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Regarding the meaning of the song, Matthew Bellamy has said: "It's about a semi-fear of the evolution of technology, and how in reality it's destroying all humanity. My fear is that we can't control it because it's moving faster than we are, so the song's setting myself in a location in the future where the body is no longer important and everyone's plugged into a network. The opening line is 'link it to the world', so it's connecting yourself on a worldwide scale and being born into another reality."[citation needed]

"It's about a semi-fear of the evolution of technology,and how in reality it's destroying all humanity. My fear is that we can't control it because it's moving faster than we are,so the songs setting myself in a location in the future where the body is no longer importantand everyone's plugged into a network. The opening line is 'link it to the world', so it's connecting yourself on a worldwide scale and being born into another reality,in a way it's on the same lines as the film The Matrix,but we weren't intending on copying their idea on technology and how it has evolved."[1]

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Egloshaylerecorded there the ledger on holy ground [End Page 40] Selina served partnerlessin workers' prison as archive records showThomas did too and what did the child doas she worked debt imprisoned acts determinedby court her sin report her son Thomastwinned with me also born to a brave mother alone

My Father's Birthday Before I Was Born Robert Bedick (bio) It was so simpleBefore I was born.My parents were farmers:White farmhouse, white curtains,White chickens on the range."Have you ever seen a chicken wearing sunglasses?"My mother would reminisce.

My father was slim and strong,Before I was born.The pictures show him smilingWith a dog by his side,An old baseball capTilted sideways on his headWith a loose lock of black hairFalling down into his eyes.

Before I was bornThere was an old wooden stairwayThat led to a bedroom,A sunny room of window glass [End Page 158] With a small double bed,A four-poster bed with a soft mattress,Feather pillows and a quilt.

It was my father's birthdayBefore I was born, April fourteenth, 1946.My parents woke early,Warm in their bed,Surprised to see snowIn the middle of April,And a white horse standing silentBy the side of the house. [End Page 159]

Scalar is a free, open source authoring and publishing platform that's designed to make it easy for authors to write long-form, born-digital scholarship online. Scalar enables users to assemble media from multiple sources and juxtapose them with their own writing in a variety of ways, with minimal technical expertise required. (Scalar n.d.)

Scalar isn't the only platform for born-digital scholarship. The publication arm of the Hemispheric Institute/Instituto Hemisfrico de Performance & Poltica, Hemi Press (which won the 2017 ATHE-ASTR Award for Excellence in Digital Scholarship), uses Tome. Hemi's recent piece about Ricardo Dominguez's Transborder Immigrant Tool incorporates music, poetry, and multilingualism. Explore this born-digital work at: [End Page 8]

not come from localmuseums or schools but from dedicated Indians charting a new course. In spite of these objections, there aremany places in thebook where readerswill be amazed and surprised. The Skokomish, Port Gamble S'Kllalam, andQuileute chaptersmake good use of local lore by quoting tribalmembers. The Skokomish pay tributetoGeorge Adams, thefirst Native American legislator in the Washington StateHouse of Representatives, quoting a 1951 speech in which he spokepassionately about treaty rightsas representing the "blood, tears,and the lives of your many ancestors." In addition, the Squaxin Island chapter successfully relates the victorious story about their struggle to regain Church Point, an importantplace in thehistory of theShaker church. The end of thebook provides a hint of the power itcould have had. Each writer provides some memory regarding salmonberry picking. Their remembrances are charming and personal and convey theexact tonenecessary forfulfilling thetrue mission of thisbook. For example, Justine James,thewriter fortheQuinaults, says:"When the Salmonberry bloom, the blueback salmon runs returnto the Quinault River."Genny Rogers of Skokomish says:"On the reservation salmon berrieswere treasurednot only forthe taste,but for the lesson to take the time to stop and pick them off the bush_I learned to enjoywhat nature had to offer in thenatural setting."Per haps thenext time, the writerswill keepmore to their statedmission, throw away the standard anthropological notes, and tape-record the sto riesof theirneighbor or theirnearest elder. Where thiswas done, the book is richer for itsmore authentic voice. More confidence in theirown Native voices would create thebook this com mittee wanted to produce and thebook we all want to read. Born inSeattle: The Campaign for Japanese American Redress By Robert Shimabukuro University ofWashington Press, Seattle, 2001. Notes, bibliography, index. 178 pages. $16.95 paper. Reviewed by Robert J. Gould Portland State University,Portland, Oregon When we forgive and forget,itisprop erly in the context of a pledge of "never again." When the transgression has been the ut terdestruction of civil liberties,such a pledge is no mere apology but must have the force and embodiment of law.Civil rightscampaigns, such as the one chronicled inBorn inSeattle, aim at thisultimate goal. In thissense, the subtextof the title Born inSeattle is"born in theUSA?with all of our protected rights." The campaign forJapanese American redress for the inhumanity of the internmentcamps of World War II reflectsthe long struggleby Japa neseAmericans togain fulland proper respectas Americans. A small group of JapaneseAmerican activistsborn inSeattlewere largelyresponsible for the largely successful campaign for redress, whose reawakened spirit was evoked inPresident Ford's proclamation: "I call upon theAmerican people toaffirm withme this American Promise ? that we have learned from the tragedyofthat long-ago experienceforevertotreasureliberty and justice foreach individualAmerican, and resolve that thiskind of action shall never again be re peated" (p.129). The chapters of thisbook reflectboth this reawakening process and thedifficultroad that activists traveled over a twenty-year period, cul 6iO OHQ vol. 104, no. 4 minating inthe Civil RightsAct of 1988. Each chap ter carries the reader along that long process: Awakening,Roadblocks, Remembrance, Circum vention, Testimony, Gestures, Determination, and Arrival.The activistsachievedmuch ofwhat they had sought. Passage of theCivil RightsAct and twenty-thousand-dollar payments to affected individuals constituted the apology and token compensation forthe suffering endured. What was not achieved was theoverturning of theSupreme Court rulingson the curfew,ex pulsion, and incarceration. In addition,Congress did not entirelyrevokePublic Law 503,passed in March 1942, which, in conjunction with Execu tiveOrder 9066, provided the legal justification for internment. The pledge of "never again," evoked in regard to the concentration camps of the Holocaust and now JapaneseAmerican con centration camps, was never fullybacked up in U.S. law.Because of this, Henry Miyatake, a key Seattle activist, worries thatprotection from the sudden loss of civil rightsremains tobewon. Born in Seattle is the storyof this redress movement toldfrom theperspectiveof those who created and nurtured it.A key contribution of Born inSeattle isthatredressconcerned not only the sufferingthatoccurred at the timeof intern ment but also the sufferingthatcontinued long afterward.This suffering was not just the result of the general form of racism directed against those of Japanese descent before and after in ternmentbut a particular form of discrimina tionbased on the wrongly assumed disloyalty of JapaneseAmericans... 2351a5e196