris and became a pioneer of modernism. Modernism is modern thought, character or practice. Chagall experienced modernism in Paris, where he synthesized the art forms of Cubism, Symbolism, and Surrealism in his paintings. Chagall was the first living artist to be exhibited in the Louvre at the age of 90. During his lifetime he created over 200 oil paintings, gouaches, etchings, theater set designs, and stained-glass pieces.
The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 63: Painted the year after Chagall came to Paris, I and the Village evokes his memories of his native Hasidic community outside Vitebsk. In the village, peasants and animals lived side by side, in a mutual dependence here signified by the line from peasant to cow, connecting their eyes. The peasant's flowering sprig, symbolically a tree of life, is the reward of their partnership. For Hasids, animals were also humanity's link to the universe, and the painting's large circular forms suggest the orbiting sun, moon (in eclipse at the lower left), and earth.
The geometries of I and the Village are inspired by the broken planes of Cubism, but Chagall's is a personalized version. As a boy he had loved geometry: "Lines, angles, triangles, squares," he would later recall, "carried me far away to enchanting horizons." Conversely, in Paris he used a disjunctive geometric structure to carry him back home. Where Cubism was mainly an art of urban avant-garde society, I and the Village is nostalgic and magical, a rural fairy tale: objects jumble together, scale shifts abruptly, and a woman and two houses, at the painting's top, stand upside-down. "For the Cubists," Chagall said, "a painting was a surface covered with forms in a certain order. For me a painting is a surface covered with representations of things . . . in which logic and illustration have no importance."
Ask the students to draw or paint a picture of their home and neighborhood. Suggest that they use colors, shapes, and the style of the print (objects floating around, upside down, etc.)
Ask student to draw a story from their life. Ask them to choose an event that has already happened to them or that they would like to happen in the future, such as moving to or from a town, future careers or favorite activities. Remind students that this should be a symbolic picture.
Additional Kid Friendly Resources at the AHML are "Dreamer from the village:the story of Marc Chagall" by Michelle Markel, and "Chagall from A to Z" by Marie Sellier.