A student engaging in a creative writing workshop which taught how sensory details can help us express our feelings and emotions effectively.
As an educator, it is important for me to consider how I develop authentic learning experiences for my students. One of the most impactful ways to accomplish this goal is through the cultivation of personal connections with the culturally and linguistically diverse students that I serve. While there are many ways to achieve this, through the strengthening of students' higher order thinking skills and through leveraging their cultural and lingustic backgrounds and practices, I have been able to cultivate a community of learners who think critically about the world around them, support one another in authentic ways, and find ways to validate one another's humanity in our classroom.
One of the first ways in which I examined and reflected upon my personal cultural identity was to consider my lines of difference and how these identities have resulted in my perception of education and the world around me. As a dual-certified educator in both Special and General Education, it is important to ensure that I am aware of my biases towards portions of the student population that I serve in order to consider how these biases impact my decision-making in the classroom and interactions with students who may have learning differences. To this end, I have engaged in several activities which were designed for me to reflect about my own identity, how it impacts my teaching in the classroom and how it impacts the students that I serve.
In one of these cultural self-studies, I focused exclusively upon my unintended biases towards individuals with disabilities and took the IAT to measure my implicit bias and preference between abled and disabled persons. As a twice-exceptional (2e) individual, I was interested to find that I held a slight preference for abled people compared to disabled people as a result of this assessment. In reflection, I considered how my own experiences in education as a child and a differently-abled adult have resulted in internalized feelings of shame, embarrassment, and negative perceptions of self due to the pervasive nature of bias against individuals with disabilities. This was a valuable tool that would later inform some of the practices in my classroom to appropriately challenge and affirm the identities of the differently-abled students that I serve in my classroom. For educators of diverse students, introspection is one of the most important tools and strategies one can use to improve their practice and increase their effectiveness with their students. By considering one's identity and unintended biases, educators can more meaningfully consider strategic classroom decisions which emphasize a shared humanity of all students and validate the lived experiences of all children who enter into the classroom.
Another way in which I examined and reflected upon my personal cultural identity was to conduct a secondary cultural self-study which examined my experiences as a Black cis-woman. In public education, many Black women have shared that their value in the school community is usually relegated to that of disciplinarian and that they are more likely to be viewed as experts in classroom culture rather than experts in pedagogy and instructional practice. A recent city-commissioned study found that the DCPS evaluation system, known as IMPACT demonstrated statistically significant levels of racial bias, with "white teachers on average receiving higher scores on their evaluations than their Black and Hispanic colleagues" (Stein, 2021). In my personal experience as a Black female educator, I have felt that my identity and contributions in the classroom are often marginalized and minimalized, and that many of the structures which exist in the educational system of my district are not designed to reflect the rich contributions that African-American teachers possess as members of the Black community. I wondered, if I am experiencing marginalization and minimalization of my identity within the structures of my employment in the school district, does this same marginalization and minimalization also exist for the Black and Brown students that I teach?
It was at this point that I decided to set several goals for myself as a culturally-responsive educator: 1) determine the passions and interests of my incoming class over the summer to plan for their learning styles and needs, 2) build familiarity with students out of the classroom to see different aspects of their personalities and 3), design classroom activities and learning assignments with student interests and passions at the center. I determined that a meaningful way to leverage my cultural identity in the classroom would be to conduct student interest surveys prior to the beginning of the 2021-2022 school year for my incoming 5th grade class and spend the summer anticipating their passions and interests and planning experiences which reflect their unique cultural identities. To anticipate meeting the specific cultural needs of my incoming class of collectivist community of learners, I asked for their 4th grade teachers to administer an interest survey using the Renzulli Profiler prior to the end of the school year.
A sample of one of the Renzulli Learning Student Profiles administered to my incoming 5th graders completed their Student Interest Profiler prior to the end of their 4th grade school year. In this student profile, I learned that the student would benefit from classroom activities which allowed her to role-play, work independently, and engage in visual representations to demonstrate her learning products.
After sifting through these inventories, I realized that most of my students loved sports, drawing, and learning about new cultures. I will highlight two specific ways which I used this data about my students' profiles to design meaningful ways to build relationships with them and to tap into their natural curiosity and passions in my classroom. In “Poor Students, Rich Teaching: Seven High Impact Mindsets for Students from Poverty” (Jensen, 2019), the author explores the idea that an adjustment in student and teacher mindsets can be the major catalyst for transformational change in the lives of underserved students and children with adverse life experiences. In particular, “the relational mindset” can be used as a way to provide equity for children with adverse childhood experiences (p. 3). The relational mindset uses strong social and emotional connection between students, their peers, and their teacher to build capacity for empathy, a sense of belonging, and community through a “culture of personalization” (Jensen, 2019, p.17).
Because my students and I both have strong relational mindsets, I design my instruction to provide students with daily opportunities to engage in classroom discourse. This encourages students to express vulnerability and openness, which allows students to feel safe when sharing the traumatic childhood experiences and obstacles they may be working to overcome. As a result, the learning environment is a safe and affirming space where students feel seen, valued, and heard by their classmates (Jensen, 2019, p.29). Students know that the classroom is a place where they are loved, valued, and appreciated, and feel safe, welcomed and affirmed inside my classroom walls. In the following section, I will explore ways that I have executed CRT in my classroom.
One way in which I have built meaningful relationships with my students is by immersing myself into their interests and hobbies outside of the school day. To show my support of their passions, I travel to as many away games as possible. In this photograph, I am cheering on my 5th Grade scholars at one of their away games for the DC Scores soccer team.
In this photograph, four scholars, a parent, a colleague and I spent a Saturday evening enjoying an opera in the outfield of Nationals Stadium. Sharing my own interests and passions with my students brings us closer together and deepens the trust and respect that we have for one another. Through this experience, I was able to expose my students to an entirely different world of musical theatre than they'd ever experienced before. I love knowing that I can open new doors and provide new experiences for them.
As a result of my learning through Johns Hopkins, I paused to consider how the knowledge I gained as a graduate school candidate could be immediately applied into my classroom in preparation for the return of students for in-person learning. It was my sincere hope that by redesigning the learning environment, I could ensure a more equitable experience for Black boys in my classroom. As students began to return to in-person learning after almost 18 months of virtual instruction, many priorities in our school district shifted towards the consideration of trauma-informed teaching and social-emotional learning as a way to meet the diverse needs of students upon re-entry to in-person learning. I began harnessing this shift by finding new ways to build relationship with my students and community in the classroom. one way in which I did this was by attending a number of functions outside of the regular school day that align with the identified interests of my students. My students love seeing me cheer them on from the sidelines and I've been able to show them that my interest in them goes beyond tests in the classroom and small group discussions.
Another way that I have used time outside of the classroom to deepen my relationships with students is by inviting students and their families to free or low-cost events which take place in Washington, D.C. When planning these outings, I often consult with the student and their guardians about some things they might be interested in or I use the data from the interest surveys to determine which students might be best served by a particular outing. For example, four students in a prior year expressed an interest in the theatre arts. Through a partnership with the National Symphony Orchestra and the Kennedy Center, I was able to secure free tickets to an event at Nationals Stadium called "Opera in the Outfield". The event livestreamed Le Nozze di Figaro on the jumbotron at the baseball field and we were able to spread out on the green of the outfield and watch an opera on a picnic blanket with a packed lunch. For all four students, it was their first time ever experiencing an opera and they were absolutely astounded at the elaborate costuming and the vocal range of the soloists. Afterwards, I remember hearing one of my scholars sharing that one day, she hoped to be an opera singer at the Kennedy Center, too. Moments where I can provide my students with access to enriching opportunities which align to their interests outside of school demonstrate my committment to their growth and development as human beings and my enduring desire to see them succeed in life.
One specific way that I have executed CRT in the classroom is by designing classroom activities that align to the interests of my students and leveraging their passion to facilitate creative and meaningful learning experiences. In my school, we utilize a form of schoolwide enrichment that we call clusters. Clusters are interest-based classes which occur during the school day once per week. The classes that are offered are student-selected, ensuring that students have high-interest and engagement in whatever class they've elected to take. This allows them to learn more about topics that they find fascinating and affirms their interests, hobbies, and identities that they'd like to explore further, often with educators they're unfamiliar with.
Given the number of student inventory responses which identified visual arts as an area of considerable interest and my conversations with students during lunch and recess, I designed an Anime & Manga cluster which taught students the basics about the Japanese form of animated art and taught them how to design their own characters and storyboards using the examples of some of the most well-known work of various Japanese mangaka (a person who designs and creates manga, a Japanese comic or graphic novel). Out of 39 of my 5th grade students, 20 opted into my Anime & Manga cluster voluntarily when given the option of 12 different interest-area related cluster offerings.
This cluster experience was invaluable because I was able to learn a skill alongside my students. I am not an visual artist by any stretch of the imagination, and my students loved seeing my own artwork progress and grow throughout the duration of the cluster. Expressing vulnerability and showing them that learning is a lifelong process by engaging in the sketching process with them brought us closer together as a class and showed a different side of my humanity to my students. Furthermore, teaching my students about another culture through the medium of their interests has allowed me better understand their unique personalities and communicate more effectively with them in the regular classroom setting. As a result, my students are far more open-minded about learning about others' cultures and have taken to using Japanese phrases in and out of class that they learned through the immersion process.
This student is utilizing a light board, a tool used by visual artists to construct precise depictions of characters in animated art. As a student who indicated on her interest profile that visual arts are a passion of hers, watching her use the same equipment as a professional mangaka was a special moment for all of us.
As the cluster progressed, students began owners of knowledge and eagerly sought out opportunities to teach me, their novice artist educator. In this photo, a student can be seen critiquing my artwork to teach me a new proportion technique to improve my (poor) sketch of a character.
To develop meaningful learning experiences for my students, I also considered how strengthening their higher order thinking skills and leveraging their cultural and linguistic backgrounds could cultivate the classroom of learners I desired. In order to do this, I first identified cultural elements of my classroom which enhanced learning and then considered how I could capitalize on these strengths to improve their higher order thinking skills and create a rigorous learning environment which would provide my students an equitable and just learning experience, regardless of their ability.
One such cultural element which stood out to me was the community of collaboration present in my classroom. In my classroom, students naturally gravitate towards supporting and helping one another through classwork and assignments, particularly when a student has visually demonstrated some level of emotional distress or frustration with the task. It is very common to hear students ask to support a classmate during work time or to see students studying their spelling words together during independent work stations. As I turned special attention to the needs of my differently-abled learners, I specifically designed some strategies for instruction which both scaffolded their needs appropriately in the general education setting and ensured they were actively practicing the use of higher order thinking during classroom discourse.
A Culturally Responsive Teaching strategy that I have implemented in my classroom to address the challenges faced by differently-abled students was the use of heterogenous cooperative groups to support student learning. According to Kransoff (2016), cooperative groups support students in “creative problem-solving" while also teaching them how to “work effectively with diverse peers” (p. 5). To the right, I have included an example of a collaborative discussion assignment that I designed which both honors my students' cultural inclinations towards community collectivism and sharing learning orally as a prefered method to silent, written tasks. In designing this task for my students, I considered the need for group roles to help facilitate the discussion.
To address a specific need that my students have, I created a discourse role: Advocate & Agitator. At times, students don't necessarly extend their learning because they find themselves in constant agreement with one another. This role challenges the group members to imagine an idea from an opposing perspective and has them present their ideas with the same gusto as the perspective they agreed with. Alternatively, this role also functions to bring students who strongly disagree with one another to acknowledge a commonality in their opposing viewpoints to bring the group back to a level of what I call "critical consensus". I define this as students coming to an agreement for the sake of valuing and respecting aspects of each person's ideas. This technique keeps discussions fresh and respectful at all times, which makes my diverse classroom a safe and affirming space for all learners.
In these structured groups, diverse learners can support one another as they work to complete the necessary task and can clarify their peers' misconceptions, leading to a greater depth of knowledge for all parties. Students who are excelling at the content have the opportunity to deepen their own conceptual understanding of the content when they are asked to explain a concept to their peers. Students who typically struggle academically are able to share some of the strategies and scaffolded supports which have allowed them success and are viewed as strategy experts by their peers. This serves to strengthen the community of my classroom of learners while addressing their need for discourse and their cultural inclination towards collaboration to solidify their conceptual understanding while holding them accountable to the high expectations of my classroom.
To honor my students' cultural ways of communicating, I have increased my amount of classroom discourse and collaborative work time in my lessons. Because my classroom consists of many students who are English Language learners, providing these students with the opportunity to practice speaking and listening with their peers improves their language proficiency and ensures they are able to experience success beyond the classroom.
In this video, two students collaborate with one another to determine the theme to several short stories. Using specific details form the text to support their answers and analysis, they were able to share their ideas aloud with one another first before being asked to construct a written response. These two students are able to practice using the core lesson vocabulary related to the targeted lesson skill verbally, using sentence starters, which make engaging in conversations more successful for ELLs. As a culturally-responsive educator, I validate the lived experiences of my newcomer and ELL students by including these activities as must-have components of daily instruction.
In this photograph, a student who struggles to read texts independently is paired with a classmate who is a proficient and fluent reader for a reading comprehension assignment. In my classroom, I encourage students to express their learning needs and I both affirm and validate their identities by honoring various classroom scaffolds, accommodations, and flexibility of assignments and collaboration. As a result, these two students advocated to work together to support the learning needs of the one experiencing difficulty.
This photo highlights a core practice in my classroom: student-requested partner work. This option allows the creation of organic heterogeneous groups during small group rotations by the students and not the teacher. It has improved the effectivness of my teaching because voluntary pairing in heterogenous group can make the learning activities less confusing for the struggling student and more on-task and enjoyable. It also promotes student advocacy, because students can ask one another for support within the classroom and lean on one another's understanding, which is a core tenant of the collectivist cultural experience of the Black and Brown students that I serve.
In conclusion, considering, planning for, and executing culturally-informed strategies in my classroom has led to some incredible results with my students, both academically and socially-emotionally. Reflecting on my own identity and the biases I hold allowed me to deliberately plan ways to amplify the voices of my most marginalized students and ensure their classroom success by considering cultural elements within my classroom and how they could best be leveraged to improve student outcomes.
As a result of taking the time to learn more about my students through the implementation of interest surveys, building meaningful relationships with students outside of the classroom which align to their interests and passions, and providing students with ample opportunities for discourse within the classroom, I have created a socially stimulating and intellectually safe learning environment for all of my students, especially ones who had been historically marginalized within the school building in prior years. The use of heterogeneous collaborative groups in my classroom has taught students that working with other people can not only deepen your own understanding of a topic, but it can also help you revise and re-frame your own perspectives and biases about those around you and can help to combat negative stereotypes in society.
Jensen, E. (2019). Poor students, rich teaching: Seven high-impact mindsets for students from poverty (revised edition). Solutions Tree Press.
Krasnoff, B. (2016, March). Culturally responsive teaching: A guide to evidence-based practices for teaching all students equitably. Education Northwest. https://educationnorthwest.org/sites/default/files/resources/culturally-responsive- teaching-508.pdf
Stein, P. (2021, August 13). D.C. teacher evaluation system has academic benefits, but is racially biased, new study finds. The Washington Post. https://www.washingtonpost.com/local/education/dc-teacher-evaluation-system-impact-study/2021/08/13/d24066e2-fbb0-11eb-9c0e-97e29906a970_story.html.