The refugees listen to radio and television reports of an army of cannibalistic corpses committing mass murder across the East Coast of the United States and of the posses of armed men patrolling the countryside to exterminate the living dead. Reports confirm that the ghouls can die again from heavy blows to the head, bullets to the brain, or being burned. Various rescue centers offer refuge and safety, and scientists theorize that radiation from an exploding space probe returning from Venus caused the reanimations.

The film's music consisted of existing pieces that were mixed or modified for the film. Much of the soundtrack had been used by previous films.[e] Romero selected tracks from the Hi-Q music library, and Hardman cut them to match the scenes and augmented them with electronic effects.[92][40] A soundtrack album featuring music and dialogue cues from the film was compiled and released on LP by Varse Sarabande in 1982. In 2008, the recording group 400 Lonely Things released the album Tonight of the Living Dead, an instrumental album with music and sounds sampled from the 1968 film.[93]


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Night of the Living Dead is the first of six Ā ... of the Dead films directed by George Romero. Following the 1968 film, Romero released Dawn of the Dead, Day of the Dead, Land of the Dead, Diary of the Dead and Survival of the Dead.[164] Each film traces the evolution of the living dead epidemic in the United States and humanity's desperate attempts to cope with it. As in Night of the Living Dead, Romero peppered the other films in the series with critiques specific to the periods in which they were released.[165][166][167] Romero died with several "Dead" projects unfinished, including the posthumously completed novel The Living Dead[168] and the upcoming film The Twilight of the Dead.[169]

The Return of the Living Dead series takes place in an alternate continuity where both the original film and the titular living dead exist. The series has a complicated relationship with Romero's Dead films.[170] Co-writer John Russo wrote the novel Return of the Living Dead (1978) as a sequel to the original film and collaborated with Night alumni Russ Streiner and Rudy Ricci on a screenplay under the same title. In 1981, investment banker Tom Fox bought the rights to the story. Fox brought in Dan O'Bannon to direct and rewrite the script, changing nearly everything but the title.[171][172] O'Bannon's The Return of the Living Dead arrived in theaters in 1985 alongside Day of the Dead. Romero and his associates attempted to block Fox from marketing his film as a sequel and demanded the name be changed. In a previous court case, Dawn Associates v. Links (1978), they had prevented Illinois-based film distributor William Links from re-releasing an unrelated film under the title Return of the Living Dead. Fox was forced to cease his advertising campaign but allowed to retain the title.[173][172][174][175]

The dead are no longer dead, at least, not entirely. They have begun crawling from their graves and out of morgues, and they hunger for only one thing: human flesh. Nobody is sure what’s going on and everyone’s wary of who might turn into an undead killer next. Barricaded in a farmhouse, a small group of survivors try and decide how best to ride out the night of the living dead.Night of the Living Dead: A Zombicide Game is a new stand-alone Zombicide game, with players take on the role of the survivors in George A. Romero’s horror classic. Players must work together to accomplish tasks while fending off the ghoulish menace outside. These horrors are like nothing they have ever seen before. Will they be able to get over their shared suspicion of one-another and make it out of the house alive? That’s up to you to decide.

Facing a growing mob of strange, bloodthirsty creatures, three couples seek refuge in an abandoned house... but will they survive the night?!? With an infectious original score, this rock 'n' roll comedy is this generation's Little Shop of Horrors!

Then things picked up. A television set is discovered, and the news commentator reports that an epidemic of mass murder is underway. The recently dead, he says, are coming back to life in funeral parlors, morgues and cemeteries. Apparently some sort of unearthly radiation is involved (some sort of unearthly radiation is nearly always involved, seems like). The ghouls attack the living because they need to eat live flesh.

This uncorrected 16 mm work print of NIGHT OF THE LIVING DEAD features the alternate opening title and a day-for-night ghoul shot that was removed at the request of the original distributor. It is missing part two of the second reel. Unrestored audio from the finished film has been conformed as c...

To add some context to the throwaway line within the film about a radioactive satellite possibly leading to the raising of the dead, Criterion provides a 2-minute excerpt from a 1967 news segment on the Venus Probe. Following this is then a collection of trailers, including the original and the 2017 Janus re-release, 2 TV spots that are basically just truncated versions of the original trailer, and then 4 radio spots, two from 1968 and two for a 1970 re-release (the last one redoing one of the 1968 spots).

Tickets are $10/adults, $8/seniors (60 and up), and $5/those under 18 and UWRF students. Purchase tickets online at -productions-2023-24 or in person at the Box Office in the lobby of Kleinpell Fine Arts. The Box Office is open weekdays from 10 a.m.-1 p.m. beginning Oct. 18, and it also open at 6:30 on show nights. Call the Box Office at 715-425-3114 for more information.

A line of undead 'zombies' walk through a field in the night in a still from the film, 'Night Of The Living Dead,' directed by George Romero, 1968. The film has been reissued for screenings on the 50th anniversary of its release. Pictorial Parade/Getty ImagesĀ  hide caption

What they don't know is that an undead apocalypse is about to sweep America and Barbara's brother is about to get eaten by a shambling ghoul. In 1968, theater-goers were also in the dark, with no idea they were seeing a game-changing film.

What people got in Romero's film was their very first glimpse of what we now think of as zombies: shambling undead who hunger for human flesh. They're mindless and slow and kind of goofy looking, but nearly unstoppable. They just keep coming unless you destroy their brains.

Fall out from a satellite probe shot to Venus returns to Earth carrying a mysterious radiation that transforms the unburied dead into flesh-eating zombies. Seven people trapped in an isolated farmhouse, held hostage by the ravenous ghouls, begin to turn on each other as the dead encroach. A gripping terror-filled monochromatic play that brings all the fright of the cult classic to life. This blend of thrilling horror laced with touches of black humor envelops the audience in the action and unfolds into a shocking theatrical ending.

Finally, the mystery is solved! All this time I've associated NOTLD with Creature Features, though it's clear now I didn't see it on that program, since I think I watched it the same night as you or after. It's understandable how Chiller Diller could have gotten confused with Creature Features. Both were great Bay Area horror programs with memorable intros. The Chiller Diller intro brings back fond memories:

Great detective work! Makes me want to find out exactly when I first saw Creature From the Black Lagoon (or Revenge) for the first time. That would have been the first horror/sf flick I ever saw in 65 or 66, late on a Saturday night, on KOVR. Have I given you enough info, John?

George Romero's Night of the Living Dead is one of the most popular horror films ever, but an unfortunate error accidentally made it public domain. With Night of the Living Dead, Romero created the zombie as we know it today, a walking corpse with little intelligence that craves the flesh of the living. Without Night of the Living Dead, there would be no The Walking Dead, Zombieland, or hundreds of other zombie movies and TV shows. When it comes to zombies, Romero is the godfather.

More than just a recreation of the story, the play celebrates the history and influence of the movie. Through a series of multiple endings, the characters are all faced with different issues and challenges while desperately trying to survive the night. However, their contrasting personalities and agendas always seem to prevent the group from working together. Which leaves us all wondering: Could anyone survive a night of the living dead?Ā 


This leads to the discovery of other survivors hiding in the basement, including Harry (Tom Towles), Helen (McKee Anderson) and daughter Sarah (Heather Mazur) Cooper and teenage couple Tom Bitner (William Butler) and Judy Rose Larson (Katie Finneran). There are no other vehicles and nothing around, so presumably everyone was just ambling through rural Pennsylvania when the dead woke up hungry.

While aimlessly running through the area, Barbara manages to find a group of locals who are combing the hills eliminating the undead. When she wakes up the following day, she finds herself in town and tells Sheriff McClelland about the tragedy at the farmhouse. Upon returning, hoping to find Ben alive perhaps, she finds him reanimated in the basement before McClelland shoots him dead.

As Helen looks around for her, Sarah ambles toward her from the shadows, clearly no longer among the living. Her mother can only cry and back up against a wall as her daughter approaches, mouth agape.

This scene takes place in the living room of the farmhouse, which is privately owned and inaccessible to the public. The property owner does not want movie fans trespassing on his property, so please take photos from the road. ff782bc1db

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