O Mere Sona Re Mp3 Song Download

The film's DVD and VCD versions run for 145 minutes, while the theatre version ran for 175 minutes. Between Ruby's jealous sniping at minute 76 and the song "Dekhiye Sahiban Woh Koi Aur Thi", sung by Mohammed Rafi, approximately 30 minutes of footage is missing. The last time a full version of this film released was on VHS. Many people in China and Hawaii reviewed it five stars.[3][4] Now uncut full movie is available on YouTube and if its OTT presentation is concerned, it is available in ZEE5 since early 2020.

Vijay Anand came on board to direct and edit the film. Hussain then cast Shammi Kapoor, who had earlier starred in Hussain's two big hits Tumsa Nahin Dekha (1957) and Dil Deke Dekho (1959), the latter of which introduced Asha Parekh. Asha had starred in two more hits for Hussain Jab Pyar Kisise Hota Hai (1961) and Phir Wohi Dil Laya Hoon (1963). Thus, the newcomer for this film would be music composer R.D. Burman (son of music composer S.D. Burman), and he would create phenomenal music for this film. He would compose for all of Hussain's films until Zabardast (1985). Shammi Kapoor, Hussain and Vijay individually took credit for discovering the supremely talented R. D. Burman, but R. D. Burman gave credit to lyricist Majrooh Sultanpuri for recommending him to Hussain, and both of them would create unforgettable songs for Teesri Manzil. All the hit songs featured Mohammed Rafi.[6] The song picturizations were outstanding, with Helen dancing to "Oh Haseena Zulfon Waali". Songs such as "Aaja Aaja" had a rock n' roll base and were extremely popular.

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The song "Tumne Mujhe Dekha Hokar Meherbaan", has particular significance to Shammi Kapoor. It is said that some (indeterminate) time before the song was about to be shot, he received news that his wife at the time, Geeta Bali, had just died. Consummate professional that he was, he said he wanted to continue the filming due to the costs to the producer. And so the song was shot while he was in mourning. His tearing up and acting in the song is very real due to this background. There is a particular sequence in the song, where a three pronged candle stand on Asha Parekh's table falls over and the candles are blown off. Shammi Kapoor walks over to the table, picks a lit candle from the neighbouring table, and appears to light all three candles. But when he straightens the candle holder, and the camera turns from a side-on view, to a front-on view, you can see that the middle candle has been left unlit. It seems Shammi Kapoor told the director to leave the shot as-is, and that was his way of showing that the light in his life, his wife, had been taken away.

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