Night Of The Living Dead 1968 =LINK= Download

The refugees listen to radio and television reports of an army of cannibalistic corpses committing mass murder across the East Coast of the United States and of the posses of armed men patrolling the countryside to exterminate the living dead. Reports confirm that the ghouls can die again from heavy blows to the head, bullets to the brain, or being burned. Various rescue centers offer refuge and safety, and scientists theorize that radiation from an exploding space probe returning from Venus caused the reanimations.

The film's music consisted of existing pieces that were mixed or modified for the film. Much of the soundtrack had been used by previous films.[e] Romero selected tracks from the Hi-Q music library, and Hardman cut them to match the scenes and augmented them with electronic effects.[92][40] A soundtrack album featuring music and dialogue cues from the film was compiled and released on LP by Varse Sarabande in 1982. In 2008, the recording group 400 Lonely Things released the album Tonight of the Living Dead, an instrumental album with music and sounds sampled from the 1968 film.[93]

Night Of The Living Dead 1968 Download

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Night of the Living Dead is the first of six ... of the Dead films directed by George Romero. Following the 1968 film, Romero released Dawn of the Dead, Day of the Dead, Land of the Dead, Diary of the Dead and Survival of the Dead.[164] Each film traces the evolution of the living dead epidemic in the United States and humanity's desperate attempts to cope with it. As in Night of the Living Dead, Romero peppered the other films in the series with critiques specific to the periods in which they were released.[165][166][167] Romero died with several "Dead" projects unfinished, including the posthumously completed novel The Living Dead[168] and the upcoming film The Twilight of the Dead.[169]

The Return of the Living Dead series takes place in an alternate continuity where both the original film and the titular living dead exist. The series has a complicated relationship with Romero's Dead films.[170] Co-writer John Russo wrote the novel Return of the Living Dead (1978) as a sequel to the original film and collaborated with Night alumni Russ Streiner and Rudy Ricci on a screenplay under the same title. In 1981, investment banker Tom Fox bought the rights to the story. Fox brought in Dan O'Bannon to direct and rewrite the script, changing nearly everything but the title.[171][172] O'Bannon's The Return of the Living Dead arrived in theaters in 1985 alongside Day of the Dead. Romero and his associates attempted to block Fox from marketing his film as a sequel and demanded the name be changed. In a previous court case, Dawn Associates v. Links (1978), they had prevented Illinois-based film distributor William Links from re-releasing an unrelated film under the title Return of the Living Dead. Fox was forced to cease his advertising campaign but allowed to retain the title.[173][172][174][175]

If you've seen the 1968 classic zombie movie Night of the Living Dead, you know that Ben (the main character) gets shot by police officers after being mistaken for a zombie. Thus, my theory for the original Night of the Living Dead (I haven't seen the 1990 remake) is that Ben leaned out of the window and got himself killed on purpose. Ben showed that he was a very capable and intelligent survivor over the course of the film, and I'm willing to bet that he knew that he would be shot on sight. The scene in the cellar when he saw the little zombie girl among the corpses of her dead parents really seemed to mess him up mentally, and I think he lost the will to live in a world like this at that point. He spent the whole night crouched in a corner. When he heard the gunshots, he knew that the cops were killing every member of the living dead they could see. The bloodiness and weariness on his face made him easy to mistake for a zombie from far away. Also, he did not make any attempt at all to capture the cops' attention. Instead he just looked out of the window, which I previously stated was an obvious way to get shot. Long story short, his will to live was dwindling over the movie from the horrible stuff he'd seen (the two teenagers blowing up, Barbra getting eaten alive, etc.) and he totally lost it from the grisly scene in the basement. Ben lost the will to live, and he purposely allowed himself to be shot by policemen.

I rewatched this after a long time and had forgotten how bleak and disturbing it was, especially considering it was released in 1968. I can't imagine how people would have reacted back then. The scenes with the zombies were terrifying. I wish they had gotten more screentime. The last half hour was so well done and you could feel the creepy atmosphere. Plus there is a stabbing scene which was way disturbing. Helen's screams were creepy af. The acting definitely hasn't aged that well but night of the living dead still is the only zombie movie where there is zero "action" only pure horror.

Then things picked up. A television set is discovered, and the news commentator reports that an epidemic of mass murder is underway. The recently dead, he says, are coming back to life in funeral parlors, morgues and cemeteries. Apparently some sort of unearthly radiation is involved (some sort of unearthly radiation is nearly always involved, seems like). The ghouls attack the living because they need to eat live flesh.

What they don't know is that an undead apocalypse is about to sweep America and Barbra's brother is about to get eaten by a shambling ghoul. In 1968, theater-goers were also in the dark, with no idea they were seeing a game-changing film.

As contemporary movie viewers, we have had the zombie subgenre clearly defined for us. We know what they are, how to kill them, and we certainly know not to get bitten. The very concept of a zombie no longer carries any surprise or shock value. But imagine in 1968. Sure, variations of the reanimated dead had been around in movies like Victor Halperin's 1932 pre-code "White Zombie" and 1966's "The Plague of the Zombies" from Hammer Films. But the concept of a zombie as explored by horror legend George A. Romero in "Night of the Living Dead" was quite new and shocking. It also generated controversy and outrage with Variety notoriously calling it an "unrelieved orgy of sadism" and questioning the "moral health of filmgoers" who chose to go see it.

Barbra escapes into a creepy, shadowy house where she discovers that the owner is dead, and that there are more strange figures lurking outside the house. The phone does not work, and the stuffed animals on the walls add to the disconcerting effect. While she is there Barbra is joined by a young man called Ben (Duane Jones), and a few other people are hiding in the cellar. It seems that the dead are coming back to life and devouring the living, and everybody is seeking a place of shelter from them.

Before long the house is surrounded by living dead ghouls (the film does not call them zombies), and the besieged characters are fighting to keep them out of the house while they wait for the authorities to rescue them, or for some means to escape. The tone of the movie grows darker and darker as their situation becomes increasingly desperate.

Indeed there is no clear reason given as to why these attacks occurred. Instead Romero falls back on the old hoary explanation of radiation caused by the destruction of a satellite sent to Venus. How this radiation affects the dead and not the living is unclear, but it is only an unconfirmed theory, and we do not have to accept it.

A line of undead 'zombies' walk through a field in the night in a still from the film, 'Night Of The Living Dead,' directed by George Romero, 1968. The film has been reissued for screenings on the 50th anniversary of its release. Pictorial Parade/Getty Images hide caption

George A. Romero's cult classic brought a virtually unprecedented level of realistic gore and disturbing grotesquerie to creature-feature fans (many of them children). When it premiered in 1968, critics and commentators were outraged that kids had been exposed to such a nightmare. Though it's unrated by the MPAA, some posters and ads carried an X rating (for gruesome violence, not sex), and that should tell you something. It's still intense today and pushes a lot of buttons, with its well-rendered camera angles, effective jolts, claustrophobia, and fate-worse-than-death zombie vibe.

Night of the Living Dead isn't the first movie about zombies or even the first film that depicted cannibals. But it was probably the first to combine the two ideas and, hence, re-invent the idea of what a zombie was for the next 50 years (and probably the next 50 to come). Ironically, the word "zombie" is never uttered in Romero's film, primarily because he didn't think of his creations as "zombies" (which before this point in movie history were infected humans...but humans that were still very much alive). Romero just saw his creations as "dead neighbors" (his words) who dined on the flesh of the living. ff782bc1db