New East African Music Download

East African urban music is a popular music genre of the three countries customarily grouped as "East Africa": Kenya, Tanzania and Uganda. The genre is basically an offshoot of western popular music, particularly hip hop and funk, somewhat influenced by more traditional African music. Kapuka, genge, and bongo flava are some of the subgenres which have arisen in this style.

The three countries involved in this genre share a common colonial history and close cultural and linguistic relationships. Especially since the 1960s popular musicians have shared their talents across the borders of the three nations and helped move the music of the area from traditional to benga/rumba and now Afro-urban music.

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Musicians of the early 1990s, including Tedd Josiah (Kenya), P-Funk (Tanzania) and Steve Jean (Uganda), began to combine western influences with the area's more traditional popular music. Local radio stations were at first reluctant to experiment with this new music, until privately operated FM stations began to appear and needed new material to establish a market niche. By 2000 urban music groups like X-plastaz (Tanzania), 237 street cypher (Kenya), and Kalamashaka (Kenya) had developed local followings and were beginning to tour abroad.

In 2004 the Kilio Cha Haki, A Cry for Justice (by Nairobi Yetu) compilation appeared, featuring Rha Goddess, a performing artist and socio-political activist based in New York. Nairobi Yetu is a collaboration of 38-strong collective from Nairobi, among them G.rongi and Kalamashaka.[1] Swahili Entertainment Inc. and Nomadic Wax Records combined in late 2004 to start the distribution and publishing of East African urban music. Other companies like Bab Kubwa and Project 254 Records are also working to develop and expand the market for this music. This upshot of this music can be well seen in the documentary HIP HOP Colony.

The East African Urban music has recently exploded and advanced within and without the East Africa Community towards the larger African Great Lakes and in notable East African diaspora inclusive of the US and Britain. Music artistes of this genre have been observed to develop in terms of content quality and product outreach. Some of the current most celebrated artistes include Tanzania's: Diamond Platnumz, Alikiba, Harmonize, Darasa, Aslay among others; Kenya's: Nameless, Major Kansoul; Sauti Sol; Frasha, Nadia Mukami, King Kaka among others and Uganda's Chamelion among others.With the integration of the East Africa Community, talent pool and exchange of ideas plus cooperation between artiste and music industry players of the EAC countries has improved the music scene in East Africa. However, Kenya and Tanzania have tensions and mistrust towards each other such that, both countries from time to time can shutdown and later reopen the border and thus this impedes the development of the East African Urban Music.

Taarab is a popular form of music in Tanzania and Kenya. This more traditional form of music is influenced by the traditions of the African Great Lakes, North Africa, the Middle East, and the Indian subcontinent.

A fusion of pre-Islamic Swahili songs sung in a rhythmic, poetic style, mixed with Arab-style melodies, Taarab is an extremely lively musical form, and is incredibly popular, especially among East African women. In fact, Taarab is a major part of the social life of the Swahili people, especially along the coastal areas, like Zanzibar, Tanga, Mombasa, and Malindi. Wherever the Swahili people travelled, Taarab was brought with them.

Another popular form of hip hop found in East Africa is called boomba. Also originating from Kenya, boomba incorporates elements of hip hop, reggae, and traditional African musical styles. Like genge, the lyrics tend to be in Swahili, Sheng, or a local dialect. Also getting its start in the late 1990s, boomba became immensely popular, dominating the East African airwaves, especially in Kenya and Uganda.

Generally speaking, Bongo Flava is a nickname for Tanzanian music. Another genre that saw a rise in popularity throughout the 1990s, this style is made up of a mixture of American hip hop influences with traditional Tanzanian styles like taarab and dansi. Reggae, R&B, and afrobeats also play important roles in influencing the genre. Once again, the lyrics tend to be in Swahili or English, although lately, thanks to the afrobeat influence, more Nigerian has begun to appear.

African music is causing excitement that can be felt and heard all around the world. In East Africa, specifically, a new wave of talent is materializing, bringing the world fresh new tunes to help people let go and just dance. Here are some East African artists you should add to your playlist.

Performing on Thursday, June 1, will be Gili Yalo and his five-man band. Yalo, who performed at the Cedar last fall, is returning with his funk and classical soul sound. Born in Ethiopia, Yalo left with his family at age 4 for the promised land of Israel. He has spent most of his life there, and grew up listening to Western music, an influence evident in his music as he seeks to express the beauty of the diaspora, singing in English and Amharic and mixing funk and psychedelic sounds.

The next day, Friday, June 2, Somali artist Nimcaan Hilaac will perform on the Cedar stage. Nimcaan began his music career in Hargeysa, the city considered to be the home of Somali arts and culture, and rose to popularity due to his sincere voice and boyish charm. He then went on to Mogadishu, the Somali capital, and became director of the state-sponsored Waabeeri music troupe. In Mogadishu, Nimcaan sang live with a full band, bringing that tradition back to the city.

The year has seen an impressive surge in the achievements of East African artists, as they transcend boundaries, engage in exciting collaborations, and elevate the overall quality of their music releases. The music scene has been ablaze with exceptional talent and groundbreaking creativity, showcasing the unity and diversity that African music embodies. Here, we present a selection of the finest East African songs that have made a resounding impact this year.

In 2023, these East African artists have undeniably raised the bar, captivating both local and international audiences with their incredible music and collaborations. With these records, they continue to push boundaries and contribute to the ever-evolving landscape of African music.

Joshua Baraka "NANA Remix" ft. Joeboy, King Promise & BIEN Joshua Baraka, riding the wave of success from his chart-topping single, embarked on an epic collaboration with major talents from Nigeria, Ghana, and Kenya. The all-star remix of "Nana" unites Joeboy, King Promise, and Bien from Sauti Sol. This rendition of the single masterfully merges the vibrant musical landscapes of West and East Africa, celebrating the unity and rich diversity of African music.

A clear standout from the East African music scene in 2023 is Zuchu's mesmerizing track "Utaniua." The Tanzanian songstress showcases her exceptional vocal prowess and emotional depth in this heartfelt ballad. "Utaniua" captivates listeners with its soul-stirring lyrics and the raw vulnerability in Zuchu's delivery. The song struck a chord with audiences, earning widespread acclaim and solidifying Zuchu's position as one of the region's most talented and promising artists. With its haunting melody and powerful storytelling, "Utaniua" has undoubtedly been one of the unforgettable highlights of the year so far.

Ugandan artist Vinka's "Bailando" is a lively dance track fusing Afro-pop and dancehall beats. Encouraging listeners to let loose and dance like no one is watching, the song captures the energetic spirit of Vinka's artistry. Vinka continues to set the bar high in Ugandan and East African music scene with her high level releases.

The Digital Collection of East African Recordings, the first database in a series of databases in the Global Music Archive, is the largest streaming audio archive of East African music. It consists of more than 2,000 musical performances, most of which were recorded in the field by East African musician Centurio Balikoowa. In addition to its size, the archive is unique in that the artists provide written consent, allowing Vanderbilt the freedom to license and share the music with the world via the Internet.

The archive website and the Digital Collection of East African Recordings can be accessed at: www.globalmusicarchive.org. Real Player is required to stream the sound files contained in the Digital Collection of East African Recordings. Sound files vary in length from 45 seconds to one hour and cannot be downloaded.

The Global Music Archives hopes to add several additional databases in the next three years to its collection including a dulcimer archive, an archive of the research and recordings about the Argentinean dance the Tango by the late Vanderbilt professor Simon Collier and an archive of music from indigenous people of Mexico based on the work currently in process by Vanderbilt ethnomusicologist Helena Simonett.

That's why I wanted to ask if anyone here could share some links to music they find interesting, articles, other labels or anything at least slightly related. Also, stuff that excels the subject of music will be equally welcome, as it will give me more grounding and maybe better understandinh of the music

Doug was a trained cultural anthropologist who would later work with record companies and East African musicians to create compilation notes, with Doug writing detailed liner notes. He wanted to preserve the music, and also help it reach as many people as possible.

The Siddis begin almost every Dhamaal song by blowing into a conch shell. This is often followed by the slow playing of East African percussion instruments like the musindo and the slow thumping of feet that marks the onset of the singing and dancing Dhamaals. The ritual of foot thumping is a crucial part of spiritual East African dance and musical traditions. 9af72c28ce